On his recent retirement from the chair of classical archaeology in Cambridge University, Anthony Snodgrass reflected on the state of the subject, wondering whether a paradigm shift has occurred. Snodgrass assesses various matters, including, for our purposes, how archaeological approaches to ancient literary sources have changed. His comments deserve quotation in full:

…Classical archaeology is often stigmatized, by its many critics, as being ‘text-driven’ … [in] that the subject takes its orientation from, and adapts its whole narrative to, the lead given by the literary sources. Thus the archaeology of Roman Britain has been built around Tacitus' narrative of conquest; the study of Greek art around the text of the Elder Pliny; the archaeology of fifth-century Athens around the narratives supplied by Herodotus, Thucydides and Xenophon; that of Republican Rome similarly around those of Livy and Diodorus; that of Sicily again around Thucydides; and most notoriously, that of Aegean prehistory and protohistory around Homer…. But there is a deeper level still. Traditional Classical archaeology is stated…to have directed its energies at those aspects of the ancient world on which the written sources, taken as a whole, throw light. Thus, on urban but not on rural life; on public and civic, but not on domestic activity; on periods seen as historically important, but not on the obscurer ones; on the permanent physical manifestations of religion, but not on the temporary ones – sacrifice, patterns of dedication, ritual meals, pilgrimage; on the artefacts interred in burials, but not on burial itself; on the historically prominent states – in Greece, Athens and Sparta – but not on what has recently been called ‘the Third Greece’…