Editorial
Complex systems in composition and improvisation
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- 06 October 2004, pp. 121-122
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Electroacoustic musics: a century of innovation involving sound and technology – resources, discourse, analytical tools
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- 07 June 2004, pp. 1-2
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EDITORIAL
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- 09 March 2005, pp. 225-228
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Research Article
Electronic music and life
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- 07 June 2004, pp. 3-6
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Self-organised music
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- 06 October 2004, pp. 123-136
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Playing with fire: an unexpected collaboration
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- 09 March 2005, pp. 229-232
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Sound morphology and the articulation of structure in electroacoustic music
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- 07 June 2004, pp. 7-14
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Musical pattern generation with variable-coupled iterated map networks
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- 06 October 2004, pp. 137-150
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Shared sounds in detached movements: flautist identities inside the ‘local-field’ spaces
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- 09 March 2005, pp. 233-242
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An interface for ‘flat music’
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- 09 March 2005, pp. 243-250
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Theories market: open for trading
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- 07 June 2004, pp. 15-26
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Spontaneous organisation, pattern models, and music
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- 06 October 2004, pp. 151-165
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PIWeCS: enhancing human/machine agency in an interactive composition system
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- 06 October 2004, pp. 167-174
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Information technology and communication of musical experience: categories, conflicts and intersections
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- 07 June 2004, pp. 27-34
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The Pavilion: Into the 21st Century: a space for reflection
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- 09 March 2005, pp. 251-259
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Searching for lost data: outlines of aesthesic–poietic analysis
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- 07 June 2004, pp. 35-46
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Collective composition: the case of Edison Studio
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- 09 March 2005, pp. 261-270
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Modelling storms in sound: the Atmospherics/Weather Works project
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- 06 October 2004, pp. 175-180
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Electroacoustic music studies and the danger of loss
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- 07 June 2004, pp. 47-53
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Absolute pitch accessible to everyone by turning off part of the brain?
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- 06 October 2004, pp. 181-189
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