Introduction: From colonialism to trafficking: The contested heritage
Recent decades have witnessed massive attacks on cultural heritage all over the world, with illicit trafficking in cultural propertyFootnote 1 continuing unabated in all archaeologically-rich areas responding to an insatiable market demand.Footnote 2 In Iraq, cultural heritage has undergone unprecedented attacks since the imposition of an international embargo in 1990 and the 2003 US-led invasion.Footnote 3 Intentional destruction, the plundering of museums’ collections, the burning of archives and libraries, the murder of academics and archaeologists, industrial-scale looting of archaeological sites, and its culmination with the IS (Islamic State) institutionalized excavation in territories under its control, along with cultural genocide of ethnic minorities, heavily impacted the Iraqi society.Footnote 4 These tragic events and their social and cultural consequences were defined as a “catastrophe,”Footnote 5 the “end of Iraq,”Footnote 6 and “cultural cleansing,”Footnote 7 all underlining the irreversible loss of cultural resources and intangible cultural memory. Overall, hundreds of thousands of artifacts and manuscripts are estimated to have disappeared.Footnote 8 According to other estimates, about 400,000 to 600,000 artifacts were removed from Iraqi grounds between 2003 and 2005 alone, which is three to four times the number of artifacts gathered from excavations since the 1920s by the National Museum of Iraq.Footnote 9 These estimates, however, can only allude to the real dimensions of looting that has occurred in the last three decades in Iraq.
Yet, there was a Planet B. The 1990s were baptized in high-end US art market environments as a Golden Age for collecting Mesopotamian antiquities.Footnote 10 In 2007, a small Proto-Elamite Mesopotamian lion statue sold for $57 million at Sotheby’s New York, followed by media enthusiasm urging investors to dive into this promising investment where “even a small antiquity could bring huge profits.”Footnote 11 Having witnessed the IS atrocities condemned by UN resolutions,Footnote 12 an Assyrian relief from the Ashurnasirpal II Palace in Nimrud, heavily looted by IS in 2014, was sold at Christie’s by the Virginia Theological Seminary for $31 million in 2018.Footnote 13 The initial price estimate more than tripled, setting a world price record for Assyrian art, with the buyer remaining anonymous.Footnote 14 “Auction houses ask us to prove that the artifacts are Iraqi, even though everyone knows they are Iraqi, but items from illegal digging are undocumented,” commented Muthanna Abed Dawed, a former head of the Iraqi Antiquities Recovery Department who attempted to stop the sale, claiming that the relief was illegally excavated in Iraq in the 1970s.Footnote 15 Indeed, despite the documented provenance dating the presence of the relief in the USA from 1859,Footnote 16 the sale raised serious ethical concerns among Iraqi scholars and activists. Not only the IS destruction of Nimrud was believed to have pushed up the market price of the relief, such a profitable sale was also seen as encouraging further looting throughout the Middle East.Footnote 17 “The Virginia Theological Seminary has been incredibly insensitive to the suffering of the Iraqi people who have endured horrendous violence and seen their heritage obliterated under IS, including the demolition of the Assyrian palace at Nimrud, from which this relief was originally taken. The seminary profited directly from the suffering and loss that we have endured, the utter callousness of the sale is astounding,” stressed Zainab Bahrani, a Columbia University Professor of Ancient Near Eastern Art and Archaeology and Senior Advisor to Iraq’s Ministry of Culture in 2004.Footnote 18 With decolonization activists protesting outside the auction house, the sale was seen as just “another way to sustain, reproduce and support a long history of western colonial plunder, looting and stealing epitomized by the US-led invasion of Iraq. Our memory is not for sale, cultural heritage is not a commodity,”Footnote 19 declared Iraqi scholars Zahra Ali, Associate Professor at Rutgers University in Newark, and Amnah Almukhtar, PhD candidate in History at Columbia University in New York, USA.
The above examples clearly illustrate the existence of a net contrast between the immeasurable catastrophe unfolding around cultural heritage in Iraq and contemporary high-profile investment-oriented market practices surrounding that same heritage in the Western hemisphere. The roots of this contrast lead to the depredation of cultural wealth by colonialism and empire replicated through the illicit antiquities trade. The latter operates by the same uneven benefit arrangements, granting cultural, natural, and economic enrichment to dominant powers at the expense of the subjugated ones.Footnote 20 A collective restitution of all cultural artifacts looted in colonial times might be unmanageable and unattainable by any nationFootnote 21 and is not being advocated for here. Instead, this paper focuses on the contemporary antiquities trade, flourishing at the expense of archaeologically-rich source countries, often former colonies undergoing conflict, instability, poverty, and terrorist and criminal group activity.Footnote 22
Experts repeatedly stress a multiplicity of social, cultural, and criminological harms endured by source states through looting that go much beyond mere material despoliation by impacting their identity and instantiating a flagrant international disregard for their laws and institutions.Footnote 23 Addressing antiquities trafficking debates, source countries have emphasized the sacred links between people, territory, and heritage since the 1960s,Footnote 24 yet the reference to the Universal Declaration of Human Rights in the 1970 UNESCO Convention was removed in the drafting phase.Footnote 25 While the rights-based approaches to cultural heritage are being increasingly engaged within academia and world heritage policy fields,Footnote 26 little scrutiny is dedicated to the human rights implications of looting and trafficking in cultural property. Given this, experts have recently been advocating for a renewed injection of human rights ethos into the debate,Footnote 27 which in substance would be nothing but a decolonial return to the original treatment of the illicit antiquities trade as a human rights issue.
Building upon the previous albeit limited research, this paper adopts a human rights-based approach following a hybrid methodology. A legal analysis of primary and secondary sources is complemented by a historical scrutiny of the treatment of archaeological heritage in Iraq, as opposed to the self-serving appropriation attitudes of the market-state powers. Unpacking the Iraqi contribution to the international agenda, the study reveals that Iraq co-sponsored at least 13 UN resolutions on the restitution of illegally expropriated cultural property, actively contributing to the negotiation of others along with submitting its legal opinions on the drafts of relevant international documents starting from as early as 1936, to culminate with calls to stop cultural plunder feeding western markets since the 1990s. Centering the Iraqi voices and adopting a critical decolonial rights-based perspective, this study showcases how antiquities trafficking and trade clearly emerge as a violation of a state’s permanent sovereignty over its wealth and resources, negatively impacting its ability to guarantee the right to pursue economic, social, and cultural development for its people, and freely dispose of their resources, the key components of the right to self-determination.
