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Janelle Monáe's Dirty Computer Music Video/Film: A Collective Reading

Published online by Cambridge University Press:  04 June 2019

Abstract

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Type
Media Review
Copyright
Copyright © The Society for American Music 2019 

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References

Recommended Readings

Arnold, Gina, Cookney, Daniel, Fairclough, Kristy, and Goddard, Michael, eds. Music/Video: Histories, Aesthetics, Media. New York: Bloomsbury Academic, 2017.Google Scholar
Austerlitz, Saul. Money for Nothing: A History of the Music Video from the Beatles to the White Stripes. New York: Continuum, 2008.Google Scholar
Korsgaard, Mathias Bonde. Music Video after MTV: Audiovisual Studies, New Media, and Popular Music. Routledge Research in Music. London: Routledge, Taylor & Francis, 2017.Google Scholar
Marks, Craig, and Tannenbaum, Rob. I Want My MTV: The Uncensored Story of the Music Video Revolution. New York: Plume, 2014.Google Scholar
Railton, Diane, and Watson, Paul. Music Video and the Politics of Representation. Music and the Moving Image. Edinburgh: Edinburgh University Press, 2011.Google Scholar
Shaviro, Steven. Digital Music Videos. Quick Takes: Movies and Popular Culture. New Brunswick, NJ: Rutgers University Press, 2017.Google Scholar
Vernallis, Carol, King, Jason, Sterbenz, Maeve, Ellis, Gabriel, Lochard, Gabrielle, Oore, Daniel, Lyon, Eric, Gaunt, Kyra, and Chapman, Dale. “Introduction: APES**T.” Journal of Popular Music Studies 30, no. 4 (December 2018): 1170. DOI: 10.1525/jpms.2018.300403.Google Scholar
Vernallis, Carol. “Beyoncé’s Overwhelming Opus; or, the Past and Future of Music Video.” Film Criticism 41, no. 1 (February 2017). https://doi.org/10.3998/fc.13761232.0041.105.Google Scholar
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Vernallis, Carol. Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press, 2013.Google Scholar