Khipu Studies at Scale

Our study comes at a time of increasing scholarly availability of machine-readable khipu data (Medrano Reference Medrano2021a:Chapter 6). As Matthew Jockers (Reference Jockers2013:4) has argued elsewhere, “we have reached . . . an event horizon where enough text and literature have been encoded to both allow and, indeed, force us to ask an entirely new set of questions.” In parallel, khipu research has begun to move from the identification of notable properties in individual specimens to the assessment of hypotheses using larger compilations of cords (e.g., Clindaniel Reference Clindaniel2019)—a commitment recently dubbed an “aggregative turn” (Medrano Reference Medrano2021b:312).

Nonetheless, we find it curious that recent khipu scholarship has de-emphasized the one element of the object that we can most consistently interpret: its numerical knots. Among the ambitious attempts to decipher the khipu's purportedly “narrative” or nonnumerical elements, strong arguments exist concerning color patterning (Hyland Reference Hyland2016), knot direction (Hyland et al. Reference Hyland, Ware and Clark2014), and affixed needlework bundles (Hyland Reference Hyland2020), several of which find support in statistical testing on the OKR (Clindaniel Reference Clindaniel2019). Yet the khipus’ numerical values have continued to play a largely ancillary role in such studies.

In contrast, the intensive analysis of numerical knots represents our attempt to upend their largely anodyne reputation. Despite recent appeals to cataloging additional khipu loci, here we return to numbers, which are recorded for all specimens with knots (98%). In this regard, the numerical values assigned by previous catalogers are used; we do not superimpose our own readings. Though this study does not include the Aschers’ writings on potential calendrical specimens (e.g., Ascher and Ascher Reference Ascher, Ascher, Ziółkowski and Sadowski1989) or their more minor treatments of multiplication and division, what remains is, nonetheless, ample fodder for committing oneself to “the actuality of the khipus” (Marcia Ascher, quoted in Cook Reference Cook2003).

Exhaustive Search

The computer's potential for comprehensively searching the khipu corpus is not a recent realization. Some 60 years ago, Carlos Radicati di Primeglio (Reference Carlos2006:243) affirmed that it would be precisely the “electronic computer”—with its ability to search “an infinity of combinatory tests of colors and knots”—that would aid in revealing the “key” to reading nonnumerical khipus. Something similar can be said of khipus’ mathematical properties. Contemporaneous with the Aschers’ (Reference Ascher and Ascher1969) first publication on the subject were calls to investigate internal sums by Radicati (who called them the khipu's “parallelisms”; Reference Carlos2006:173–207) and anthropologist Carol Mackey (Reference Mackey1970:53–54).

Nonetheless, it was with the publication of the Aschers’ (Reference Ascher and Ascher1978, Reference Ascher and Ascher1988) two khipu “Databooks” that specific properties were first identified for more than a handful of samples. Readers were alerted, for example, that cords one to four of khipu KH0109's seventh pendant cord group total the values of the corresponding indexed cords in the prior three cord groups; that is,

$P_{7, i} = \mathop \sum \limits_{j = 4}^6 P_{j, i} \hbox{ for } i=\{1,2,3,4\},$

where P, j, and i refer to pendant cord, cord group, and pendant cord index, respectively (Ascher and Ascher Reference Ascher and Ascher1978:675). A systematic review has allowed us to generalize such statements to nine relations; KH0109's property, for example, qualifies as a so-called indexed pendant sum, in which a pendant cord (i.e., sum cord) registers the sum of similarly indexed pendant cords (i.e., summand cords), with the latter found in cord clusters that are contiguous to each other. The full list is reproduced in Table 1, which ranks the relations by the total number of khipus (out of 650) that exhibit each. The relations pertain to addition (numbers one, two, three, five, seven, eight, nine), subtraction (number four), and ordering by magnitude (number six). All accompanying data and code for the subsequent analyses are linked in the Data Availability Statement.

Table 1. Incidence of Generalized Ascher Relations in 650 Digitized, Inka-style Khipus.

In the first instance, exhaustive search reveals that one or more Ascher formulae characterize 76% of khipus with knots (74% overall).Footnote ³ This raises previous estimates identifying 67% of khipus with numerical accounting functions (Urton Reference Urton2017:49). The actual percentage could well be higher than 76% because some khipus are fragmentary.