Cultural heritage and human rights: Mutual cross-fertilization
The strengthening of the link between human rights and cultural heritage is a relatively recent phenomenon.Footnote 28 The two fields of legislation have historically developed along parallel, non-intersecting binaries: cultural heritage law has extensively grown since the institution of UNESCO with the adoption of a series of soft and hard law instruments,Footnote 29 not necessarily considering the protection of cultural heritage as a precondition of human rights advancement.Footnote 30 Instead, despite the recognition that culture is the essence of being human,Footnote 31 for decades cultural rights have been considered an underdeveloped “left-over” category within the human rights family.Footnote 32 With very few legal provisions, its analysis and reconstruction have occupied a minuscule space in the vast human rights literature,Footnote 33 with references to human rights in cultural heritage discourse being much more frequent than vice versa.Footnote 34 In legal terms, the relationship between cultural heritage and human rights is a complex and challenging one that ideally can be mutually reinforcing, while in some instances, human rights can be instrumentalized to pursue heritage goals or even enter into tension with the latter, for example, in urban development issuesFootnote 35 or within universalizing norms versus local rules discourses.Footnote 36 Within the recently growing academic engagement,Footnote 37 some authors argue that elevating conflicts around cultural heritage to the level of human rights might not prove strategically useful and achievable, while other basic concerns of the 1948 Universal Declaration of Human Rights remain unfulfilled.Footnote 38 Numerous other experts highlight that the human dimension is intrinsic to cultural heritage, deprived of which it becomes hollowed,Footnote 39 therefore cultural heritage protection cannot be treated in isolation from human rights.Footnote 40 While no explicit rights to cultural heritage are included in international human rights treaties, the protection and promotion of cultural heritage is seen as a precondition for the enjoyment of several human rights norms.Footnote 41 Legal scholars underscore the importance of the shift in international law from the protection of cultural heritage as such to its protection as a value for human dignity and cultural identity of peoples and individuals,Footnote 42 obliging the states to respect, protect, promote, and fulfill human rights to cultural heritage.Footnote 43
Following the worldwide unprecedented attacks on cultural heritage in recent decades and the launch of a new humanism vision by UNESCO,Footnote 44 the relevance of the human rights framework for heritage protection and the promotion of effective cultural policies has been further reinforced.Footnote 45 Recognizing that cultural heritage is an important component of the cultural identity of communities, groups, and individuals,Footnote 46 the mutual cross-fertilization of the two domains arises in relation to Indigenous peoples’ rights, the impact of economic development on cultural heritage, intellectual property rights, the safeguarding of cultural diversity, intentional destruction, and war damage.Footnote 47 Most recent cultural heritage instruments, among which the Convention for the Safeguarding of the Intangible Cultural HeritageFootnote 48 and the Declaration on the Intentional Destruction of Cultural Heritage,Footnote 49 contain preambular references to human rights, impacting the reading of the respective norms within the substantive texts in light of these references.
In parallel, while human rights serve as a justification for protecting cultural heritage,Footnote 50 cultural rights are gradually becoming an important area of human rights discussion.Footnote 51 The issue of General Comment No. 21 on “The right of everyone to take part in cultural life” by the United Nations Committee on Economic, Social and Cultural RightsFootnote 52 was an important step in determining the content of cultural rights and providing states with guidelines on their respective obligations.Footnote 53 The appointment of the United Nations Independent Expert (further Special Rapporteur) on Cultural Rights in 2009 further reaffirmed that “cultural rights are an integral part of human rights, which are universal, indivisible, interrelated and interdependent.”Footnote 54 The destruction of and damage to tangible and intangible cultural heritage; the protection of heritage in times of military conflict, looting, smuggling, theft, and illicit trafficking; and the protection of cultural rights defenders finally entered into the UN Human Rights Council agenda.Footnote 55 Affirming that cultural heritage is important not only in itself but also in relation to its human dimension, the preservation of cultural heritage was recognized as a human rights issue.Footnote 56 A joint statement brought by the coalition of 145 states in 2014 condemned the intentional destruction and looting of cultural heritage, highlighting the link of these activities to terrorism financing and their impact on cultural rights.Footnote 57 The statement laid the basis of the UN Resolution 33/20,Footnote 58 while the Special Rapporteur Karima Bennoune called upon states to treat offenses against cultural heritage as violations of human rights and to develop new holistic rights-based approaches to its protection.Footnote 59 However, much ambiguity and unresolved questions still remain in the framing of connections between heritage and human rights, especially in adopting rights-based approaches in heritage work,Footnote 60 which requires further structural interdisciplinary engagement. In line with the call to action of the Special Rapporteur, this study scrutinizes the treatment of illicit trade in cultural property as a human rights issue, its impact on the state’s sovereignty, the resulting implications for the right to self-determination, and further focuses on the case study of Iraq.
Illicit trafficking in cultural property and human rights
Illicit trafficking and trade in cultural property negatively impact all source countries, both in peace and conflict times, causing a multiplicity of social, cultural, criminological, and legislative harmsFootnote 61 through the illegal extraction of cultural resources belonging to their communities of origin, represented by the state. Stratified archaeological knowledge is erased through clandestine excavation, while artifacts themselves are muted and anonymized and praised for their aesthetic and market value while completely detached from their contexts of origin. In these countries, strict state-vesting legislation usually prohibits unauthorized excavation, commercialization, and export of archaeological heritage, discovered and undiscovered, granting its legal title exclusively to the state,Footnote 62 meaning that an illegally excavated object leaves the country with a criminal record of offenses such as theft, counterfeiting, illegal export, fraud, corruption, and smuggling.Footnote 63 Penalties for offenses against cultural heritage may amount to up to 15 years or even life imprisonment in IraqFootnote 64 or 16 years in Italy,Footnote 65 to cite just a few examples.
