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Theoretical and Critical Contexts in Nineteenth-century Performance Practice

Published online by Cambridge University Press:  24 May 2012

Mine Doğantan-Dack
Mine Doğantan-Dack*
Affiliation:
Middlesex University
*
Email: M.Dack@mdx.ac.uk
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Abstract

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Type
Introduction
Information
Nineteenth-Century Music Review , Volume 9 , Issue 1: Theoretical and Critical Contexts in Nineteenth-Century Performance Practice , June 2012 , pp. 3 - 5
Copyright
Copyright © Cambridge University Press 2012

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References

1 See Nicholas Cook, ‘Between Process and Product: Music and/as Performance’, Music Theory Online 7/2 (2001)Google Scholar, http://www.societymusictheory.org/mto/; Nicholas Cook, ‘Music as Performance’, in The Cultural Study of Music: A Critical Introduction, eds. M. Clayton, T. Herbert and R. Middleton (New York: Routledge, 2003): 204–214 Google Scholar.

2 Nicholas Cook and Eric Clarke, ‘Introduction: What is Empirical Musicology?’, in Empirical Musicology: Aims, Methods, Prospect, eds. Eric Clarke and Nicholas Cook (Oxford: Oxford University Press, 2004): 10Google Scholar.

3 See the CHARM website (http://www.charm.rhul.ac.uk/index.html) for information about the research outputs.