Further, combining the distribution of Ascher relations with each khipu's overall numerical magnitude contributes directly to an ongoing goal in khipu decipherment: the identification of samples from different levels of accounting hierarchies. Most famously associated with Inka decimal administration, the vertical summation and partitioning of khipu records facilitated accounting in the Andes both before and after the Spanish conquest (Julien Reference Julien1988). Perhaps the most prominent example identified to date are seven archaeological khipus from the coastal site of Puruchuco that, based on summation relationships identified between them, have been described as pertaining to three levels (I, II, and III) of an Inka accounting hierarchy in the Rimac Valley (Urton and Brezine Reference Urton and Brezine2005).

Taking pendant-pendant sums (defined in Table 1, number one), the most numerous Ascher relation (8,088 individual occurrences, or 46% of the 17,414 total occurrences of relations numbers one to nine across the corpus), we find that high mean pendant value khipus exhibit very few sums (Figure 1). This seems to distinguish them as a class all their own; we hypothesize that they are consistent with higher-level “summary” accounts in khipu administration, as differentiated from lower-level “working” khipus, which have many internal checks and balances (i.e., Ascher relations). From Figure 1, we see the latter tend to comprise khipus with mean pendant cord values between 10 and 1,000; that is, up to the waranka level of Inka decimal accounting (assuming a one-to-one correspondence with the magnitude of this administrative unit).

Figure 1. Number of pendant-pendant sum relations versus (log) mean pendant cord value. The corpus-wide average pendant value (279) is denoted with a vertical line.

This theory finds additional support in a corpus-wide search for untied “ghost knots” (Salomon Reference Salomon2004:169). In the clearest testimony on the matter, the conquistador Hernando Pizarro (Reference Pizarro and Urteaga1920 [1533]:175) wrote that as his men raided an Inka storehouse, the local khipukamayuqs “removed knots . . . and [re-]knotted them in another part [of the khipu(s)]” to reflect the changing inventories. Using references to the few untied knots in the corpus as a proxy for khipus subject to similar on-the-ground operations, we find matches to nine samples with mean pendant cord values between zero (for the fully untied KH0307) and 725 (KH0254)—falling within the numerical range identified above for “working” khipus.Footnote ⁴

Notably, Jon Clindaniel's (Reference Clindaniel2019:111) computational study of khipu magnitude has identified the transition point between individual-level accounts (banded coloring) and aggregated ones (seriated coloring) with pendant cord values in the tens’ place (i.e., in the range between 10 and 100). However, here we describe a transition point for “working” versus “summary” khipus somewhere in the thousands’ place. How can the two be reconciled? It seems that, rather than contradicting Clindaniel's conclusion, our finding provides an identification mechanism for khipus at even higher accounting levels than those classifiable by their color patterning. That is, while the transition from ayllu to community-level records may have been marked by seriated khipus versus banded ones (Hyland Reference Hyland2016), “summary” level accounts at the waranka level and above were distinguishable by a density of values in the thousands’ and ten thousands’ places and an utter lack of internal sum relationships. The labeling of both banded and seriated khipus of certain magnitudes as “working” specimens may be a surprise; however, recall that the initial decipherment of color patterning that Clindaniel evaluated was based on modern khipus that aggregated labor contributions at the level of one Andean village (Hyland Reference Hyland2016:504). The Puruchuco case also demonstrates that even multiple seriated khipus could coexist in hierarchical relation to one another.

Together, these observations add much-needed nuance to the identification criteria for higher-order accounting khipus. When coupled with numerical magnitude and previously deciphered color schemas (Hyland Reference Hyland2016), internal sums better predict “summary” khipus than existing methods. Using the density of thousands’ place values as a proxy for the latter, we can tentatively characterize the khipus of the Puruchuco hierarchy—which exhibit only a single thousands’ place value on the highest level—as all essentially “local” in nature. This aligns with previous findings: even if the level III (highest level) khipus were “interface” specimens received from outside Inka authorities, their contents were ultimately delimited by Puruchuco alone (Urton and Brezine Reference Urton and Brezine2005). Just as color banded khipus may have underlain the hierarchy's lowest level (Hyland Reference Hyland2016:507n17), large-value dense, arithmetically poor khipus stored elsewhere could have summarized the Puruchuco hierarchy (and others like it) from above.

