1 See Georg Kinsky (completed Hans Halm), Das Werk Beethovens (Munich, 1955), 344 The sketches are in Berlin, Staatsbibliothek Preussischer Kulturbesitz, Artaria 195, pp 76-9, the autograph score is now split into three parts, in New York, Bonn and Paris (see Kinsky)Google Scholar

2 The initial letter was in response to a request from Peters for symphonies, quartets, trios, songs and piano solos ‘among which there might be small pieces’, see Thayer’s Life of Beethoven, ed. Elliot Forbes (2nd edn, Princeton, 1967), 788. Beethoven’s two letters are published in The Letters of Beethoven, ed Emily Anderson (London, 1961), ii, 949 and 955 In connection with these letters Beethoven also drew up a price list of what he had available; see Alan Tyson, ‘A Beethoven Price List of 1822’, Beethoven Essays Studies in Honor of Elliot Forbes, ed Lewis Lockwood and Phyllis Benjamin (Cambridge, Mass, 1984), 53-65Google Scholar

3 See Ludwig van Beethoven, Sechs Bagatellen für Klavier Op 126 Faksimile der Handschriften und der Originalausgabe mit einem Kommentar, ed Sieghard Brandenburg (Bonn, 1984), ii, 51-2Google Scholar

4 Anderson, Letters, ii, 962-3Google Scholar

5 ibid, 976Google Scholar

6 Gustav Nottebohm, Zweite Beethoveniana, ed E Mandyczewski (Leipzig, 1887), 527Google Scholar

7 Gustav Nottebohm, Ein Skizzenbuch von Beethoven aus dem Jahre 1803 (Leipzig, 1880), 77Google Scholar

8 Paris, Bibliothèque Nationale, MS 29Google Scholar

9 Bonn, Beethoven-Archiv, BMh 11/51Google Scholar

10 Nottebohm, Zweite Beethoveniana, 32Google Scholar

11 For the exact makeup of the manuscript see Douglas Johnson, Beethoven’s Early Sketches in the ‘Fischhof Miscellany’ Berlin Autograph 28 (Ann Arbor, 1980), i, 135Google Scholar

12 Nottebohm, Zweite Beethoveniana, 527Google Scholar

13 Arnold Schmitz, Beethovens unbekannte Skizzen und Entwürfe, Veröffentlichungen des Beelhovenhauses in Bonn, 3 (Bonn, 1924)Google Scholar

14 See Erich Hertzmann, ‘The Newly Discovered Autograph of Beethoven’s Rondo a Capriccio, Op 129’, The Musical Quarterly, 32 (1946), 171-95Google Scholar

15 Berlin, Staatsbibliothek Preussischer Kulturbesitz, aut 28 (‘Fischhof’), London, British Library, Add 29801, ff 39-162 (‘Kafka’)Google Scholar

16 Johnson, Beethoven’s Early Sketches, 88Google Scholar

17 For date, see ibid, 371Google Scholar

18 See ibid, 422-5Google Scholar

19 For date, see ibid, 141Google Scholar

20 See ibid, 422-5Google Scholar

21 See Barry Cooper, ‘Beethoven’s Revisions to Für Elise’, The Musical Times, 125 (1984), 561-3Google Scholar

22 Quoted in Nottebohm, Zweite Beethoveniana, 155Google Scholar

23 Anderson, Letters, ii, 962Google Scholar

24 Ibid 970Google Scholar

25 It is significant that in some marches that Beethoven was selling to Peters at the same time he specifically mentioned having added trio sections, see Anderson, Letters, ii, 970Google Scholar

26 See Cooper, ‘Beethoven’s Revisions’Google Scholar

27 Schmitz, Beethovens unbekannte Skizzen and Beethovens Werke Vollständige, kritisch durchgesehene Gesamtausgabe, xxv (Leipzig, 1888), 368Google Scholar

28 It is Beethoven’s latest form of treble clef, used from the late 1790s onwards, see Johnson, Beethoven’s Early Sketches, 29-30, for a discussion of Beethoven’s treble clefsGoogle Scholar

