Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-20T17:47:21.208Z Has data issue: false hasContentIssue false
  • English
  • Français

Murakami Haruki in Greater China: Creative Responses and the Quest for Cosmopolitanism

Published online by Cambridge University Press:  19 August 2009

Margaret Hillenbrand
Get access

Abstract

The relationship between popular culture and East Asian identity is now an established field of enquiry, with the products of Japan's mass media industries—television series, pop stars, and manga—still providing much of the fuel for debate. This paper, however, moves away from the dominant notion of “culture as industry,” and explores animated personal responses to the fiction of Japanese writer Murakami Haruki in Hong Kong, China, and Taiwan through art house cinema, popular fiction, and online creative communities. The vogue for Murakami has swept across the region in recent years, and for many of those inspired by his work, it is Murakami's role as a conduit to cosmopolitan cultural citizenship that is so alluring. Yet rather than crude imitation, the filmmakers, writers, and Internet fans analyzed here misappropriate the “Murakami mood” in different ways, and in the process, they reveal the diverse meanings that attach to cosmopolitanism across contemporary East Asia.

Type
Research Article
Information
The Journal of Asian Studies , Volume 68 , Issue 3 , August 2009 , pp. 715 - 747
Copyright
Copyright © The Association for Asian Studies, Inc. 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

List of References

Appiah, Kwame Anthony. 1997. “Cosmopolitan Patriots.” Critical Inquiry 23 (3): 617–39.Google Scholar
Auestad, Reiko Abe. 2006. “The Implications of Globalization on Modern Japanese Literature: Murakami Haruki.” In The Global Literary Field, ed. Guttman, Anna, Hockx, Michel, and Paizis, George, 21–39. Cambridge: Cambridge Scholars Publishing.Google Scholar
Bordwell, David. 2000. Planet Hong Kong: Popular Cinema and the Art of Entertainment. Cambridge, Mass.: Harvard University Press.Google Scholar
Breckenridge, Carol A., Pollack, Sheldon, Bhabha, Homi K, and Chakrabarty, Dipesh, eds. 2002. Cosmopolitanism. Durham, N.C.: Duke University Press.Google Scholar
Cameron, Allan. 2007. “Trajectories of Identification: Travel and Global Culture in the Films of Wong Kar-wai.” Jump Cut, no. 49. http://www.ejumpcut.org/archive/jc49.2007/wongKarWai/index.html [accessed April 20, 2009].Google Scholar
Chan, Tak-hung Leo. 2008. “Globalism, Regionalism, Localism: The Murakami Phenomenon and Reader Reactions to Translated Fiction.” Paper presented at the Globalization and Cultural Translation/Identity Symposium, Chiao-hsi, Taiwan, December 19–20.Google Scholar
Huat, Chua Beng. 2004. “Conceptualizing an East Asian Popular Culture.” Inter-Asia Cultural Studies 5 (2): 200–221.Google Scholar
Shu, Chun 春树. 2002. Beijing wawa 北京娃娃 [Beijing doll]. Taipei: Shangzhou wenhua.Google Scholar
Cunshang Chunshu de wanglu senlin 村上春樹的網路森林 [Murakami Haruki's woods]. 1998. http://www.readingtimes.com.tw/authors/murakami [accessed April 20, 2009].Google Scholar
Qi, Ding 丁琪. 2004. “Xiaofei xuanhuazhong cuiruo de ‘shiyuzhe’: cong Nuowei de senlin zhong de Naoko dao Shanghai baobei de Tiantian” 消费喧哗中脆弱的　“失语者” 　 从 《挪威的森林》 中的直子到 《上海宝贝》 中的天天 [Fragile victims of “asphasis” in the consumer hubbub: From Naoko in Norwegian Wood to Tiantian in Shanghai Baby]. Nei-Mongu daxue xuebao 5:91–95.Google Scholar