Validating (or Not) Existing Observationally Derived Hypotheses

In a recent analysis of early colonial khipu transcriptions, Medrano (Reference Medrano2021b:330) argued that computational linguistic approaches enable the assessment of ethnohistoric hypotheses “resting dormant in [previous] studies.” Data science allows us to say something similar about the surviving khipus as well. To do so, we revisit an often-repeated refrain: that top cords are khipus’ quintessential summing structures, totaling the values on associated pendant strings (relation number nine, Table 1). Constituting less than 1% of sums in the corpus, top cords, per our searches, emerge more specifically as hallmarks of low-level “working” khipus.

The gradual conflation of top cords with sums is perhaps unsurprising because it was a khipu with several sum top cords (KH0405) that enabled L. Leland Locke's (Reference Locke1912) decipherment of numerical knots on Inka-style khipus. Marcia Ascher (Reference Ascher and Closs1986:278) later characterized top cords as “almost exclusively carry[ing] the sums of the values of the groups with which they are associated.” Slightly more measured descriptions of them “often” recording sums abound in the literature (e.g., Tun Reference Tun and Selin2016:3685).

However, a search of the corpus reveals that of the 47 khipus with top cords (7.2% of the 650 eligible khipus), only 29 have one or more top cords recording sums or double sums, even using a capacious search criterion that allows for digits in each place value to be off by one (as they sometimes were for Locke). Though the 7.2% top-cord-bearing khipus aligns with previous estimates to this effect—for example, 10% (Ascher Reference Ascher2005:106) or 9.2% (Mackey Reference Mackey1970:45)—our analysis points to a basic overestimation of sum top cord frequency, confirming previous suspicions to this effect raised by Carol Mackey (Reference Mackey1970:52–53). Database queries can thus add long-overdue nuance to widely held views of a “standard” Inka khipu. We are reminded in this regard of Galen Brokaw's (Reference Brokaw2005:588) admonition: in the search for conventionality in the khipu sign system, proposed decipherments of individual khipu elements must ultimately “produce results that complement numerical readings.”

Most strikingly, aggregate analysis allows us to identify sum/double sum top cords—and even top cords more broadly—as a distinguishing characteristic of local, low-level accounting khipus. Returning to the waranka (1,000)-magnitude upper bound for “working” khipus proposed in the previous section, we find that 85 of 86 sum top cords in the corpus record values less than 1,000; the remaining top cord sum (on KH0405) has the value 1,417. All the 21 double sum top cords fall within the same interval, with a maximum value of 729. The 29 total khipus with these properties also record small quantities on the other strings: their mean pendant cord values range between one (KH0068) and 248 (KH0603). Equally suggestive is that top-cord-bearing samples are exceedingly likely to have banded coloring, a design feature previously shown to be a marker for ayllu-level khipus (Clindaniel Reference Clindaniel2019:Chapter 5; Hyland Reference Hyland2016). A manual review of the 46 computationally identified matches with available color data reveals that 44 khipus are all or majority banded, or have top cords associated with color bands. While banded khipus are estimated (Clindaniel Reference Clindaniel2019:109) to compose 16% of all khipus and 37.5% of khipus with discernible color patterning, they make up some 96% of khipus with top cords.

Among khipus with mixed color patterning, KH0607, in the Dallas Museum of Art, is particularly revealing. Composed of four primary cords tied together, the sample exhibits seriated coloring in the leftmost primary cord's pendants and banded coloring in the pendants of the remaining three primary cords (Figure 2). Not only does the khipu's one sum top cord appear just after the transition to banded coloring, but the other (apparently non-sum) top cords also only appear on its banded portions. A search for additional Inka-style khipus with top cords outside of our corpus yielded at least 19 results; with at most one exception (khipu VA22928, Ethnologisches Museum, Berlin [EMB]), all are color banded or have top cords associated with color bands (Locke Reference Locke1927; Pancorvo Reference Pancorvo2020:332–333, 398–399; Tokovinine Reference Tokovinine2019; Tun Reference Tun and Selin2016:3682; khipus B/8715 and 41.0/7304A, American Museum of Natural History [AMNH], New York; khipus VA42561a, VA44864b, VA47088, VA66842a, and VA66842b, EMB; khipus ML600131 and ML600007, Museo Larco, Lima; khipu 1940.469, Cleveland Museum of Art; khipu 80.1012, Stanford University Archaeology Collections; khipu [legacy number 002.49b], Manuscript Collection, Rare Books and Special Collections, McGill University Library; khipu O.4017, Nationalmuseet, Copenhagen, depicted in “Quipu nr 56: Köpenhamn,” drawing, 1924–1925, F1-4, Världskulturmuseets Arkiv [VKMA], Gothenburg).

