Published online by Cambridge University Press: 05 February 2009
It is widely recognized not only that Luke was a literary artist but that his literary methods involved specifically Hellenistic approaches and techniques. The primary purpose of this article is to indicate that the enigmatic relationship of part of Luke's text (7. 11–17, the raising of the widow's son) to part of the LXX text (1 Kgs 17. 17–24, Elijah's raising of the widow's son) is a literary relationship, a relationship which is the result of a sophisticated and coherent process of dramatization and christianization. The article is also intended to suggest briefly that this literary relationship is to be understood, in considerable part, in light of the Hellenistic literary practice known as imitatio, and that the practice of imitatio may be an important clue in detecting and unravelling other areas of Luke's sources.
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[30] Brodie, T. L., Luke the Literary Interpreter, Luke-Acts as a Systematic Rewriting and Up-dating of the Elijah-Elisha Narrative in 1 and 2 Kings (dissertation, Rome: Pontifical University of St. Thomas Aquinas, 1981) 134–53.Google Scholar
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[32] On τί έμοί καί σοί as a ‘refusal of … involvement’ we Brown, R. E., The Gospel According to John I–XII (AB; New York: Doubleday, 1966) 99.Google Scholar
[33] The centurion's mode of addressing Jesus, Κᾳρıε, ‘Sir’ or ‘Lord’, could, if taken in isolation, be translated simply as ‘Sir’. But in the context of a story of surpassing faith, and in the context of Luke's general use of κᾳρıος as meaning ‘Lord’ (cf. Luke 5. 12, 17; 7. 13, 19;9. 54, 61, etc.) - and it is context, above all, which gives meaning - such a translation, though partially valid, is ultimately quite inadequate. Contrast, for instance, NEB with RSV.
[34] The word έγέρθητı, aor. impv. pass. of έγείρω may mean ‘Get up’, ‘Rise up’, or ‘Be raised up’, and, if taken in isolation, may be translated simply as ‘Get up’, a phrase used more of getting out of bed than of rising from the dead. But in the context of a narrative which tells of someone who is ‘dead’ being brought to life by ‘the Lord’ (cf. Luke 7. 12, 13, 15), and in the larger context of Luke's use of the passive of έγείρω to refer to the raising of the dead (cf. 7. 22; 9. 7, 22; 20. 37 24. 6, 34), such a translation is inadequate; it loses the continuity with the general idea of resurrection, and it loses particularly the literary and theological continuity with 7. 22. Contrast, for instance, JB and RSV. Similarly, the word γ⋯γος (Luke 7. 17, ‘This γ⋯γος went forth…’) is capable of several meanings, but in the context of Luke's emphasis on ‘the word’ and ‘the word of God’, it seems better to translate it as ‘word’ (cf. esp. the nearby texts, Luke 7. 7; 8. 11, and the fact that as Haenchen comments [Acts, 98]: ‘the “word of God”… fills the time after Pentecost’).
[35] Cf. LSJ 1: 961, under κλıνάρıον; Fitzmyer, , Luke I–IX, 659.Google Scholar
[36] Lukasevangelium, 402.
[37] Fitzmyer, , Luke I–IX, 524.Google Scholar
[38] ibid., 659; see Schürmann, , Lukasevangelium, 402.Google Scholar
[39] Luke's text may also involve a reference to the raising up of a prophet as described in Deut 18. 18; we Fitzmyer, , Luke I–IX, 660.Google Scholar
[40] Gerhardsson, B., The Origins of the Gospel Traditions (Philadelphia: Fortress, 1979) 14–22.Google Scholar
[41] Interfaces of the Word, 254.
[42] One might ask why Luke did not use an equally complex method in rewriting Mark. A full study of this question is far beyond the scope of this article, but it may be observed that Mark differs significantly from the Elijah-Elisha narrative: its style is extremely dramatic - sharp and vivid; and of course it tells of Christ. Thus, the basic processes which Luke uses on the Elijah-Elisha narrative, those of dramatization and christianization were, in considerable part, unnecessary in rewriting Mark.
[43] Kurz, ‘Hellenistic Rhetoric’, 195.
[44] ibid. 172–91.
[45] See Fitzmyer, , Luke I–IX, 213–15.Google Scholar
[46] G. Williams, The Nature of Roman Poetry added.
[47] Euripides, , Hippolytus, vi: 1162–64.Google Scholar
[48] Seneca, , Phaedra, iv: 997.Google Scholar
[49] Euripides, , Hippolytus, vi: 1157.Google Scholar
[50] Seneca, , Phaedra, iv: 995.Google Scholar
[51] For further comparative analysis of the scenes see Steiner, , After Babel, 430–3Google Scholar; Brodie, , Luke the Literary Interpreter, 23–32, 441–3.Google Scholar
[52] Livy. His Historical Aims and Methods (Cambridge: Cambridge University, 1961) 188.Google Scholar
[53] ibid. 190.
[54] For further details concerning Philostratus' account, we Creed, J. M., The Gospel According to St. Luke (London: Macmillan, 1930) 103Google Scholar; Fitzmyer, , Luke I–IX, 656–7.Google Scholar
[55] Cf. Schürmann, , Das Lukasevangelium, 404Google Scholar: ‘…die Zeit der Heiden deutet sich an’.