Eng, Dinah. 2004. “Banned in Beijing: Diary of a Bored and Spoiled Brat.” USA Today, August 4.Google Scholar
Wendy, Faris. 1995. “Scheherezade's Children: Magical Realism and Postmodern Fiction.” In Magical Realism: Theory, History, Community, ed. Zamora, Lois and Faris, Wendy, 163–90. Durham, N.C.: Duke University Press.Google Scholar
Fitzpatrick, Liam. 2007. “Best Example of Globalization in Action: Chungking Mansions, Kowloon, Hong Kong.” Time 169 (17). http://www.time.com/time/specials/2007/best_of_asia/article/0,28804,1614524_1614473_1614447,00.html [accessed April 20, 2009].Google Scholar
Shôzô, Fujii 藤井省三. 2005. 20 Seiki no Chûgoku bungaku 20 世紀の中国文学 [Chinese literature in the twentieth century]. Tokyo: Hôsô daigaku kyôzai.Google Scholar
Shôzô, Fujii藤井省三. 2006. “Sapporo ‘Dorufuin Hoteru’ no omoide to ‘Tôajia to Murakami Haruki’ shinpo e no tenkai” 札幌「ドルフィン・ホテル」の思い出と「東アジアと村上春樹」シンポへの展開 [Memories of the “Dolphin Hotel” in Sapporo and the development of a symposium on “Murakami Haruki in East Asia”]. In Sekai wa Murakami Haruki o do yomu ka? 世界は村上春樹をどう読むか [How is the world reading Murakami Haruki?], ed. Motoyuki, Shibata 柴田元幸 et al. , 241–47. Tokyo: Kokusai kôryû kikin.Google Scholar
Shôzô, Fujii藤井省三. 2007. Murakami Haruki no naka no Chûgoku 村上のなかの中国 [China in the work of Murakami Haruki]. Tokyo: Asahi Shinbunsha.Google Scholar
Shôzô, Fujii, et al. 2006a. “Honyakusha kara kataru, Murakami Haruki no miryoku to sorezore no yomarekata” 翻訳者が語る、村上春樹の魅力とそれぞれの読まれ方 [Murakami Haruki's translators analyze his appeal and the various ways in which he is read]. In Sekai wa Murakami Haruki o do yomu ka? 世界は村上春樹をどう読むか [How is the world reading Murakami Haruki?], ed. Motoyuki, Shibata 柴田元幸, Shôzô, Fujii 藤井省三, Mitsuyoshi, Numano 沼野充義, and Inuhiko, Yomota 四方田犬彦, 69–97. Tokyo: Kokusai kôryû kikin.Google Scholar
Shôzô, Fujii, et al. . 2006b. “Gurôbarizêshon no naka de” グローバリゼーションのなかで [In the midst of globalization]. In Sekai wa Murakami Haruki o do yomu ka? 世界は村上春樹をどう読むか [How is the world reading Murakami Haruki?], ed. Motoyuki, Shibata 柴田元幸 et al. , 195–224. Tokyo: Kokusai kôryû kikin.Google Scholar
Hellekson, Karen, and Busse, Kristina, eds. 2006. Fan Fiction and Fan Communities in the Age of the Internet: New Essays. Jefferson, N.C.: McFarland.Google Scholar
Hijiya-Kirschnereit, Irmela. 2001. “Murakami Haruki o meguru bôken” 村上春樹をめぐる冒険[A wild Murakami Haruki chase]. Sekai 1:193–99.Google Scholar
Huang, Tsung-Yi Michelle. 2004. Walking between Slums and Skyscrapers: Illusions of Open Space in Hong Kong, Tokyo, and Shanghai. Hong Kong: Hong Kong University Press.Google Scholar
Huang, Tsung-Yi Michelle. 2006. “The Cosmopolitan Imaginary and Flexible Identities of Global City-Regions: Articulating New Cultural Identities in Taipei and Shanghai.” Inter-Asia Cultural Studies 7 (3): 472–91.CrossRefGoogle Scholar
Zijie, Huang 黃子傑. 2003. “Wo de Manba, wo de kuang'ai” 我的曼巴.我的狂愛 [My Manba, my passion]. Cunshang Chunshu de wanglu senlin 村上春樹的網路森林 [Murakami Haruki's woods], June 19. http://www.readingtimes.com.tw/authors/murakami/creats/creat329.htm [accessed April 20, 2009].Google Scholar
