Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 7
Herder's Nineteenth Century
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- Published online by Cambridge University Press:
- 13 April 2011, pp. 3-21
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- Cited by 6
From Music to Noise: The Decline of Street Music
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- Published online by Cambridge University Press:
- 06 February 2017, pp. 67-78
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- Cited by 5
Toward a Post-Humanist Organicism
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- Published online by Cambridge University Press:
- 17 January 2017, pp. 93-114
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- Cited by 4
A Surfeit of Musics: What Goethe's Lyrics Concede When Set to Schubert's Music
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- 13 April 2011, pp. 7-18
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- Cited by 4
The Effect of Meiji Government Policy on Traditional Japanese Music During the Nineteenth Century: The Case of the Shakuhachi
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- 06 January 2014, pp. 265-292
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- Cited by 4
The Diaries of Fanny Hensel and Clara Schumann: A Study in Contrasts
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- 13 April 2011, pp. 21-36
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- Cited by 4
Western Art Music in Japan: A Success Story?
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- 06 January 2014, pp. 211-222
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- Cited by 4
‘Phrasing – the Very Life of Music’1: Performing the Music and Nineteenth-Century Performance Theory
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- 24 May 2012, pp. 7-30
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- Cited by 3
Irish Nationalism, Print Culture and the Spirit of the Nation
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- 07 February 2017, pp. 189-208
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- Cited by 3
Genre, Romanticism and Female Authorship: Fanny Hensel's ‘Scottish’ Sonata in G Minor (1843)
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- 13 April 2011, pp. 67-88
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- Cited by 3
Gallica: the Online Digital Library of the Bibliothèque nationale de France
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- 19 December 2014, pp. 337-347
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- Cited by 3
In Search of Genetically Modified Music: Race and Musical Style in the Nineteenth Century
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- 13 April 2011, pp. 3-23
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- Cited by 3
Chinese Opera in Turn-of-the Century Canada: Local History and Transnational Circulation
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- 19 December 2014, pp. 291-310
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- Cited by 3
Japan's Early Twentieth-Century Violin Boom
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- 13 April 2011, pp. 23-43
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- Cited by 3
‘The Most Interesting Genre of Music’:1 Performance, Sociability and Meaning in the Classical String Quartet, 1800–1830
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- 24 May 2012, pp. 53-74
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- Cited by 3
Exoticism, Artifice and the Supernatural in the Brahmsian Lied
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- Published online by Cambridge University Press:
- 13 April 2011, pp. 137-168
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- Cited by 3
The ‘Problem’ of Schubert's String Quintet
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- Published online by Cambridge University Press:
- 13 April 2011, pp. 57-92
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- Cited by 3
‘Volk von Brüdern’: The German-speaking Liedertafel in Melbourne
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- 13 April 2011, pp. 55-75
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- Cited by 2
A Bicentennial Reflection: Twenty-five Years with Fanny Hensel
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- 13 April 2011, pp. 7-20
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- Cited by 2
Robert, Clara and the Transformation of Poetic Irony in Schumann's Lieder: The Case of ‘Dein Angesicht’
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- 17 June 2013, pp. 1-28
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