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Public Pleasure and Authoritarian Politics - The Revolution's Echoes: Music, Politics, and Pleasure in Guinea By Nomi Dave. Chicago: University of Chicago Press, 2019. Pp. xi + 208. $27.50, paperback (ISBN: 978-0-226-65463-8); $82.50, hardcover (ISBN: 978-0-226-65446-1).

Published online by Cambridge University Press:  14 March 2022

Nate Plageman Open the ORCID record for Nate Plageman [Opens in a new window]
Nate Plageman*
Affiliation:
Wake Forest University
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Abstract

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Keywords

GuineaWest Africapolitical culturepopular culturemusicpostcolonialnationalism
Type
Book Review
Information
The Journal of African History , Volume 62 , Issue 3 , November 2021 , pp. 446 - 448
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Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

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References

1 Straker, J., Youth, Nationalism, and the Guinean Revolution (Bloomington, IN, 2009)Google Scholar; McGovern, M., Unmasking the State: Making Guinea Modern (Chicago, 2013)Google Scholar.

2 White, B., Rumba Rules: The Politics of Dance Music in Mobutu's Zaire (Durham, NC, 2008), 228Google Scholar.