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Published online by Cambridge University Press: 20 October 2022
1 Walter W. Woodward, “‘Incline Your Second Ear This Way’: Song as a Cultural Mediator in Moravian Mission Towns,” in Ethnographies and Exchanges: Native Americans, Moravians, and Catholics in Early North America, ed. Anthony Gregg Roeber (State College: Penn State University Press, 2010), 125–42; Wheeler, Rachel and Eyerly, Sarah, “Singing Box 331: Re-Sounding Eighteenth-Century Mohican Hymns from the Moravian Archives,” The William and Mary Quarterly 76, no. 4 (2019): 649–96CrossRefGoogle Scholar.
2 Goodman, Glenda, “‘But They Differ from Us in Sound’: Indian Psalmody and the Soundscape of Colonialism, 1651–75,” The William and Mary Quarterly 69, no. 4 (2012): 793–822Google Scholar; Baker, Geoffrey, Imposing Harmony: Music and Society in Colonial Cuzco (Durham, NC: Duke University Press, 2008)Google Scholar; Mann, Kristin Dutcher, The Power of Song: Music and Dance in the Mission Communities of Northern New Spain, 1590–1810 (Redwood City, CA: Stanford University Press, 2010)Google Scholar.
3 “Moravian Soundscapes,” Florida State University, accessed July 23, 2021, https://moraviansoundscapes.music.fsu.edu.
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