Research Article
Aesthetic Breakthrough and Cultural Intervention in the Productions of Two Modern Kunqu Plays
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- 10 October 2024, pp. 195-209
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Misinterpretation and Misplacement in Intercultural Theatrical Communications between China and Japan: Ichikawa Sadanji’s and Morita Kanya’s Kabuki Tours in 1920s China
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- 10 October 2024, pp. 210-225
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Documentary and Community Theatre with Young People in Madrid: The Creative Process of Mundo Quinta
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- 10 October 2024, pp. 226-241
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Not Billington, not Zoella, and Definitely not a ‘Fangirl’: Social Distinction within Communities of Amateur Theatre Critics
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- 10 October 2024, pp. 242-255
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Embodied Gestures of Human Rights: Remorse, Sentiment, and Sympathy in Romantic Regency Drama
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- 10 October 2024, pp. 256-265
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British Theatre from Agitprop to ‘Primark Playwriting’
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- 10 October 2024, pp. 266-271
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Mysticism as Transgression in Chista Yasrebi’s Rahil
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- 10 October 2024, pp. 272-279
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Othello: A Moor Rorschach Test
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- Published online by Cambridge University Press:
- 10 October 2024, pp. 280-287
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NTQ Book Review
Adam Alston Staging Decadence: Theatre, Performance, and the Ends of Capitalism London: Methuen Drama, 2023. 248 p. £76.50. ISBN: 978-1-350-23704-9.
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- Published online by Cambridge University Press:
- 10 October 2024, p. 288
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Elisabeth Angel-Perez and Aloysia Rousseau, eds. The New Wave of British Women Playwrights: 2008–2021 Berlin: De Gruyter, 2023. 262 p. £82. ISBN: 978-3-110-79622-3.
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- Published online by Cambridge University Press:
- 10 October 2024, pp. 288-289
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Front Cover (OFC, IFC) and matter
NTQ volume 40 issue 3 Cover and Front matter
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- 10 October 2024, pp. f1-f4
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Back Cover (OBC, IBC) and matter
NTQ volume 40 issue 3 Cover and Back matter
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- Published online by Cambridge University Press:
- 10 October 2024, pp. b1-b2
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