Iwabuchi, Koichi. 2002. Recentering Globalization: Popular Culture and Japanese Transnationalism. Durham, N.C.: Duke University Press.Google Scholar
Ji'yin, 基因 [Gene]. 2002. “Yi zhi luoti de yu” 一隻裸體的魚 [Naked fish]. Cunshang Chunshu de wanglu senlin 村上春樹的網路森林 [Murakami Haruki's woods], December 24. http://www.readingtimes.com.tw/authors/murakami/creats/creat320.htm [accessed April 20, 2009].Google Scholar
Knight, Deirdre Sabina. 2003. “Shanghai Cosmopolitan: Class, Gender and Cultural Citizenship in Weihui's Shanghai Babe.” Journal of Contemporary China 12 (37): 639–53.Google Scholar
Shaohua, Lin 林少华. 2005. “Cunshang Chunshu zai Zhongguo. Quanqiuhua he bentuhua jinchengzhong de Cunshang Chunshu” 村上春樹在中國——全球化和本土化進程中的村上春樹 [Murakami Haruki in China: Between globalization and nativization]. Renminwang, November 24. http://culture.people.com.cn/BIG5/40473/40474/3884942.html [accessed April 20, 2009].Google Scholar
Kwai-Cheung, Lo. 2004. “Return to What One Imagines to Be There: Masculinity and Racial Otherness in Haruki Murakami's Writings about China.” Novel: A Forum on Fiction 37 (3): 258–76.Google Scholar
Lu, Sheldon H. 2008. “Popular Culture and Body Politics: Beauty Writers in Contemporary China.” Modern Language Quarterly 69 (1): 167–85.CrossRefGoogle Scholar
Xiaoguang, Lu 陆晓光. 2004. “‘Xiaozi ouxiang’ beihou de Makesi youling. Du Cunshang Chunshu xiaoshuo Wu Wu Wu” 小资偶像”背后的马克思幽灵——读日本畅销作家村上春树《舞舞舞》 [The Marxist soul behind the “Idol of the Petty Bourgeoisie”: Reading Murakami Haruki's Dance, Dance, Dance]. Wenjing 5:48–51.Google Scholar
Xiaoyan, Luo 罗小艳. 2007. “Lin Shaohua: Doushiban de Cunshang Chunshu ling Riben pinglunjie jiti shiyu” 林少华：斗士般的村上春树令日本评论界集体失语 [Lin Shaohua: A warrior-like Murakami Haruki leaves Japan's critics lost for words]. Nandu Zhoukan, July 6.Google Scholar
Mao yinzi, 貓印子 [Cat's Pawprint]. 2002. “Iwai de jingxi” 意外的驚喜 [Unexpected surprise]. Cunshang Chunshu de wanglu senlin 村上春樹的網路森林 [Murakami Haruki's woods], October 23. http://www.readingtimes.com.tw/authors/murakami/creats/creat313.htm [accessed April 20, 2009].Google Scholar
Mian, Mian 棉棉. 2000. Tang 糖 [Candy]. Taipei: Shengzhi wenhua.Google Scholar
Masao, Miyoshi. 1991. Off Center: Power and Culture Relations between Japan and the United States. Cambridge, Mass.: Harvard University Press.Google Scholar
Haruki, Murakami 村上春樹. 2004. Noruwei no mori ノルウェイの森 [Norwegian wood]. Tokyo: Kôdansha.Google Scholar
Haruki, Murakami村上春樹. 2005. Zô no shômetsu.Tanpen senshû 1980–1991 像の消滅。短編選集. [The elephant vanishes: Selected short stories, 1980–1991]. Tokyo: Shinchôsha.Google Scholar
Na kou jing, 那口井 [That Well]. 2002. “Busi de xuexing Mali” 不死的血腥瑪麗 [Immortal bloody Mary]. Cunshang Chunshu de wanglu senlin 村上春樹的網路森林 [Murakami Haruki's woods], October 16. http://www.readingtimes.com.tw/authors/murakami/creats/creat312.htm [accessed April 20, 2009].Google Scholar
O’King, [pseud.]. 2002. “Qi'e gongchang de rizi” 企鵝工廠的日子 [A day at the penguin factory]. Cunshang Chunshu de wanglu senlin 村上春樹的網路森林 [Murakami Haruki's woods], November 14. http://www.readingtimes.com.tw/authors/murakami/creats/creat318.htm [accessed April 20, 2009].Google Scholar
Xiangli, Pan 潘向黎. 2007. Baishui qingcai 白水青菜 [White water, green grasses]. Ji'nan: Shandong wenyi chubanshe.Google Scholar
