Volume 125 - 2000
Editorial
Editorial
-
- Published online by Cambridge University Press:
- 01 January 2020, p. iii
-
- Article
-
- You have access
- Export citation
Research Article
Reception and Recomposition in the Polyphonic Conductus cum caudis: The Metz Fragment
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 135-163
-
- Article
- Export citation
Allies in the Cause of Italian Music: Schütz, Prince Johann Georg II and Musical Politics in Dresden
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 1-40
-
- Article
- Export citation
Prophets Looking Backwards: German Romantic Historicism and the Representation of Renaissance Music
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 164-204
-
- Article
- Export citation
Eros in the Metropolis: Bartók's The Miraculous Mandarin
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 41-61
-
- Article
- Export citation
The Provenance of the Londonderry Air
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 205-247
-
- Article
- Export citation
Schubert's Homecoming
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 248-270
-
- Article
- Export citation
The Meaning of ‘Lateness’: Mediations of Work, Self and Society in Tippett's Triple Concerto
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 62-92
-
- Article
- Export citation
‘Ich singe, wie der Vogel singt’: Reflections on Nature and Genre in Wolf's Setting of Goethe's Der Sänger
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 271-286
-
- Article
- Export citation
Musical Decay: Luciano Berio's Rendering and John Cage's Europera 5
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 93-114
-
- Article
- Export citation
Reviews
Bruce R. Smith, The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago and London: University of Chicago Press, 1999. xiv + 386 pp. ISBN 0 226 76376 5 (cloth); 0 226 76377 3 (paper).
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 115-118
-
- Article
- Export citation
John Walter Hill, Roman Monody, Cantata and Opera from the Circles around Cardinal Montalto. 2 volumes. Oxford: Clarendon Press, 1998. Vol. 1 xx + 453 pp.; vol. 2 xii + 458 pp. ISBN 0 19 8166133.
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 287-299
-
- Article
- Export citation
Don Harrán, Salamone Rossi: Jewish Musician in Renaissance Mantua. Oxford Monographs on Music. Oxford: Oxford University Press, 1999. x + 310 pp. ISBN 0 19 816271 5.
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 299-306
-
- Article
- Export citation
Dorothea Link, The National Court Theatre in Mozart's Vienna: Sources and Documents, 1783–1792. Oxford: Clarendon Press, 1998. 549 pp. ISBN 0 19 8166737. - John A. Rice, Antonio Salieri and Viennese Opera. Chicago and London: University of Chicago Press, 1998. 648 pp. ISBN 0 226 71125 0.
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 118-126
-
- Article
- Export citation
The John Marsh Journals: The Life and Times of a Gentleman Composer (1752–1828). Edited by Brian Robins. Sociology of Music, 9. Stuyvesant, NY: Pendragon Press, 1998. xiv + 797 pp. ISBN 0 945193 94 7.
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 306-314
-
- Article
- Export citation
Ludwig van Beethoven, Briefwechsel Gesamtausgabe, edited by Sieghard Brandenburg. 7 volumes. Munich: G. Henle, 1996–8. Vol. i, 1783–1807, lxxxix + 344 pp., ISBN 3 87328 055 8; vol. ii, 1808–13, xxi + 388 pp., ISBN 3 87328 056 6; vol. iii, 1814–16, xxii + 368 pp., ISBN 3 87328 057 4 (in slipcase with two coloured facsimile street-plans of Vienna from 1809 and 1824); vol. iv, 1817–22, xxiv + 560 pp., ISBN 3 87328 058 2; vol. v, 1823–4, xxiii + 405 pp., ISBN 3 87328 059 0; vol. vi, 1825–7, xxii + 397 pp., ISBN 3 87328 060 4; vol. vii, ‘Register’, x + 319 pp., ISBN 3 87328 061 2.
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 127-131
-
- Article
- Export citation
Judit Frigyesi, Béla Bartók and Turn-of-the-Century Budapest. Berkeley, Los Angeles and London: University of California Press, 1998. x + 356 pp. ISBN 0 520 20740 8.
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 314-322
-
- Article
- Export citation
Other
The Dent Medal
-
- Published online by Cambridge University Press:
- 27 January 2020, p. 132
-
- Article
- Export citation
Notes for Contributors
-
- Published online by Cambridge University Press:
- 27 January 2020, p. 134
-
- Article
- Export citation
Reviews
Steven Moore Whiting, Satie the Bohemian: From Cabaret to Concert Hall. Oxford Monographs on Music. Oxford: Clarendon Press, 1999. viii + 596 pp. ISBN 0 19 816458 0.
-
- Published online by Cambridge University Press:
- 01 January 2020, pp. 322-336
-
- Article
- Export citation