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Response

Published online by Cambridge University Press:  23 October 2020

Rita Felski
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Extract

I want to thank Wai Chee Dimock for initiating this forum and my agile interlocutors for responding to my work. In the final chapter of The Limits of Critique, I talk about reading as an act of cocreation and composition—a practice of thinking and feeling with, rather than against, a text. Such a vision of what it means to read is amply confirmed in these generous and generative essays.

Sarah Beckwith is almost preternaturally attuned to what I am trying to do in The Limits of Critique, to the extent of conveying my ideas better than I do myself. She glosses postcritical, for example, as meaning that “we come after critique and through it rather than that we have dispensed with it, though that meaning will surely be ascribed to her.” Nailed on both counts. I appreciate her attentiveness to how I write: to mood and disposition as being fundamentally a matter of form as well as content. I am not sure whether the style of The Limits of Critique is my voice—it is a way of writing I adopted for a specific purpose that may or may not appear again—but it seemed crucial, in tackling a book about critique's limits, to aim for a tone that was playful rather than censorious—or at least playfully censorious.

Type
Theories and Methodologies
Information
PMLA , Volume 132 , Issue 2 , March 2017 , pp. 384 - 391
Copyright
Copyright © Modern Language Association of America, 2017

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