Figure 2. Dallas Museum of Art T41299.38 (Khipu KH0607). (Color online)

A brief turn to khipus with archaeological and ethnohistorical provenance provides further support for our hypothesis. Of the 11 khipus recovered in 2017 from Huacones-Vilcahuasi, a Late Horizon Guarco administrative center in the lower Cañete Valley, five have top cords, which register values in the ones’ and tens’ places. The site would have been an important stage for local, everyday “working” calculations, as suggested by the discovery of a yupana (an Inka abacus) in a large courtyard of the complex by Barraza Lescano and colleagues (Reference Barraza Lescano, Espinola and Flores2022:234–236). Sum top cords with values in the hundreds’ place and below are found on three color-banded khipus (KH0072, KH0079, KH0080) among 16 samples from Quebrada de la Vaca, a settlement and Inka storage site near the southern Peruvian port city of Chala; two other khipus in the cache, excavated in 1954 by Francis A. Riddell and Dorothy Menzel, were also observed to be unknotted (Mackey Reference Mackey1970:Chapter 4). As for later khipus with ethnohistorical context, one sum top cord appears on KH0323, the largest of six color-banded khipus reportedly from the Santa Valley, in Ancash. These khipus have previously been correlated with ayllu-level registrations of tribute arising from a 1670 Spanish census visitation (Medrano and Urton Reference Medrano and Urton2018).Footnote ⁵

Though our hypothesis does not rule out uses of top cords on higher magnitude khipus as possible aids to the strings’ navigation, the inconsistency of top cord signification among smaller magnitude khipus is perhaps exactly what one would expect to see of idiosyncratic recording norms operating at lower levels of khipu hierarchies (Fossa Reference Fossa2019:125–127). It might thus be best to exercise caution around Leland Locke's (Reference Locke1923:31) claim of (sum) top cords being hallmarks of “the most highly developed form” of the khipu.

Leveraging Discovered Patterns to Reconstruct Broken Khipus

The next application returns to a question as old as khipu research itself: should we study broken and fragmentary samples; and if so, how? The Swedish anthropologist Erland Nordenskiöld (Reference Nordenskiöld1925:10), for example, argued that “it is of the utmost importance in the interpretation of quipus to have complete specimens,” an idea that was later rejected on face by Carlos Radicati di Primeglio (Reference Carlos2006:161). While many khipus have a handful of broken pendant cords, those with broken primary cords are particularly vexing—these may have originally hosted tens if not hundreds of additional strings. Using the primary cord termination code of “broken” as a proxy for fragmentary khipus, a search of the dataset reveals 156 (24%) afflicted specimens. Although many of the matches to these fragments have been lost, others may be extant but merely dissociated. We can thus affirm that all available khipus should be studied (à la Radicati) while also seeing immense value in reuniting separated specimens (with a nod to Nordenskiöld).

Utilizing the generalized Ascher relations (Table 1) as computational constructs offers a novel path toward such reconstructions. To demonstrate, we present a base case in KH0468, comprising two mathematically associable khipu fragments (VA16135a and VA16135b) in the Ethnologisches Museum, Berlin. The attentive reader will notice that both khipu fragments (which we will refer to simply as A and B) are numbered similarly. They are in fact two of several khipus and khipu fragments reportedly from Pisco, on Peru's southern coast, acquired by the museum at the turn of the twentieth century from the collection of I. M. Bolivar (Ethnologisches Museum Berlin 2021). Fragment A is composed of 39 groups of pendant cords and fragment B is composed of 41. In total, the fragments comprise 954 strings arranged in 80 color-banded groups (Figure 3).

Figure 3. Khipu fragments VA16135a and VA16135b. (Color online)

It is unclear whether fragments A and B were physically connected when they entered the museum's collections; in any case, their rejoining may seem a foregone conclusion. Beyond having the same inventory number and provenance, the samples share the same primary cord structure, color patterning, and average pendant group size. They were entered into the OKR in 2013 as a single khipu (UR231, now KH0468). In our view, however, the presumed “obviousness” of the fragments’ combination makes them an ideal proof of concept for our methodology. Because incorrect pairings of broken khipus can distort the scholarly record, it behooves us to develop additional means of corroboration beyond prevailing visual, ad-hoc methods (e.g., Ascher and Ascher Reference Ascher and Ascher1978:551).