However, a strong gap exists in the perception of the antiquities trade in source countries and market or transit ones, all exercising their full sovereignty to legislate. Illegally obtained objects easily enter demand-triggering market locations to be merchandised within legal frameworks favoring the property rights of good-faith purchasers.Footnote 66 The latter defend their “right” to acquire and own the culture of others, strengthened by narratives of justification, salvage, and denial coined by powerful lobbies.Footnote 67 This perception gap between source and market countries led to the vicious circle of illicit antiquities trafficking. Widely recognized as a form of transnational organized crime,Footnote 68 even where single participants may have no knowledge of the other trafficking nodes,Footnote 69 exploited by terrorist groups as a profitable resource,Footnote 70 implicated in money laundering, financial crime schemes, drugs, and arms trafficking,Footnote 71 illicit antiquities trade is generally not treated as a serious crime on legislative and political levels in market states. Despite aiming to change the existing gap, international legislation is deemed inconsistent by specialized law enforcementFootnote 72 and unable to tackle the effective dimensions of the illicit trade, enduring over fifty years after the adoption of the UNESCO 1970 Convention, the most widespread international instrument.Footnote 73 By contrast, the scale and severity of antiquities trafficking are constantly increasing due to plummeting prices and growing demand in the market side, facilitated by overall economic depression, ongoing conflicts, and lack of stability in source locations.Footnote 74
Illicit trafficking in cultural property as a human rights issue: Back to the origins
The “drive to phrase cultural issues as human rights issues” originated mainly from source countries, often post-colonial states rich in archaeological heritage, threatened first by colonial depredation and further by antiquities trafficking.Footnote 75 Former colonies have repeatedly stressed the sacred links between people, territory, and heritage since the 1960s,Footnote 76 calling for the injection of demands about culture into human rights instruments perceived to have stronger and more non-derogable protection in comparison to culture-related ones.Footnote 77 Significantly, in an attempt to concretize the duty of states to protect cultural property on their territory as a way to realize and advance cultural human rights,Footnote 78 the initial drafts of the 1970 UNESCO Convention did contain a reference to Article 27 of the Universal Declaration of Human Rights on the right to take part in cultural life.Footnote 79 Yet, this implicit reference to the human rights dimension of the illicit antiquities trade was removed under US pressure, to be substituted by a clearly pro-trade internationalist preamble defending the right to purchase and own culture, supported by other pro-trade downplaying amendments.Footnote 80 Indeed, within the universalism versus particularism debate,Footnote 81 the defenders of “cultural internationalism” endorse the universal cultural heritage approach in the “it belongs to all of us” version, with the resulting right to ownership of cultural property to be better cared for by Western elites,Footnote 82 alluding to colonial resource exploitation in the reinvented world of cultural appreciation and financial investmentFootnote 83 and hindering restitution efforts by source states.Footnote 84 The latter, by contrast, striving to stop the plunder of their heritage and promote regulation of the market, are negatively viewed as retentionists going against cultural dissemination, education, and international cooperation.Footnote 85
Thus, while the post-1970 Convention years saw an incremental growth of looting all over the world,Footnote 86 the 1976 Algiers Universal Declaration of the Rights of Peoples explicitly affirmed the right of a people to have access to and enjoyment of its own artistic, historical, and cultural wealth within a specific section dedicated to the Right to Culture, a significant achievement in itself within a human rights document.Footnote 87 The formulation of this right was stimulated by the necessity to support the restitution of cultural objects illegally extracted and exported from post-colonial states to their present locations, refusing to recognize and enforce export prohibitions of the state of origin. At the same time, the right to culture was expected to prevent ongoing despoliation of cultural sites in source countries and traffic in their movables,Footnote 88 implicitly connecting colonial depredation with the contemporary illicit trade. Tellingly, yet not surprisingly, this right has hardly ever been mentioned in connection to the fight against illicit antiquities trafficking, along with the original human rights reference in the 1970 Convention.
Within the Indigenous rights domain, the 1990 Native American Graves Protection and Repatriation Act (NAGPRA), enacted by the USA, was also animated by the human rights objectives criminalizing the trafficking of Indian cultural property and establishing guidelines for its repatriation.Footnote 89 Yet, its interpretation by the US courts within traditional property models often resulted in the deprivation of the Indigenous peoples’ right to control their own tangible and intangible property and the inability to exercise other human rights.Footnote 90 While the recent 2021 Safeguard Tribal Objects of Patrimony Act increases federal penalties and prohibits the export of Native American cultural items outside the USA,Footnote 91 experts call on countries to embrace a principle of mutual respect and deference to the laws of sovereign Native American nations in recognizing what is rightfully theirs, which no one has a right to sell or give away,Footnote 92 underlining once again the human rights dimension of the issue. While the 2007 UN Declaration on the Rights of Indigenous Peoples also recognizes a right to maintain and protect the past, present, and future manifestations of their cultures, including artifacts,Footnote 93 the rights of Indigenous peoples reportedly continue to be left behind,Footnote 94 with attempts at the repatriation of sacred artifacts and human remains, often meeting resistance on national and international levels.Footnote 95
Thus, despite a persistent concern for the protection of cultural resources from illicit trafficking within a human rights domain promoted by archaeologically-rich countries or communities, the complexity of the issue received little attention from international lawyers.Footnote 96 The third-generation solidarity rights movementFootnote 97 advocated for the proclamation of the right to cultural heritage necessary for “renewing and reinvigorating the global project of human rights,”Footnote 98 yet the third-generation rights remain underdeveloped and debated,Footnote 99 along with a human rights approach to illicit trade in cultural property.Footnote 100
Moreover, arguments sustaining the human rights of subsistence diggers have been raised, defending their moral right to lootFootnote 101 in the absence of a viable economic alternative to access their rights to clean water, food, and medicine.Footnote 102 In line with the latter, some ethnographies of looting support the argument that the consumption of the past should not be limited only to official archaeology, allowing the space also for unofficial engagement through looting.Footnote 103 The term “looter” itself is perceived as problematic by some ethnographers due to its negative connotations, prioritizing the integrity of the archaeological record above the perceived needs of local communities of looters.Footnote 104 However, not based on notions of restorative or economic justice but instead on reconsiderations of archaeology’s scholarly goals within broader politico-economic conditions,Footnote 105 such narratives align rather with the pro-market discourses around global resource-extractive trades, implying that purchases in rich countries provide an income for the residents of the poorer source countries.Footnote 106 While looting may indeed constitute a source of immediate short-term income for on-the-ground diggers, it is estimated that they receive a minuscule share, sometimes no more than 1% of the final sale price of the artifacts on the international market.Footnote 107 The rest of the share goes to intermediaries, international traffickers, and dealers who are hardly benefitting starving local communities neither contributing to their development.Footnote 108 Therefore, in no way can subsistence digging be seen as an equitable long-term solution to economic deprivation.Footnote 109 Instead, Brodie argues for economic justice based on sustainable and viable economic alternatives focused on tourism, paid loans, and other secondary products related to archaeological sites and cultural heritage rather than on looting, feeding the burgeoning market for illicit antiquities.Footnote 110
