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Published online by Cambridge University Press: 23 October 2020
While Lawrence's total novelistic production is generally conceived of as a loose aggregation of highly individual texts, each departing significantly from the norms that shape the traditional novel, the complete oeuvre conforms to the rules the single works violate: it approximates the discursive form Roland Barthes proposes for the classic realist plot. In the light of three powerful models—based on the sentence, the classic realist narrative, and a topological paradigm that synthesizes the two—Lawrence's changing structures from the early to the late fiction emerge as one well-organized traditional text that displays the characteristic articulations of narrative beginnings, middles, and endings, especially in the unfolding of the erotic visions and wisdoms that the individual novels explore.