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Stanislavsky in Poland: Ethics and Politics of the Method

Published online by Cambridge University Press:  15 January 2009

Juliusz Tyszka
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Abstract

The reception of most manifestations of Russian art and culture in Poland is linked inextricably with the political situation, and official and popular attitudes are often widely divergent. From the first visit of the Moscow Art Theatre to Warsaw in 1908, when most Poles boycotted the performances, through enthusiasm tempered by ignorance in the inter-war period, to the 'Stalinization' of Stanislavsky as official mediator of socialist realism in the late 'forties, Polish attitudes to the 'method' which was Stanislavsky's legacy are here examined by Juliusz Tyszka. Today, he concludes, Poles have largely consigned Stanislavsky to the lumber-room of history – though there are a few cautionary voices who urge his continuing relevance.

Type
Research Article
Information
New Theatre Quarterly , Volume 5 , Issue 20 , November 1989 , pp. 361 - 369
Copyright
Copyright © Cambridge University Press 1989

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References

Notes and References

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