Published online by Cambridge University Press: 23 October 2020
The rise of the religious right in societies around the world has brought back the contentious issue of religion's place in modern life. The secularization thesis is constantly invoked to explain the historical devaluation of religion's function in society (at least in the Protestant world) from normative to nominal as religion is relegated to the private space of individual belief. While the subject has engaged historians, sociologists, and religious scholars for a long time, yielding a vast and proliferating body of work (Asad; Berger; Casanova; Connolly; Taylor, Secular Age; Wilson), the field of literary studies has not witnessed a corresponding breadth of scholarship. This may be partly due to literature's self-definition as a secular vehicle for ideas whose possible religious origins were subsequently effaced as religious sensibility became absorbed into aesthetic form and imagery, especially in modernist writing. Contributing in no small measure to the perception that literature represents an outgrowth of secularism is Matthew Arnold's influential claim that literature succeeds a depleted Christianity and contains the moral values and direction once supplied by a religious ethos.