Notes on Article Contributors
Notes on Article Contributors
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- 18 December 2017, pp. 309-310
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Contributors
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- 03 August 2017, pp. 175-176
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Contributors
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- 18 April 2017, pp. 1-2
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Introduction
Introduction
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- 18 December 2017, pp. 311-314
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Research Article
Rehearsal Letters, Rhythmic Modes and Structural Issues in Beethoven’s Grosse Fuge
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- 26 July 2016, pp. 177-193
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Critical Networks
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- 18 April 2017, pp. 3-8
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French Music Criticism and Musicology at the Turn of the Twentieth Century: New Journals, New Networks
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- 07 February 2017, pp. 9-32
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The Musical Salon of the Countess of Proença-a-Velha in Lisbon: A Case of Patronage and Activism at the Turn of the Twentieth Century
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- 09 January 2017, pp. 195-210
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The Beginnings of Romanian Composition: Between Nationalism and the Obsession with Synchronizing with the West
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- 18 December 2017, pp. 315-337
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Aspects of Nationalist Propaganda in the Late Nineteenth-Century Romanian Musical Press
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- 18 December 2017, pp. 339-365
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Musical and Literary Networks in the Weekly Critical Review, Paris, 1903–1904*
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- 10 January 2017, pp. 33-50
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Romantic Nostalgia and Wagnerismo During the Age of Verismo: The Case of Alberto Franchetti*
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- 08 September 2016, pp. 211-242
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Book Reviews
Christina Fuhrmann, Foreign Operas at the London Playhouse: From Mozart to Bellini (Cambridge: Cambridge University Press, 2015). vii+262 pp. $99.99.
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- 05 December 2016, pp. 243-245
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Research Article
Realism, Idealism and the French Reception of Hanslick
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- 28 November 2016, pp. 51-64
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Military Bands in the Romanian Principalities between 1821 and 1878
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- 18 December 2017, pp. 367-389
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Book Reviews
John Mullen , The Show Must Go On! Popular Song in Britain During the First World War. Ashgate Popular and Folk Music Series, ed. Stan Hawkins and Derek B. Scott (Farnham, UK: Ashgate, 2015; London and New York: Routledge, 2016). xii+250 pp. £65.00
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- 06 December 2016, pp. 246-249
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Research Article
Modelling the Public’s Taste: Local Habits, Ethnic Pluralism and European Music in Bucharest (1821–1862)
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- 18 December 2017, pp. 391-416
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Nationalisms, Modernisms and Masculinities: Strategies of Displacement in Vaughan Williams’s Reading of Walt Whitman
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- 08 November 2016, pp. 65-91
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Toward a Post-Humanist Organicism
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- 17 January 2017, pp. 93-114
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Book Reviews
Marie Sumner Lott, The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities (Urbana, Chicago, and Springfield: University of Illinois Press, 2015). xviii + 310 pp. $55.00.
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- 05 December 2016, pp. 249-253
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