Thus, while scholars argue that the Preamble to the 1970 Convention should be read today as supporting the realization of the right to access to and enjoyment of one’s cultural heritage and that of other people,Footnote 111 limited scrutiny is drawn to the human rights implications arising from looting, trafficking, and trade in cultural objects. Several experts have indeed advocated for a renewed injection of human rights ethos into the debates surrounding the contemporary antiquities trade.Footnote 112 Vrdoljak underlines that the cross-fertilization between human rights and cultural heritage law in the field of movable heritage has the potential to improve both the access to justice for rights-holders and the effectiveness of legal protection of cultural objects.Footnote 113 Mackenzie et al. suggest the development of an alternative frame of reference, including human rights, global justice, and communal ownership of heritage,Footnote 114 while Lopez’s legal analysis seeks to establish the foundations for identifying a source nation’s right to possess its cultural heritage as a fundamental norm of customary international law.Footnote 115
Building upon the previous research, this study analyzes the implications of illicit trafficking in cultural property for the exercise of the state’s permanent sovereignty over its wealth and resources and the right to self-determination of its people. It further applies a critical decolonial perspective,Footnote 116 focusing on the case study of Iraq, one of the most looting-affected countries with a long history of colonial depredation, and voicing its contribution to the international agenda on the fight against illicit trafficking in cultural property.
Sovereignty over cultural resources and right to self-determination
According to Common Article 1 of the International Covenant on Civil and Political RightsFootnote 117 and International Covenant on Economic, Social and Cultural Rights,Footnote 118 the right to self-determination encompasses the freedom of all peoples to pursue economic, social, and cultural development, along with the right to freely dispose of their natural wealth and resources without prejudice to any obligations arising out of international economic cooperation.Footnote 119 The interrelatedness between the right to self-determination and illicit antiquities trade is normally articulated through its cultural development component, while states imposing export controls on cultural goods are seen as determining what is in the interests of society within territorial boundaries.Footnote 120
Permanent sovereignty over natural resources is enshrined in numerous resolutions and several declarations, among which the 1962 Declaration on Permanent Sovereignty over Natural Resources,Footnote 121 the 1974 Declaration on the Establishment of a New International Economic Order,Footnote 122 and in Article 2 of the 1974 Charter of Economic Rights and Duties of States.Footnote 123 Specifically, the latter declares that “every State has and shall freely exercise full permanent sovereignty, including possession, use, and disposal, over all its wealth , natural resources and economic activities.”Footnote 124 The GA resolution 1515 also reiterates the sovereign right of every state to dispose of its wealth and natural resources in conformity with the rights and duties of states under international law.Footnote 125 While the mention of “permanent sovereignty” over resources was not included in Common Article 1 of ICCPR and ICESCR due to controversial opinions between states, the article does refer to a people’s right to freely dispose of their natural wealth and resources, enshrining it within the right of self-determination.Footnote 126
Archaeological heritage represents the rightful wealth and a precious cultural resource for source countries. Cultural heritage sites, both temples, other built structures, and antiquities deposits, are increasingly considered not only as repositories of human-made objects but an integral part of the landscape and natural environment comparable to other natural resource deposits like fossil fuels or gemstones.Footnote 127 In this regard, their illegal extraction involves equally environmentally destructive practices, with satellite imagery of looted areas being telling enough to consider looting a form of environmental crime in itself.Footnote 128 Moreover, archaeological heritage provides a basis not only for cultural identity but also for the tourism industry, museums, and site infrastructure, as well as the overall tissue of society that can refer to shared values and history contained therein. Therefore, international trafficking markets in looted cultural heritage, similar to those of poached wildlife, serve the needs of neocolonial hegemony in resource extraction from developing countries, marginalizing and misrepresenting the interests of local communities living with or near the heritage in question.Footnote 129 Illegal excavation, looting, pillage, exploitation, trafficking, and trade in cultural and archaeological resources infringe upon the principle of permanent sovereignty of the state over its wealth and resources, even where such acts are committed by that state’s citizens. Indeed, the sovereignty of the state over its resources being permanent and indivisible, the state has the right to regulate such resources and related activities under its own jurisdiction by its own laws and may order the nationalization of those resources, which is the case of cultural heritage laws in the overwhelming majority of archaeologically-rich source countries. The state may also prohibit their exploitation by private individuals or lay down the conditions under which exploitation by private individuals may be permitted.Footnote 130 In this context, phenomena like looting and trafficking in cultural resources directly implicate the ability of the state to guarantee the right to freely dispose of resources and pursue economic, social, and cultural development for its people, embodied within the right to self-determination, by virtue of which permanent sovereignty over resources is vested in peoples themselves with the state and its competent organs acting in the name of the people.Footnote 131
Moreover, the right to development as such is also inherently related to the right to self-determination, which is recognized not only in the wording of Common Article 1 of the ICCPR and ICESCR but also in the 1986 Declaration of the Right to Development.Footnote 132 Article 1 underlines that the human right to development implies the full realization of the right of peoples to self-determination, which includes the exercise of the right to full sovereignty over all their natural wealth and resources.Footnote 133 Importantly, while self-determination is characterized as a group right, the right to development has both collective and individual aspects, with individuals being at the core of this right. Within this human-centered vision of development regarding also the resources, the state acts as a vehicle for the development of population and individuals.Footnote 134 Therefore, looting and the associated illegal trade also infringe on the right to development as a source state becomes unable to guarantee to its people, both collectively and individually, the right to full sovereignty over their wealth and resources and especially the knowledge contained therein, the driver of true development.
