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Sarah Ann Long, Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550, Eastman Studies in Music. Rochester, NY: University of Rochester Press; Woodbridge: Boydell & Brewer, 2021. xxv + 350 pp. ISBN 978 1 58046 996 8 (hardback); 978 1 78744 927 5 (ebook).

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Sarah Ann Long, Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550, Eastman Studies in Music. Rochester, NY: University of Rochester Press; Woodbridge: Boydell & Brewer, 2021. xxv + 350 pp. ISBN 978 1 58046 996 8 (hardback); 978 1 78744 927 5 (ebook).

Published online by Cambridge University Press:  07 April 2022

BARBARA HAGGH-HUGLO
BARBARA HAGGH-HUGLO*
Affiliation:
(haggh@umd.edu)
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Plainsong & Medieval Music , Volume 31 , Issue 1 , April 2022 , pp. 94 - 98
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Copyright © The Author(s), 2022. Published by Cambridge University Press

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References

1 In a paper delivered in October 2020, I suggested that cantus fractus represented Christ and noted that the earliest known example of such chant is in an office of the Crown of Thorns from Sens in BnF lat. 1028, fol. 290v of c.1275 from the cathedral chapter of Sens (online in Gallica); see Arnaud, Brigitte and Dennery, Annie, eds., L'Office de la Couronne d’Épines à Sens (Lions Bay, Canada: Institute of Mediaeval Music, 2012), pp. xxxvi–xxxvii, 36–8Google Scholar.