Payne, Robert M. 2001. “Ways of Seeing Wild: The Cinema of Wong Kar-wai.” Jump Cut, no. 44. http://www.ejumpcut.org/archive/jc44.2001/payne%20for%20site/wongkarwai1.html [accessed April 20, 2009].Google Scholar
Rubin, Jay. 1992. “The Other World of Murakami Haruki.” Japan Quarterly 39 (4): 490–500.Google Scholar
Rubin, Jay. 2005. Haruki Murakami and the Music of Words. London: Vintage.Google Scholar
Se qianbi, 色鉛筆 [Color Pencil]. 2002. “Qunian 11 yue” 去年 11 月 [Last November]. Cunshang Chunshu de wanglu senlin 村上春樹的網路森林 [Murakami Haruki's woods], October 9. http://www.readingtimes.com.tw/authors/murakami/creats/creat308.htm [accessed April 20, 2009].Google Scholar
Stevenson, Nick. 1997. “Globalization, National Cultures and Cultural Citizenship.” Sociological Quarterly 38 (1): 41–66.CrossRefGoogle Scholar
Strecher, Matthew C. 1998. “Beyond ‘Pure’ Literature: Mimesis, Formula, and the Postmodern in the Fiction of Murakami Haruki.” Journal of Asian Studies 57 (2): 354–78.Google Scholar
Strecher, Matthew C. 1999. “Magical Realism and the Search for Identity in the Fiction of Murakami Haruki.” Journal of Japanese Studies 25 (2): 263–98.Google Scholar
Taylor, Sally. 2002. “Still the Leader in Chinese Language Markets, Taiwan Grows in Translations, Juveniles and English Language Teaching Materials, Reaches Out to the Mainland.” Publishers Weekly, March 12.Google Scholar
Teo, Stephen. 2005. Wong Kar-wai. London: British Film Institute Publishing.Google Scholar
Jianxin, Tian 田建新. 1999. “Chûgoku no Murakami Haruki. ‘Shinsen ketsueki’” 中国の村上春樹——“新鮮血液” [Murakami Haruki in China: New blood]. In Murakami Haruki sutadizu, vol. 5 村上春樹スタディーズ 5 [Studies on Murakami Haruki], vol. 5, ed. Yoshiki, Kuritsubo 栗坪 良樹 and Teruhiko, Tsuge 柘植光彦, 171–76. Tokyo: Wakakusa shobô.Google Scholar
Takeshi, Usami 宇佐美毅. 2007. “Gendai bungaku ni okeru Nihonjin no kansei: Murakami Haruki, Yoshimoto Banana, Ekuni Kaori o megutte” 現代文学における日本人の感性——村上春樹・よしもとばなな・江國香織をめぐって [Japanese sensibilities in modern literature: Murakami Haruki, Yoshimoto Banana, and Ekuni Kaori]. Paper presented at the Japanese Society in the East Asian World Symposium, Taipei, March 15–16.Google Scholar
Vertovec, Stephen, and Cohen, Robin, eds. 2002. Conceiving Cosmopolitanism: Theory, Context and Practice. Oxford: Oxford University Press.Google Scholar
Wang, Jing. 2005. “Bourgeois Bohemians in China? Neo-Tribes and the Urban Imaginary.” China Quarterly, no. 183:532–48.Google Scholar
Yin, Wang 王寅. 2006. “Cunshang Chunshu: wo zhan zai jidan yibian” 村上春树：我站在鸡蛋一边 [Murakami Haruki: I'm on the side of the egg]. Nanfang zhoumo, September 7.Google Scholar
Zhisong, Wang 王志松. 2006. “Xiaofei shehui zhuanxingzhong de ‘Cunshang xianxiang’” 消费社会转型中的“村上现象” [The “Murakami phenomenon” in a transforming consumer society]. Dushu, no. 11:63–71.Google Scholar
Weber, Ian. 2002. “Shanghai Baby: Negotiating Youth Self-Identity in Urban China.” Social Identities 8 (2): 347–68.Google Scholar
Hui, Wei 卫慧. 2000. Shanghai baobei 上海宝贝 [Shanghai baby]. Taipei: Shengzhi wenhua.Google Scholar
Wilson, Rob. 1998. “A New Cosmopolitanism is in the Air: Some Dialectal Twists and Turns.” In Cosmopolitics: Thinking and Feeling Beyond the Nation, ed. Cheah, Pheng and Robbins, Bruce, 351–61. Minneapolis: University of Minnesota Press.Google Scholar