29 An edition of the Rondo ‘No 11 ‘, along with the Db bagatelle ‘No 7’ and the revised version of Für Elise, is to be published by Basil Ramsey, Leigh-on-Sea, edited by the present writerGoogle Scholar

30 See Johnson, Beethoven’s Early Sketches, 422-5Google Scholar

31 The Gesamtausgabe (xxv, 353) gives the later version of Wo0 56, but with a few inaccuraciesGoogle Scholar

32 Beethoven. Supplement zur Gesamtausgabe, ed Willy Hess (Wiesbaden, 1959-71), ix, 19-22 Hess’s right-hand part in bar 78 is wrong, there are some wrong notes in bars 89-90, and bars 100 and 102 should not be present at allGoogle Scholar

33 Nottebohm, Zweite Beethoveniana, 206 Echoes of this view arc found, for example, in Edward Cone, ‘Beethoven’s Experiments in Composition The Late Bagatelles’, Beethoven Studies, 2 (1977), 84-105Google Scholar

34 Nottebohm, Zweite Beethoveniana, 146Google Scholar

35 Anderson, Letters, ii, 979Google Scholar

36 See Joseph Kerman, ‘An die ferne Geliebte’, Beethoven Studies, 1 (1974), 146Google Scholar

37 Kinskv Das Werk Beethovens 344Google Scholar

38 Anderson, Letters, 11, 979Google Scholar

39 Ibid iii 999Google Scholar

40 See ibid, 11, 880-1, for Beethoven’s explanation of this system of dual publicationGoogle Scholar

41 Ibid, ii, 1006Google Scholar

42 Alan Tyson, ‘The First Edition of Beethoven’s Op 119 Bagatelles’, The Musical Quarterly, 49 (1963), 331-8Google Scholar

43 The relevant part of the letter is quoted in Brandenburg, Sechs Bagatellen, ii, 47-8Google Scholar

44 Anton Schindler, Beethoven as I Knew Him, ed Donald MacArdle, trans Constance Jolly (London, 1966), 259Google Scholar

45 Tyson, ‘The First Edition’Google Scholar

46 Anderson, Letters. ii, 804-5Google Scholar

47 The immediate reason for writing another set of bagatelles was apparently that he was in debt to his brother Johann Op 119 nos 1-6 were to have been used as part payment for the debt, and so when the sale to Peters fell through, Beethoven seems to have felt obliged to give his brother a replacement set instead See Brandenburg, Sechs Bagatellen, ii, 48-50Google Scholar

48 Anderson, Letters, i, 455Google Scholar

49 Schindler, Beethoven as I Knew Him, 259Google Scholar

50 Cone, ‘Beethoven’s Experiments’, 85.Google Scholar

51 Anderson, Letters, iii, 1110Google Scholar

52 Brandenburg, Sechs Bagatellen, ii, 51Google Scholar

53 Nottebohm, Zweite Beethoveniana, 196 Facsimile in Brandenburg, Sechs Bagatellen, i, 52Google Scholar

54 See Brandenburg, Sechs Bagatellen, ii, 65-6Google Scholar

55 Kinsky, Das Werk Beethovens, 381-2Google Scholar

56 Brandenburg, Sechs Bagatellen, ii, 65-6 For facsimiles of all three manuscripts, see ibid, i, 37-50Google Scholar

57 See Sieghard Brandenburg, ‘Die Beethoven-Autographen Johann Nepomuk Kafkas Ein Beitrag zur Geschichte des Sammelns von Musikhandschriften’, Divertimento für Hermann J Abs, ed Martin Staehelin (Bonn. 1981), 89-133, see especially pp 108-11, which include a transcription of the relevant portion of the auction catalogueGoogle Scholar

58 The sketch is transcribed in Nottebohm, Zweite Beethoveniana, 523, though Nottebohm does not relate it to Wo0 52Google Scholar