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American Gamelan and the Ethnomusicological Imagination By Elizabeth A. Clendinning. Chicago, IL: University of Illinois Press, 2020.
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Published online by Cambridge University Press: 24 August 2022
Abstract
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- Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Society for American Music
References
1 Solis, Ted, ed., Performing Ethnomusicology: Teaching and Representation in World Music Ensembles (Berkeley, CA: University of California Press, 2004)CrossRefGoogle Scholar; Dor, George Worlasi Kwasi, West African Drumming and Dance in North American Universities: an Ethnomusicological Perspective (Jackson, MS: University of Mississippi Press, 2014)Google Scholar.
2 Rogers Brubaker, “The Uproar Over Transracialism,” New York Times, May 18, 2017, https://www.nytimes.com/2017/05/18/opinion/the-uproar-over-transracialism.html.
3 Danielle Brown, “An Open Letter on Racism in Music Studies,” My People Tell Stories, June 12, 2020, https://www.mypeopletellstories.com/blog/open-letter.
4 Amico, Stephen, “‘We are all Musicologists Now;’ or, the End of Ethnomusicology,” The Journal of Musicology 37, no. 1 (2020): 1–32CrossRefGoogle Scholar.