Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-28T15:34:06.987Z Has data issue: false hasContentIssue false

Murray Forman, One Night on TV Is Worth Weeks at the Paramount: Popular Music on Early Television (Durham, NC and London: Duke University Press, 2012, $27.95). Pp. 424. isbn978 0 8223 5011 8.

Published online by Cambridge University Press:  17 April 2013

JACOB SMITH*
Affiliation:
Northwestern University

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Copyright
Copyright © Cambridge University Press 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Keightley, Keir, “Long-Play: Adult-Oriented Popular Music and the Temporal Logics of the Post-war Sound Recording Industry in the U.S.A.,” Media, Culture & Society, 26, 3 (2004), 375–91CrossRefGoogle Scholar.

2 See Anderson, Tim, Making Easy Listening (Minneapolis: University of Minnesota Press, 2006)Google Scholar.

3 See Murray, Susan, Hitch Your Antenna to the Stars (New York: Routledge, 2005)Google Scholar; Marc, David, Comic Visions (London: Wiley-Blackwell, 1997)Google Scholar.

4 See, for example, Vogel, Shane, The Scene of Harlem Cabaret (Chicago: The University of Chicago Press, 2009)Google Scholar; Erenberg, Lewis, Steppin’ Out (Chicago: The University of Chicago Press, 1984)Google Scholar; Dimendberg, Edward, Film Noir and the Spaces of Modernity (Cambridge, MA: Harvard University Press, 2004)Google Scholar.