Centering the Iraqi voices: Cultural resources in modern Iraq
To illustrate the above argumentation within a critical decolonial perspective, the case study of Iraq is scrutinized here, focusing on the gradual and progressive affirmation of sovereignty over cultural resources by the state since its independence from the British Mandate in 1932 in response to the outright prior despoliation. Specific attention is given to the Iraqi contribution to the international agenda on the fight against illicit antiquities trafficking and restitution of illegally expropriated cultural property, proving them to be originally treated as a sovereignty and self-determination issue within an overall human rights dimension.
“Irritating occupiers” and “spoils of war”: Nineteenth-century Mesopotamia and the British mandate
The land of Mesopotamia, modern-day Iraq, attracted the attention of the West in the nineteenth century when it was part of the decaying Ottoman Empire.Footnote 135 The archaeology of Mesopotamia, the Cradle of Civilization, the Garden of Eden, the land of the Prophet Abraham, and Babylon were treated as an international matter, with Westerners assuming to be its true heirs, fully entitled to help themselves to its historical remains.Footnote 136 The scramble for colonies brought a parallel scramble for antiquities fueled by the competition of European national museums and the private thirst for collecting.Footnote 137 In legislative terms, an official permit was needed to conduct archaeological excavations, with authorities and locals looking suspiciously at the Europeans, fearing that they were searching for treasures or trying to find proof to take possession of the land.Footnote 138 Increasing looting of archaeological materialFootnote 139 and Schliemann’s removal of gold artifacts from Troy in 1872 confirmed these suspicions and led to the enactment of the first Ottoman antiquities law in 1874, providing for the controlled division of archaeological finds, the obligation to send important artifacts to Istanbul, and the establishment of the school for archaeologists and museum curators.Footnote 140 The 1884 amendment of the Antiquities Act established national patrimony over all artifacts in the Ottoman Empire,Footnote 141 providing for excavated material to either remain on the spot as state property or be transported to the Istanbul Museum,Footnote 142 with unauthorized export or removal forbidden by law in 1906.Footnote 143 In line with the legislation, museums created in the late Ottoman Empire also reveal the process of affirming possession of heritage and demonstrating how the many pieces of that may fit together in the function of political resistance to European imperialism.Footnote 144
A net contrast in the perception of history in the Western and Arab Islamic worlds was also evident. While the main preoccupation of the West was historical artifacts, Islamic historians concentrated largely on the human element, cultural and economic conditions, local manners, and customs rather than on artifacts, with a clear perception of the historical continuity and succession of epochs of which they were an integral part.Footnote 145 Moreover, the narratives of discontinuity between the pre-Islamic and post-Mohammed history of the country were built to cut out the local population,Footnote 146 perceived as redundant and “irritating occupiers” of the land, passive and unenlightened “opposites of their own best selves” who had nothing to do with their own past and were not to obstruct the exploration and exploitation of resources, both natural and cultural.Footnote 147 Yet, separating the Iraqis from their Mesopotamian past is like claiming that Italians are only rightful descendants of their Christian Catholic past but not of their Roman or Etruscan history. Moreover, one should not forget that agricultural peasantry in that period in any country of Europe would demonstrate a similar passive attitude towards the “ruins”: how would 19th-century British peasants react to someone removing ancient artifacts close to their village? A role-changing game would prove useful in rendering justice and objectivity, as ignorance of uneducated layers of society cannot be taken as an indicator of the value assigned to the matter by the state through legislation and does not give any right to an external power to appropriate its resources.
By the end of the First World War, the British Empire acquired full political and military control of Mesopotamia with the establishment of the British Mandate in 1921,Footnote 148 allowing for unlimited access to its natural and cultural resources. With local citizens treated essentially as “spoils of war,” the Mandate was perceived by Iraqis as a new name for the old-style colonialism. “Yet Iraq was not a land without a people,” and early revolts testified to the beginning of Iraqi nationalism with diverse segments of society united against the common cause of foreign domination.Footnote 149
In this context, archaeology was an area of exclusive political and administrative interest for the British, comparable only to the oil industry, with the Iraqis excluded from any decision-making,Footnote 150 similar to neighboring Iran, where the French had an even more extractive agreement with the Shah over Iran’s archaeology in 1895-1927.Footnote 151 Mesopotamian archaeological heritage was deemed to belong rather to museums and markets in London or New York than to Baghdad. The 1924 Antiquities Law was designed by Gertrude Bell to guarantee the Western institutions “a long-lasting and ample grazing at the green pastures of Iraqi archaeological sites,”Footnote 152 entitled to a representative share of the whole result of excavations with a free export permit.Footnote 153 Indeed, the law differed significantly from national ownership laws enacted in other countries like Italy or Greece at that time that declared their inalienable right to their national patrimonies,Footnote 154 but such legislation was deemed by the British archaeological establishment to be too parochial, short-sighted, and ill-conceived for Iraq.Footnote 155 Yet, Bell’s law was perceived by Iraqi politicians as the legitimization of plunder, and the resistance to such exploitative treatment continued after it was passed,Footnote 156 showcasing an early plea of Iraqis for control over their own resources.
“Descendants of Babylon”: Affirming sovereignty over cultural resources in 1932-1990
The use of archaeology within a political agenda in modern Iraq for the purposes of nation-building, identity-creation, and social cohesion is widely covered in the literature, mostly in reference to the Ba’athist regime.Footnote 157 Yet, its roots are much deeper and go back to the origins of the independent nation. Thus, even though the Iraqi resistance did not manage to block the British antiquities legislation scheme, the British could not stop the Iraqis in the irreversible process of gaining control over the nation’s archaeology, identity, and history – its cultural resources and wealth. With independence from the British Mandate in 1932, archaeological heritage became the first target of the newly born state as an instrument of self-determination through the revendication of sovereignty over cultural resources, both in terms of material artifacts and intangible knowledge contained therein and the pursuit of cultural development through targeted education and heritage politics. Gradually passing from being manual labor for foreign excavation missions to organizing Iraqi archaeological missions, resisting Western division schemes, and instilling archaeology into the educational system – were all progressive steps in the Iraqi sovereignty-building process.Footnote 158
Bernhardsson illustrates how, in the early 1930s, the voices of Iraqis started to be heard: several anonymous articles appeared in local newspapers highlighting the plunder caused by Western archaeologists and demanding the government to take efficient steps towards the protection and supervision of archaeological sites.Footnote 159 In 1933, an article in al-Ahali criticized the apathetic attitude of Iraqi politicians: “may we throw a glance at our small museum and compare its contents with the objects unearthed in this country which has found their way into the museums which have been sending excavation mission into this country and find out whether our share has been a fair one or otherwise?”Footnote 160 The author of the article used a possessive pronoun “our” clearly emphasizing that despite universal appeal and relevance, historical artifacts should be regarded as resources of a sovereign nation where they are found benefiting its people. The article further underlines that “science does not require actual possession of antiquities and the originals must remain the property of the museum of the country” instead of flowing to foreign museums and dealers.Footnote 161 In another article, the 1924 Antiquities Law was suggested to be abolished and substituted by a new act repudiating the principle of sharing antiquities with archaeological missions and prohibiting their trade and export.