The computational combination of fragments A and B into a single khipu produces a wealth of cross-fragment, regularly arranged pendant-pendant sums, suggesting that the fragments were indeed previously connected—and that a third khipu fragment was not originally attached between them. We visualize this through a network graph (Figure 4), in which each column is one of the rejoined khipu's cord clusters. The pendants in each cluster are represented in order (from top to bottom for each column) as rectangular nodes. The bolded nodes distinguish the cord clusters containing sum cords, which are not only visibly grouped but also appear with a consistent regularity and symmetry across the labeled break in the primary cord. Sums and summands are linked by connecting lines (see Figure 4's legend), which show the arithmetic interconnectedness of the rejoined khipu's numerical values—of the 97 pendant-pendant sums we have identified, 30 of them involve summands and sum cords that are found on both fragments A and B (i.e., on either side of the break in the primary cord).Footnote ⁶ The proposed rejoining yields more pendant-pendant sums than does the combination of fragment A with any other comparable khipu in our corpus; visual inspection shows these sums to be more regularly arranged than any alternative (see accompanying analysis linked in data availability statement). At a high level, these findings imply that the visual and numerical inspection of pendant-pendant sums can be an additional line of evidence in arguing for the reunion of dissociated khipu fragments.

Figure 4. Network graph of right-handed pendant-pendant sums in the “rejoined” khipu KH0468. (Color online)

It should be noted that Figure 4, which might be likened to a sort of mathematical X-ray, only plots so-called right-handed sums, in which summands appear to the right of their associated sum. These can be represented by the formula Y _n = x _m + x _m+1 + … + x _m+c, where Y _n is a sum cord in position n, x _{{m, m+1, …, m+c}} are a sequence of summand cords contiguous to one another in positions {m, m + 1, …, m + c}, c is a nonnegative integer, and n < m; this accords with the customary arrangement of equations in modern mathematics. However, 89 left-handed pendant-pendant sums also appear on KH0468; these are characterized by summands that appear to the left of their associated sum, as described by the formula x ₁ + x ₂ + … + x _m = Y _n, where Y _n is again a sum cord in position n, x _{{1, 2, …, m}} remain a sequence of summand cords contiguous to one another in positions {1, 2, …, m}, but n > m. Nineteen of the left-handed sums on the rejoined khipu span the break in the primary cord.

Decades ago, the Aschers identified a similar phenomenon. In their notes on a khipu (KH0217) with pendant-pendant sums in the AMNH, the duo stated that when the pendant positions of some cord groups were arranged in reverse order, a greater number of sums appeared, including some in which a given cord registered the sum of pendant cords in groups both preceding and following it (Ascher and Ascher Reference Ascher and Ascher1978:1149). Here, exhaustive search provides the first large-scale confirmation of “sum handedness” in khipus, including a remarkably consistent asymmetry in right-handed versus left-handed sums across the corpus. In KH0468, for example, one finds that right-handed sums make up 52% of total pendant-pendant sums (97 out of 186). At the whole corpus level, we find an approximate 55/45 percentage split in right-handed versus left-handed sums for all four Ascher pendant sum relationships (Table 1): pendant-pendant sums (54/46), pendant sums by color (56/44), pendant sums by index (57/43), and subsidiary pendant sums (57/43). This is not to imply that some 45% of khipus have been recorded backward because in most cases (63% across the four named relationships), any given specimen presents both left-handed and right-handed sums.Footnote ⁷

Reapplying our arithmetic diagnosis of KH0468 even allows some preliminary observations on genre and function. One of the fragments has previously been radiocarbon dated, yielding the conquest-spanning, 2σ- and IntCal09-calibrated age ranges of 1505–1589 cal AD (p = 0.686) and 1617–1648 cal AD (p = 0.314; Cherkinsky and Urton Reference Cherkinsky and Urton2014:34). Fragment A's attached needlework bundle, however, provisionally identifies this rejoined khipu with an early accounting genre on the southern Peruvian coast. In a recent study of such bundles (termed kaytes in Huarochiri Quechua) as khipu subject markers, Hyland (Reference Hyland2020:142, 150–151; see also Splitstoser Reference Splitstoser, Arnold and Dransart2014:62–64) proposed possible meanings for two variants: orange and yellow indicating recordings of ayllu-level “labor accounting,” and bright crimson with silver thread and chevrons indicating matters of “the highest level of Inka royalty.”Footnote ⁸ KH0468's red, yellowish-white, and black needlework bundle (Pancorvo Reference Pancorvo2020:426) adds to this inventory, designating a (Pisco-area) arithmetic register.