[56] Eph 1. 15 - chap. 2, like Luke 7. 1–17, contains two basic themes: (1), the union of Gentiles and Jews in love and glory (explicitly in Ephesians 2, esp. w. 11–21; cf. Eph. 1.17–18; implicitly in Luke 7. 2—5, 11–12, 16–17: the love of the centurion and the Jews: the two crowds and the two territories; the ‘all’ who glorify God); (2), the raising of the dead (Eph 1. 20, the raising of Christ from the dead; Eph 2. 1, 5–6, the raising of Gentiles and Jews from the death of sin; Luke 7. 1–17, the saving of the centurion's servant from death, and the raising of the widow's son. Luke's terminology concerning the raising of the widow's son, έγέρθηı, καί άνεκάθıσεν ⋯ νεκρ⋯ς, has less affinity with the OT than with Paul's έγείρας α⋯τ⋯ν έν νεκρ ῗν, καί καθίσας, Eph 1. 20, and νελροὑς…συνήγεıρεν καί συνεκάθıσεν, Eph 2. 5–6).
A part from these thematic links there are also certain linguistic links. Most of the linguistic links concern words which are quite common, and they are sometimes used differently in the two texts, but they seem worth noting - at least as initial data for further work: άκοᾳσας … πίστω Ίησοά … άγάπην/άγαπάω (Eph 1. 15; cf. 2. 4, Luke 7. 3–4, 9); κὑρıος … ΊησοṺς (Eph 1. 15,17; cf. 2. 21; Luke 7. 6); πάντες (Eph 1. 15; 2. 3; cf. 1. 22–23; Luke 7. 16); (δ⋯ξα/δοξάζω Eph 1.17–18; Luke 7. 16); έξονσία … ὑποτάσσω ὑπ⋯ (Eph 1. 21; cf. 2. 3; Luke 7. 8); μήλλοντı/ήμελλεν (Eph 1. 21; Luke 7. 2); πλήρωμα/έπλήρωσεν … πάντα …έκκλησία/λαῷς (Eph 1. 22–23; Luke 7. 1); (δıα) σῷζω (Eph 2. 5, 8; Luke 7. 3); μακράν … έγγἱς/έγγίζω (Eph 2. 13, 17; Luke 7. 6, 12;) (προσ)-ελθῷν (Eph 2. 17; Luke 7. 3, 14); οικείοı, οικοδομέω, οικοδομή, οίκία (cf. Eph 2. 19–22; Luke 7. 5–6); προϕήτης (Eph 2. 20; Luke 7. 16).
For a survey of the question of whether Luke knew Paul's epistles, see Enslin, M. E., ‘Once Again, Luke and Paul’, ZNW 61 (1970) 253–71.CrossRefGoogle Scholar Note also Grassi's, J. A. comment (‘The Letter to the Ephesians’, JBC 56. 19)Google Scholar: ‘It would seem that the theology of Eph. 2 is expressed in story form in Lk [15:11–3212].’
[57] For instance, the climactic combat between Achilles and Hector (Iliad Bk 22) is adapted in various ways to become the climactic combat between Aeneas and Turnus (Aeneid, Bk 12). For a summary of some of the instances in which Homeric roles are played by totally different characters in the Aeneid, see Knauer, , Die Aeneis und Homer, 342–3.Google Scholar For a summary of some of the ways in which ancient historians transferred descriptions from one character or situation to another, we Turner, ‘History’, 311–21.
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[59] For references concerning the interaction of Hellenistic rhetoric and Jewish exegesis and argument, we Kurz, ‘Hellenistic Rhetoric’, 182; Daube, D., ‘Alexandrian Methods of Interpretation and the Rabbis’, Festschrift Hans Lewald (ed. Lewald's friends and colleagues; Basel: Hel-bring and Lichtenhahn, 1953) 27–44Google Scholar; Hamerton-Kelly, R. G., ‘Some Techniques of Composition in Philo's Allegorical Commentary with Special Reference to De Agriculture - A Study in the Hellenistic Midrash’, Jews, Greeks and Christians (Festschrift, W. D. Davies; ed. Hamerton-Kelly, R. and Scroggs, R.; Leiden: Brill, 1976) 45–56Google Scholar; Fischel, H. A., ‘The Uses of Sorites (Climax, Gradatio) in the Tannaitic Period’, HUCA 44 (1973) 119–51Google Scholar; ‘Story and History. Observations on Greco-Roman Rhetoric and Pharisaism’, Asian Studies Research Institute, Oriental Series, No. 3 (ed. Sinor, D.; Bloomington: Indiana University Press, 1969) 59–88Google Scholar; ‘The Transformation of Wisdom in the World of Midrash’, Aspects of Wisdom in Judaism and Early Christianity (ed. Wilken, R. L.; Notre Dame/London: University of Notre Dame, 1975) 67–101.Google Scholar
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[63] ibid., emphasis added. By ‘imitative historiography’ Fitzmyer means that ‘whatever historical matter has been preserved by the… evangelists has been assimilated by them to other literary accounts, either biblical or extrabiblical’.
[64] Luke seems to have adapted Chronicles and Ezra-Nehemiah to provide a skeletal basis for the early part of his work: cf. Brodie, T. L., ‘A New Temple and a New Law: The Unity and Chronicler-based Nature of Luke 1:1–4:22a’, JSNT 5 (1979) 21–45.Google Scholar It may be, however, that Luke's foundational OT model was the Elijah-Elisha narrative: cf. other articles by Brodie: ‘The Accusing and Stoning of Naboth (1 Kgs 21:8–23) as One Component of the Stephen Text (Acts 6:9–14; 7:58a)’, CBQ 45 (1983) 417–32Google Scholar; ‘Luke 7,36–50 as an Internalization of 2 Kings 4,1–37: A Study in Luke's Use of Rhetorical Imitation’, Bib 64 (1983) 457–85Google Scholar; ‘Towards Unraveling the Rhetorical Imitation of Sources in Acts 2 Kings 5 as One Component of Acts 8,9–40’, Bib, forthcoming, 1986.Google Scholar