This bottom-up pressure resulted in the Government deciding to introduce legislative changes, which were met with powerful resistance, this time on behalf of British archaeologists, politicians, and institutions, that managed to delay its issue by several years. Unwilling to give up their dominance over Iraqi cultural resources, they lobbied their respective governments, intimating that restrictions on archaeological expeditions would be detrimental to the Iraqi economy.Footnote 162 Despite this post-colonial resistance, the 1936 Iraqi Antiquities Law completely changed the rules of the game, entrusting national ownership of all archaeological objects to the state. As a reward, excavators were granted (firstly) the right to make castings of antiquities found by them, (secondly) half of the duplicate antiquities, and (thirdly) certain antiquities already in the possession of the Iraqi government.Footnote 163 Restoring justice, the new law “did not deprive foreign archaeological expeditions of their rights, but protected the intrinsic and natural rights of Iraq of its relics,” emphasized the al-Akhbar newspaper.Footnote 164 This early focus on the human rights dimension in (re)gaining independence and sovereignty over the state’s archaeological wealth is outspoken and re-echoes the spirit of the right of a people to have access to and enjoyment of its own artistic, historical and cultural wealth of the 1976 Algiers Declaration, as well as the human rights reference in the draft 1970 UNESCO Convention.
Thus, the period between 1932 and 1990 saw a gradual process of Iraqi state-building, sovereignty, independence, prosperity, and cultural development, culminating in the Golden Age of Iraqi archaeology. An exercise of full control and sovereignty over natural resources, with the oil industry nationalized in 1972 and exports reaching over 98%, went hand in hand with the affirmation of sovereignty over cultural resources.Footnote 165 State-vesting legislation guaranteeing only government-sanctioned Iraqi and international archaeological excavations, a total prohibition of trade and export of antiquities introduced in 1974–1975, strict criminal punishments for pillaging archaeological sites or any other damage with penalties up to 15 years of imprisonment, powerful Directorates of Antiquities with generous government financing, guardianship and protection of archaeological sites, an articulated museum network all over the country, free high-quality educational system, a capillary heritage education contributing to the awareness of the Iraqi society about the value of their rich archaeological heritage – are some of the milestones of that process.Footnote 166 Moreover, archaeology was perceived as an educational and cultural element of social, ethnic, and religious cohesion among numerous societal groups in Iraq.Footnote 167 The pre-Islamic Mesopotamian past being a common descendancy for all of them, an ethnic-free zone, its use and enhancement contributed towards the idea of oneness of the Iraqi, an explicit Iraqiness: nobody could own Mesopotamian heritage, and therefore everybody could own it.Footnote 168
This progressive becoming, belonging and owning one’s own culture, history, and heritage, free from foreign dominance, developed into one of the most successful and functioning cultural heritage protection schemes, rendering Iraq a Cultural Lighthouse of the Middle East.Footnote 169 A natural consequence of such an all-rounded system of heritage protection was that, prior to the First Gulf War and imposition of international sanctions in 1990, there was virtually no illegal digging and trafficking in Mesopotamian antiquities, with only occasional looting registered. Such activities were also deterred by severe penalties for infringement of antiquities laws in the context of the overall well-being of the population not interested in transforming their cultural heritage into an illegal source of revenue. Even where it occurred, such instances were immediately suppressed by the system.Footnote 170 The 1990s saw a boom in illegal digging and trade in Iraqi antiquities for the first time in more than fifty years, a boom that would seem minor, however, compared to its expanded scale after the 2003 US/UK-led invasionFootnote 171 and further under the IS.Footnote 172
Contribution to the international agenda in the fight against illicit trade in cultural property
To better illustrate the original pursuit of the human-centered vision of cultural heritage as a sovereignty and self-determination issue in Iraq, we now turn to the contribution of Iraq to the international heritage protection agenda. Thus, in 1936, in its official response to the draft International Convention for the Protection of National Historic or Artistic Treasures,Footnote 173 the Government of Iraq lobbied for the adoption of the principle that “every historic or artistic treasure not accompanied by an exportation certificate issued officially for leaving the country should be considered as stolen and therefore ought to be restored to the country of origin.”Footnote 174 By contrast, the draft Convention suggested to cooperate in the repatriation of stolen objects, which have previously been advertised in an official magazine published by the International Museums Office.Footnote 175 Such a regime was seen inappropriate for a country like Iraq, “rich in historic[al] treasures,” where illegal excavations are undertaken by private persons, “stolen objects are not registered by the authorities concerned,” and, therefore, “advertising in the magazine would hardly yield satisfactory results, also due to the personal efforts of smugglers to avoid any identification for business purposes.”Footnote 176 Three drafts of the convention were issued, meeting the overall approval of the states and ignoring the recommendation of Iraq.Footnote 177 While governments of the Netherlands, Switzerland, the USA, and the UK “considered that they could not bind themselves by agreements of this nature,”Footnote 178 the principle of protecting artifacts belonging to a national registry was developed in the 1970 UNESCO Convention.
