Editorial
EDITORIAL
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- 21 April 2004, pp. 233-235
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EDITORIAL
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- Published online by Cambridge University Press:
- 19 January 2004, pp. 127-131
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Editorial
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- 19 January 2004, pp. 1-3
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Research Article
Project Arbol:Deer-B-Gone: journal of a guerrilla sound installation
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- 19 January 2004, pp. 133-137
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Free music and the discipline of sound
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- 21 April 2004, pp. 237-247
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Bodies of evidence, singing cyborgs and other gender issues in electrovocal music
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- 19 January 2004, pp. 5-17
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On gender in new music interface technology
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- 19 January 2004, pp. 19-30
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A Constructivist approach to the analysis of electronic music and audio art – between instruments and faktura
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- 21 April 2004, pp. 249-255
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Reeds: a responsive environmental sound installation
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- 19 January 2004, pp. 139-149
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The creation and projection of ambiophonic and geometrical sonic spaces with reference to Denis Smalley's Base Metals
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- 21 April 2004, pp. 257-267
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Norge – et lydrike, Norway remixed: a sound installation
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- 19 January 2004, pp. 151-155
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Women and music technology: pioneers, precedents and issues in the United States
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- 19 January 2004, pp. 31-47
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Daphne Oram: innovator, writer and composer
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- 19 January 2004, pp. 49-56
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Electroacoustic music in a multi-perspective architectural context: a sound installation for Renzo Piano's Auditorium in Rome
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- 19 January 2004, pp. 157-162
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‘Sound is the interface’: from interactive to ecosystemic signal processing
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- 21 April 2004, pp. 269-277
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Spiral Fiction
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- 21 April 2004, pp. 279-287
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Project Lovelace: unprecedented opportunities for music education
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- 19 January 2004, pp. 57-60
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The Live Room: transducing resonant architectures
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- 19 January 2004, pp. 163-170
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The creation of an audio environment as part of a computer game world: the design for Jurassic Park – Operation Genesis on the XBOX™ as a broad concept for surround installation creation
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- 19 January 2004, pp. 171-180
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Creative process and performance practice of interactive computer music: a performer's tale
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- 21 April 2004, pp. 289-296
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