Kar-wai, Wong 王家衛. 1994. Chongqing senlin 重慶森林 [Chungking express].Google Scholar
Weishi, Xiao 小偉士. 2003. “Yangnan de shilian” 羊男的失戀 [Jilted sheepman]. Cunshang Chunshu de wanglu senlin 村上春樹的網路森林 [Murakami Haruki's woods], June 3. http://www.readingtimes.com.tw/authors/murakami/creats/creat324.htm [accessed April 20, 2009].Google Scholar
Junrui, Xu 許均瑞. 2005. “Taiwan ni okeru Nihon gendai bungaku juyô ni tsuite. Dokusha no Murakami Haruki sekai” 台弯における日本現代文学受容について—読者の村上春樹世界 [The reception of modern Japanese literature in Taiwan: Readers and their Murakami Haruki world]. In Murakami Haruki sutadizu, 2000–2004 村上春樹スタディーズ [Studies on Murakami Haruki, 2000–2004], ed. Kiyoto, Imai 今井清人, 281–302. Tokyo: Wakakusa shobô.Google Scholar
Zhao, Yang 楊照. 1998. “Jihao de fanpan. Taiwan de Chunshang Chunshu de xianxiang” 記號的反叛－－台灣的村上春樹現象. In Yujian 100% de Cunshang Chunshu 遇見100%的村上春樹 [Encounters with the 100% Murakami Haruki], ed. Li'er, Zheng 鄭栗兒, 13–19. Taipei: Shibao wenhua.Google Scholar
Ying xia zhi xue, 映夏之雪 [Summer Snow]. 2002. “5 hao chukou” 5 號出口 [Exit no. 5]. Cunshang Chunshu de wanglu senlin 村上春樹的網路森林 [Murakami Haruki's woods], October 9. http://www.readingtimes.com.tw/authors/murakami/creats/creat315.htm [accessed April 20, 2009].Google Scholar
Inuhiko, Yomota 四方田犬彦. 2006. “Murakami Haruki to eiga” 村上春樹と映画 [Murakami Haruki and film]. In Sekai wa Murakami Haruki o do yomu ka? 世界は村上春樹をどう読むか [How is the world reading Murakami Haruki?], ed. Motoyuki, Shibata 柴田元幸 et al. , 137–52. Tokyo: Kokusai kôryû kikin.Google Scholar
Inuhiko, Yomota 四方田犬彦 Motoyuki, Shibata 柴田元幸, and Mitsuyoshi, Numano 沼野充義. 2005. “Teidan. Naze sekai wa Murakami Haruki o yomu no ka?” 鼎談 なぜ世界は村上春樹を読むのか [A three-way discussion on why the world is reading Murakami Haruki]. Wochikochi, no. 6:68–73.Google Scholar
Takaaki, Yoshimoto 吉本隆明. 1999. “Dansu, dansu, dansu no miryoku” ダンス・ダンス・ダンスの魅力 [The appeal of Dance, Dance, Dance]. In Murakami Haruki sutadîzu 村上春樹スタディーズ 2 [Studies on Murakami Haruki], vol. 2, ed. Yoshiki, Kuritsubo 栗坪良樹 and Teruhiko, Tsuge 柘植光彦, 207–26. Tokyo: Wakakusa shobô.Google Scholar
Yupei, Zhang 張玉佩. 2006. “Cong kangju dao siban: yi Elan zhexue tantao miqun yuetingren de siban guocheng” 從抗拒到思辨：以鄂蘭哲學探討迷群閱聽人的思辨過程 [From resistance to critical thinking: A study of the thought processes of fan audiences based on the philosophy of Hannah Arendt]. Xinwenxue yanjiu, no. 88:1–41.Google Scholar
Zheng, Li'er 鄭栗兒, ed. 1998. Yujian 100% de Cunshang Chunshu 遇見100%的村上春樹 [Encounters with the 100% Murakami Haruki]. Taipei: China Times Publishing.Google Scholar
Yueying, Zhou 周月英. 1998. “Virtual Murakami Haruki Reality. Jinru Cunshang de wanglu senlin” Virtual 村上春樹 no Reality － 進入村上的網路森林 [Virtual Murakami Haruki reality: Entering Murakami's internet woods]. In Yujian 100% de Cunshang Chunshu 遇見100%的村上春樹 [Encounters with the 100% Murakami Haruki], ed. Li'er, Zheng 鄭栗兒, 130–44. Taipei: Shibao wenhua.Google Scholar
Qi, Zhu 朱其. 2006. “Qingchun canku: 1970 niandaisheng de qingchun yishu xianxiang” 青春残酷 : 1970 年代生的青春艺术现象 [Cruel youth: Youth art of the 1970s generation]. In Bin Tie: 1979–2005 zui you jiazhi xianfeng yishu pinglun 镔铁: 1979–2005 最有价值先锋艺术评论 [Wrought iron: The most valuable avant-garde art critiques from 1979 to 2005], ed. Wei, Jia 贾薇 and Pi, Lan 蓝皮, 184–93. Lanzhou: Dunhuang wenyi chubanshe.Google Scholar