Further, other comparable khipus speak to regional accounting practices supported by active calculation. In his 1958 archaeological survey of the Pisco Valley, Dwight T. Wallace noted one site, PV 58-10, from which he recovered a khipu. The sample was associated with a possible yupana—a “peculiar stone” that Wallace (Reference Wallace1971:86–87) described as “flat-convex with a series of shallow holes, which occupy all of its flat part.” More recently, excavations at Inkawasi (in the nearby Cañete Valley) have yielded two needlework-bundle-bearing khipus (KH0502 and KH0505) among 14 specimens found covered with peanuts. Presumed to register storehouse deposits, both have been described as paradigmatic examples of “internal summing” on day-to-day working khipus (Urton Reference Urton2017:161–166).Footnote ⁹

These associations arise directly from the discovery of KH0468's internal arithmetic structure, expanding identification mechanisms for khipu genres beyond “physical correlations . . . analogies with post-Inka kaytes . . . associations with grave goods,” or aspects of the primary cord (Hyland Reference Hyland2020:151). Given that only 16 samples (2%) in the corpus have kaytes, Ascher relations might fill some of the inherent gaps in such approaches to khipu typology. They can also contribute to understanding kayte variation: the high-magnitude, arithmetically poor nature of khipu KH0426 in the Musée du quai Branly, Paris, would provisionally identify its black needlework bundle with white bands (Pancorvo Reference Pancorvo2020:424) with the high-level “summary” specimens described previously.

In our view, arithmetically aided khipu reunion encourages as much an expanded search for other dissociated fragments as a reevaluation of specimens previously asserted to conjoin based on ad hoc, visual observation (e.g., Pancorvo Reference Pancorvo2020:450–451). With at least 156 potential membra disiecta sporting broken primary cords, we are optimistic that this initial attempt at a “khipu fragmentology” will make KH0468 only the first of other such matches to come (Davis Reference Davis2016), particularly across different collections (see also Bjerregaard Reference Bjerregaard2001).

Hypothesis Generation and Identifying Khipu Grammars

Particularly ambitious are numerical decipherments that claim to interpret khipus lacking significant archaeological provenience (e.g., Chirinos Rivera Reference Chirinos Rivera2010:pt. 3). Quantitative aggregation and tailored data visualizations hold the potential to fast-track such initiatives, revealing khipu conventions more clearly discernible at high levels of abstraction. For example, our exhaustive search for Ascher relationships indicates that cords registering sums (i.e., sum cords, which total the values of summand cords) are often grouped together. In fact, 53% of all pendant-pendant sum cords in the corpus are contiguous to one another—KH0468, discussed in the preceding section, is one such example. Important to us, however, is identifying how such “sum clusters” are commonly denoted across large numbers of samples. Notably, in some 41% of cases, a white pendant cord begins a sum cluster, compared to just 32% for cord groups overall. The same holds for pendant sums by color (relation number two in Table 1), in which 40% of sum clusters begin with a white cord. In addition, we describe here, for the first time, the phenomenon of sum cluster clustering, in which sum clusters themselves co-occur, separated from surrounding groups of pendants by knotless cord groups. For any given sum cluster, 86% of the time, both of its neighboring groups are either additional sum clusters (75%) or knotless cord clusters (11%). Pendant sums by color exhibit the same property, with sum clusters also flanked by additional sum clusters (70%) or knotless groups (18%) in 88% of cases.

