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Antonín Dvořák, Piano Concerto in G minor op. 33. Facsimile, with a preface by András Schiff and introductions by Jarmila Tauerová and Jan Dehner (Munich: G. Henle, 2004). 170pp. €125.

Published online by Cambridge University Press:  13 April 2011

Derek Katz
Derek Katz
Affiliation:
University of California, Santa Barbara
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Type
Score Reviews
Information
Nineteenth-Century Music Review , Volume 3 , Issue 1 , June 2006 , pp. 158 - 162
Copyright
Copyright © Cambridge University Press 2006

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References

1 Hoffmeister, Karel, Antonín Dvorřák, trans. and ed. Newmarch, Rosa (London, 1928), 30Google Scholar . Sladkovsky was the first performer of the concerto. Dvorřák intended to dedicate the concerto to Eduard Hanslick, but it was published without a dedication.

2 Cohen, Harriet, ‘The Pianoforte Music’, in Antonín Dvorřák: His Achievement, ed. Fischl, Viktor (London, 1943Google Scholar ; reprint, Westport, 1970), 128–9.

3 Robertson, Alec, Dvorřák, revised edition (London, 1964), 111–12Google Scholar .

4 Dvorřák, Antonín, Klavírní Koncert (Prague, 1956)Google Scholar .

5 Šourek, Otakar, Antonín Dvorřák: His Life and Works (Prague, 1952), 49Google Scholar .

6 Kundera, Milan, Testaments Betrayed: An Essay in Nine Parts, trans. Asher, Linda (New York, 1995)Google Scholar .

7 See, for instance, Gerald Abraham's lament that is it ‘useless to look [in Chopin's concertos] … for the beauties of concerto-form that one finds in Mozart and Beethoven’. Abraham, Gerald, Chopin's Musical Style (London, 1939). 29Google Scholar .

8 Kerman, Joseph, ‘Mozart's Piano Concertos and Their Audience,’ in Write All These Down: Essays on Music (Berkeley, 1994), 324Google Scholar . See also Kerman, Joseph, Concerto Conversations (Cambridge, MA, 1999), 22–4CrossRefGoogle Scholar .

9 Tovey, Donald Francis, Concertos, vol. 3 of Essays in Musical Analysis (London, 1936), 20Google Scholar , n. 1.

10 Schumann, Robert, ‘Piano Concertos’, in Schumann on Music: A Selection from the Writings, trans. and ed. Pleasants, Henry (New York, 1988), 147Google Scholar .

11 Abraham, , Chopin's Musical Style, 29Google Scholar .

12 Firkušný with Václav Neumann and the Czech Philharmonic, 1990 (RCA 09026-60781-2), Ardešev with Leoš Svárovský and the Brno State Philharmonic, 1996 (Supraphon SU 3325-2 031) and Hayroudinoff with Gianandrea Noseda and the BBC Philharmonic, 2004 (Chandos CHAN10309).

13 Dehner's tabulations are a little difficult to follow, since they refer to bar numbers, which are not in the manuscript. A published score must be used as a cross-reference. There also seems to be at least one misprint of a bar number. The ‘quick tempo Alberti bass patterns’ identified (in all three languages) as being in bars 122–4 of the first movement must refer to the earlier passage at bars 110–11.