Further, in submitting its comments to the preliminary draft of the UNESCO 1970 Convention,Footnote 179 the Iraqi Government suggested several amendments and recommendations, among which the additions to the wording of Article 4 defining which categories shall form part of the cultural heritage of each state for the purposes of convention. Thus, it suggested amending commas (a) and (b) of the Article, adding an explicit reference “with full sovereignty of the country of origin of such property” to the respective listed categories reading as follows:Footnote 180
The States Parties to this Convention recognize that for the purpose of the Convention property which belongs to the following categories forms part of the cultural heritage of each State:
-
(a) Cultural property acquired by archaeological, ethnological or natural sciences mission, with the consent of the national competent authorities with full sovereignty of the country of origin of such property (emphasis added);
-
(b) Cultural property acquired by a State or one of its nationals, with the consent of the national competent national authorities with full sovereignty of the country of origin of that property (emphasis added).
The suggestion was not followed, and the final version of the Convention does not bear any reference to the principle of sovereignty of states over their resources, nor to human rights in general, as already mentioned above. The Iraqi contribution, however, succinctly testifies to the attempt of the Iraqi government to attract international attention to the sovereignty of source states and their peoples over archaeological heritage within their territories.
Starting in 1972, a series of UN General Assembly resolutions were adopted regarding the protection and return of cultural property as part of the preservation and development of cultural values,Footnote 181 among which resolution 3187,Footnote 182 resolution 3391,Footnote 183 and resolution 3140Footnote 184 related specifically to the restitution of works of art to countries who were victims of expropriation. Yet, by 1977, as noted by several states, regrettably, no progress was observed in implementing themFootnote 185 as most countries holding illegally expropriated objects “have not yet heeded these appeals,” as underlined by Iraq.Footnote 186 Therefore, in the same year, Iraq, together with Burundi, the Central African Empire, Congo, Egypt, Mauritania, Upper Volta, and Zaire, co-sponsored resolution 32/18 on the restitution of works of art to countries who were victims of expropriationFootnote 187 as a concerted call for the return of cultural objects removed during colonial occupation.Footnote 188 Crucial is the understanding of the legal grounds on which Iraq based its claims. First, the return of cultural artifacts was seen as an extension of Iraq’s sovereignty over its territory and resources, “the very essence of the historical heritage of peoples and countries and an integral part of their natural surroundings.” Secondly, cultural heritage protection and preservation were perceived as part of the right to determine the course of their cultural development intrinsically enshrined in the Iraqi people’s right to self-determination. Third, Iraq rejected the Western argument about the inability of developing countries to protect and safeguard their cultural heritage “based on an unwillingness to recognize the competence of the experts in this field in developing countries.” The Iraqi delegation stressed how national cultural history is inculcated to the general public in Iraq through a network of regional museums and its educational system: “a single visit to various monuments and museums in Iraq would serve to refute the letter and spirit of that argument.” Finally, the restitution of cultural artifacts was deemed vital by Iraq for the establishment of deep and solid ties of friendship among peoples and the strengthening of international solidarity and understanding.Footnote 189
These grounds manifest a clear intent of Iraq as a source country that had suffered from despoliation of its heritage to treat its illegal exportation as an issue of sovereignty and human rights. On that occasion, Iraq also circulated the “List of the most significant Iraqi works of art in various museums located very far from the country where those works of art originated,” for which it was requesting the return.Footnote 190 The list included a total of 62 objects, with 9 of them from American museums, 10 from the Berlin Museum, 18 from the Louvre, 14 from the British Museum, 1 object respectively from Italy, Istanbul, and Denmark, 4 from the Museum of West Berlin, and 4 from Jerusalem Museum in the Occupied Territories, with specifications and details provided for each object. The status of repatriation of the listed objects would require additional research, along with the contributions to the discussion by other source states.
Further, Iraq co-sponsored a series of subsequent UN resolutions on the same topic, including resolution 3436,Footnote 191 resolutions 35/127Footnote 192 and 35/128,Footnote 193 resolution 36/64,Footnote 194 and resolution 38/34,Footnote 195 all of which underline the persistence of the illicit traffic in cultural property, impoverishing the cultural heritage of all peoples.
Besides, while Iraq was not acting as a co-sponsor of resolution 40/19,Footnote 196 it actively contributed to the discussion of the draft, regretting that “no real progress has been made, no genuine response has been elicited on the return of that property to its original owners, no effective measures have been taken and no real effort has been made by the United Nations in this extremely important and vital field.”Footnote 197 Moreover, the Iraqi delegation wished “to reaffirm once again the right of peoples to preserve their national and cultural heritage, which is expressed above all in artifacts and historical treasures, the work of many generations. The recovery of those artifacts is an important and vital aspect of the sovereignty of the State and its control over its resources. ”Footnote 198 Once again, the eloquent clarity of the Iraqi delegation speaks for itself, underlining the key role of national treasures for the sovereignty of the state and the right to self-determination of its people. Overall, all the speeches delivered by Iraq during plenary meeting sessions on this topic are characterized by a profound human rights-based sentiment “from both aspects of ethics and principle, reflecting in an exceptional manner the close relationship that binds peoples to their cherished heritage and their cultural achievements over the ages, in addition to the fact that a people’s cultural heritage reaffirms important aspects of that people’s national identity and continuity.”Footnote 199 Throughout the 1990s, Iraq did not sponsor resolutions on the topic, which can be attributed to the difficult circumstances under the international embargo, “a brutal and immoral siege imposed on the Iraqi people with the aim of starving them.”Footnote 200 In 1991, indeed, while not sponsoring resolution 46/10,Footnote 201 Iraq delivered a powerful speech on the intrinsic links between cultural heritage and people where it belongs, their past and their future, underlining that:
[E]ven under the exceptional circumstances which deprive our children of food and medicine, meaning nothing else but the intent to expose future Iraqi generations to extermination, our interest in this item at this session attests to our attachment to our eternal cultural heritage, the history which goes back for millennia, to the very roots of humanity’s history. Here it is necessary for me to stress one important thing: namely, that this is a question that relates to history. Objectively speaking, therefore, this is a question that relates to the future. It is not only a question of returning works of art or cultural property that were stolen or moved to another country under certain circumstances. Rather, it is a question of a national cause. It concerns the spirit of a people and the process whereby that people develop and create their national identity. Hence, what is at stake here is the historical fountainhead that enriches that people’s striving after progress and prosperity.” Footnote 202
The aggravation of looting in the 1990s was reflected in the 1997 Iraqi delegation speech in relation to resolution 52/24Footnote 203 stressing that “the problem has become increasingly serious in recent years because of the renewed growth in the illicit traffic in cultural property,” while:
[D]ealers in the handful of industrialized countries have exploited the situation and appropriated this property, often as a reserve investment, to such an extent that trade in archaeological remains from developing countries has become an activity that is organized and led by companies and auction houses openly and with the knowledge of the Governments of the countries concerned. The illegal appropriation does not give those who hold these stolen objects any rights. All works of art, manuscripts or other archaeological or cultural relics embody the cultural heritage of a people, which has the right to be proud of and to attach special importance to these cultural objects that belong first and foremost to their creators, their artisans and their people. That is why the people are the legitimate owners (emphases added). Footnote 204
The above statement clearly showcases the Iraqi understanding of the main driver and destination of illicit antiquities from Iraq, namely the art market in Western industrialized countries, in sharp contrast to the unfolding humanitarian and cultural catastrophe at the source. Iraq appeared again among the co-sponsors of resolutions on the restitution of illegally expropriated cultural property only after 2001, promoting resolution 56/97,Footnote 205 resolution 61/52,Footnote 206 resolution 64/78,Footnote 207 resolution 67/80,Footnote 208 resolution 70/76,Footnote 209 along with Security Council resolutions 21/99Footnote 210 and 22/53.Footnote 211 Yet, no speeches were registered on behalf of Iraq after 1997.