How do these findings advance khipu decipherment? The correlation of khipu structures with specific data organization practices allows us to sharpen previous allusions to “bookmarks” described as aiding readers in navigating the strings (Salomon Reference Salomon, Piquette and Whitehouse2013:32). White pendants and/or knotless neighboring groups would have enabled khipukamayuqs to quickly identify sum groups on certain numerical khipus. The regular arrangement of sums, as explored previously, suggests that these cluster identifications do not represent mere statistical noise. Sum clusters, and clusters of sum clusters, may well represent the khipus’ “isolable units” (Urton Reference Urton2005), physically and visually separated from the rest to diminish the risk of reading a summand instead of its associated total. Our characterization of white cords aligns with Andrés Chirinos Rivera's (Reference Chirinos Rivera2010:233–234) theory of color “elegance,” according to which the khipu is made clearer to the user through visual redundancy. The use of knotless neighbors for visual emphasis has also been described by Carrie Brezine for the two “matching” khipus KH0128 and KH0137, in which the duplicate sections are set off from the other pendants by at least one zero-valued string on each side (Urton Reference Urton2005:151).

We can again reconcile both ethnohistorical and archaeological evidence. Keeping the Pisco-area specimen KH0468 in mind, we venture a few dozen kilometers northward, where in 1544, a native cord-keeper showed a colonial administrator “certain cords in pairs, one white and one yellow, with some knots tied at intervals, saying that the yellow one was a count of gold and the white one a count of silver, and that each pair of cords recorded the account of what had been given [in tribute] in one year” on the royal encomienda of Chincha (qtd. in Hampe Martínez Reference Hampe Martínez1987:86). At least two plausible corresponding khipu morphologies arise: first, the summand cords for the Chincha specimen(s) were located elsewhere on the same khipu(s), supporting our sum cluster hypothesis; or second, the summands were recorded on other khipus, suggesting that the register at hand was an arithmetic-poor, high-level “summary” khipu. Indeed, with some 2,000 tributaries reported under the Chincha encomienda in the mid-1540s (Hampe Martínez Reference Hampe Martínez1987:87), this khipu would have easily surpassed the waranka (1,000)-level floor proposed for high-order summary khipus; with its white and yellow cords arranged “in pairs,” the specimen also exhibited color seriation, which has been shown to designate aggregate accounts (Clindaniel Reference Clindaniel2019:Chapter 5; Hyland Reference Hyland2016). An explicit example of the second case comes from the Audiencia of La Plata (modern Sucre, Bolivia). In speaking to deliveries of goods and services under a corrupt encomendero between 1548 and 1551, two cord keepers were asked in 1578 exactly how many heads of livestock among the total were provisioned to the encomendero himself. They replied that “the khipu where they had it recorded summarized everything in the way they have said, and they cannot give an account of how many [heads] they gave him in particular to eat, as everything goes into the said sum” (Pärssinen and Kiviharju Reference Pärssinen and Kiviharju2004:333).

Archaeologically, this finding allows us to amend and expand Jon Clindaniel's (Reference Clindaniel2019:Chapter 4) hypothesis regarding white and light-colored cords involved in arithmetic sequences on storehouse khipus recovered from Inkawasi. Though Clindaniel (Reference Clindaniel2019:95) argues that in two khipus from the site's major storehouse (sector A), KH0503 and KH0491, white and light-colored strings grammatically “signified the unmarked action of ‘addition,’” we instead propose that white served as a functional marker for sums. On KH0503, for example, Clindaniel interprets the three-cord sequence 106 (white), 15 (amber brown), and 91 (mottled amber brown and dark brown) as 106 − 15 = 91 or light (addition) minus dark (subtraction) equals mottled light and dark (result). We reinterpret this sequence, and others like it in the Inkawasi corpus, as 106 = 15 + 91, or more generally a = b + c (i.e., a right-handed pendant-pendant sum) instead of a − b = c, with white denoting the sum.

At least two factors support our revision. First, exhaustive search reveals that three-cord “grammatical” color sequences of the type proposed by Clindaniel—light cord minus dark cord equals mixed-color cord—are exceedingly rare, appearing on only six other cords (i.e., two other times) in the 650-khipu corpus. Moreover, although white predominates in pendant-pendant sum relationships—which would initially support Clindaniel's (Reference Clindaniel2019:83–97) description of light colors as an “unmarked” grammatical khipu element—the frequency distribution of pendant-pendant sum colors versus the overall frequency distribution for nonzero-valued pendant colors is within 4.5 degrees of similarity (by cosine similarity, a typical measure of the similarity between two vectors). Second, conceiving of the white cords in question as sum cords (rather than addition cords) explains more Inkawasi khipus with internal arithmetic. Particularly telling are samples in which more than two summands appear. For example, in KH0514, pendant group 8 comprises the seven-cord sequence 4,273 (white), 47 (yellowish brown), 260 (light brown), 393 (barber pole white/light brown), 472 (yellowish brown), 391 (barber pole white/dark brown), and 2,710 (mottled white/moderate brown). This can only be written as 4,273 = 47 + 260 + 393 + 472 + 391 + 2,710, with the solid white cord designating the sum. The same can be said of Inkawasi khipus KH0505, KH0506, KH0513, KH0502, and KH0504 (itself physically attached to the khipu analyzed by Clindaniel). Though the possibility of an additive formula has been acknowledged previously for these specimens (Urton Reference Urton2017:161–166), our incorporation of color enables a broader statement: the Inkawasi khipus in question registered right-handed sums (rather than subtractive operations) in which white pendant cords recorded sum totals.

Sum relationships also appear on the fragmentary khipus recovered from collcas in Inkawasi's sector B, subsector one, an elite residential zone. Clindaniel (Reference Clindaniel2019:54, Figure 3.3) wrote that these specimens (KH0608–KH0630) were “commonly found tightly bound and buried with large numbers recorded on them, suggesting that they may have been archival khipus that kept some sort of summary statistics for overseers at the site.” Yet Ascher sum relations appear on 10 (43%) of the specimens—including some of the “tightly bound” examples—which suggests a more quotidian, “working” character. Tania Jiménez Mendoza (Reference Jiménez Mendoza2022:162–166) agrees, interpreting at least four of these khipus (KH0609, KH0610, KH0613, KH0614) as unfinished accounts of the active “control and registration of products.” As has been argued for khipu-wielding Guarco elites at nearby Huacones-Vilcahuasi (Barraza Lescano et al. Reference Barraza Lescano, Espinola and Flores2022), Ascher sums would thus favor an interpretation closer to that of dynamic, “partially centralized” residential-administrative storage, in which local elites maintained registers of goods kept in private spaces separate from sector A, the primary storehouse in which Inkawasi's sitewide accounting was performed.Footnote ¹⁰

Returning from Inkawasi to the corpus level, the identification of white cords as boundary markers for sum clusters (and by extension, as sum cords) confirms that the first pendant in a pendant group often played a distinct role in khipu semiosis. This is directionally supportive of conventions that have previously been asserted in khipu studies. Statements regarding the first pendant in a cord group recording “large” or presumably “important” values abound (Ascher Reference Ascher2005:103; Ascher and Ascher Reference Ascher and Ascher1978:649n3, 816n3, 894n8, 896n10; Chirinos Rivera Reference Chirinos Rivera2010:306–315; Mackey Reference Mackey1970:74), as do mentions of first pendants that total subsequent cords in various ways, at least at the individual khipu level (Ascher and Ascher Reference Ascher and Ascher1978:850n5, 917–918n3, 1056n4, 1110n3).Footnote ¹¹ Nonnumerical interpretations have also been raised, including one describing certain first pendants as “markers” separating different information zones on their respective khipus (Ascher and Ascher Reference Ascher and Ascher1978:372n4, 1029n4). Another holds that via attachment knots, the first pendants of the colonial-era Santa Valley tributary khipus registered each individual's moiety affiliation (with the cord recording the associated tribute obligation; Medrano and Urton Reference Medrano and Urton2018).

Finally, a potential qualm should be addressed: is the observed incidence of white sum and sum cluster cords merely the product of pendant cords fading over time? Both before and after entering collections, archaeological khipus would have faded to varying extents from (in)direct exposure to light, heat, and (in the case of funerary contexts) human remains. Efforts to scientifically assess the differential degradation of both dyed and undyed Inka khipu cords due to these factors are only at their outset (Bjerregaard et al. Reference Bjerregaard, Henniges, Potthast, Strand, Gleba, Mannering, Munkholt and Ringgaard2010:28–29). Crucially, however, our finding arises from the comparison of pendant color distributions against themselves: the distribution of white sum cords, for instance, is measured against the baseline distribution of white cords in the same data set. This departs from previous computational khipu analyses, which have typically measured pendant color against an absolute lightness score (e.g., Clindaniel Reference Clindaniel2019:Chapter 4)—a methodological choice that has yielded results likely influenced, if not explained, by corpus-wide pendant fading. While our intervention cannot account for differential fading on a per-khipu basis, it better proxies overarching color conventions than arguments which depend on (or are at least reducible to) raw frequency counts.