Thus, the above examples transparently showcase, through the voice of Iraq, the awareness of source countries about the illicit trafficking flows’ functioning and neo-colonial appropriation of their cultural heritage behind them, assigning the human rights dimension to the issue. The high-priority role of cultural heritage clearly emerges as a tool of sovereignty over cultural resources and the pursuit of cultural development, key elements of the right to self-determination. In this framework, a renewed human rights discourse appears to be a promising approach to opening up new frontiers in restitution claims.
A (non)conclusion: Beyond Gilgamesh Dream Tablet
In 2021, the largest-ever repatriation of looted Iraqi antiquities welcomed over 17,000 artifacts in Baghdad, mainly cuneiform tablets and seals.Footnote 212 The artifacts were returned by the Museum of the Bible in Washington DC, founded and funded by the Christian evangelical Green family owning the Hobby Lobby store chain.Footnote 213 The symbol of the restitution, a 3,600-year-old Gilgamesh Dream Tablet containing a part of the Epic of Gilgamesh, is the oldest recognized epic poem written in the Akkadian language in cuneiform script.Footnote 214 The Tablet was sold to the Museum in 2014 for $1.694.000 through a private sale by Christie’s in London.Footnote 215 Other objects were smuggled from Iraq with falsified provenance through the United Arab Emirates and Israel.Footnote 216
The restitution was righteously called “a major victory over those who mutilate heritage and then traffic it to finance violence and terrorism” by UNESCO Director-General Audrey Azoulay.Footnote 217 Yet, there are two aspects to emphasize. First, the sheer number of objects involved indicates that this is just the tip of the iceberg, only alluding to its real dimensions, based on the decades-long uncontrolled looting in Iraq, one of many source countries. Secondly, much less coverage was granted to the agreement proposed by the Museum to the Government of Iraq. In exchange for $15 million for “strengthening Iraq’s antiquities sector,” the Iraqi Ministry of Culture, Tourism, and Antiquities was supposed to loan some items for up to five years renewably, including the Gilgamesh Dream Tablet (already seized by the US Government and not owned by the Museum at the time of the draft agreement); to allow MOTB to research and publish the antiquities in question; and most disturbingly never to sue neither the Museum nor its donors nor Hobby Lobby releasing them from “any and all demands, causes of action, liabilities, obligations, damages or claims of any kind whatsoever… which Iraq may have” against them.Footnote 218 Such immunity, “in return for a payment that, even if it goes to Iraq, is in no way commensurate with Iraq’s losses,” was perceived as “an attempt to bully Iraq into surrendering its legal rights”Footnote 219 to its cultural resources. The Museum was “not able to finalize the desired agreement,” as its bluntly neocolonial, “exploitative and degrading” tone was strongly opposed by Iraqi experts, calling Iraq not to “disgrace its dignity and exploit its heritage for a compensation at the expense of peoples heritage,”Footnote 220 which was rejected by the Iraqi Ministry of Culture.Footnote 221
Adopting a human rights-based approach, this paper showcases the original treatment of illicit trafficking in cultural property as a human rights issue. Focusing on the Iraqi contribution to the international agenda, the study reveals that Iraq co-sponsored at least 13 UN resolutions on the restitution of illegally expropriated cultural property, actively contributing to the negotiation of others, along with submitting its legal opinions on the drafts of relevant international documents starting from as early as 1936 to culminate with the calls to stop cultural plunder feeding western markets since the 1990s. Centering Iraqi voices and adopting a critical decolonial rights-based perspective, the study showcases how illicit antiquities trade clearly emerges as a violation of a state’s permanent sovereignty over its wealth and resources, negatively impacting its ability to guarantee the right to pursue economic, social, and cultural development to its people and freely dispose of their resources, the key components of the right to self-determination. While Iraq has just embarked on Retrieve Diplomacy, aiming to reclaim Iraqi artifacts subject to systematic theft and targeted acts of terrorism over the decades,Footnote 222 further research is necessary to expose, both empirically and juridically, other human rights implications of the illicit trade in cultural property. “This is not just about thousands of tablets coming back to Iraq again — it is about the Iraqi people, restoring not just the tablets, but the confidence of the Iraqi people by enhancing and supporting the Iraqi identity in these difficult times.”Footnote 223
Acknowledgments
I am deeply grateful to Professor Roger Matthews and Dr Saeed Bagheri for their insightful guidance in my research work. My special thanks are also reserved to Sabrina Ferrazzi for her constructive feedback on the draft of the paper. As importantly, I express my deep gratitude to Guido Guarducci and Stefano Valentini, Co-Directors of CAMNES Center for Ancient Mediterranean and Near Eastern Studies in Florence for financially supporting this research.
Funding
This work was in part supported by the CAMNES Center for Ancient Mediterranean and Near Eastern Studies, Florence, Italy.
Open access
