Hostname: page-component-cd9895bd7-gvvz8 Total loading time: 0 Render date: 2024-12-27T08:59:41.438Z Has data issue: false hasContentIssue false

‘Does it threaten the status quo?’ Elite responses to British punk, 1976–1978

Published online by Cambridge University Press:  13 April 2018

John Street
Affiliation:
School of Politics, Philosophy, Language and Communication Studies, University of East Anglia, Norwich NR4 7TJ, UK E-mail: j.street@uea.ac.uk
Matthew Worley
Affiliation:
Department of History, University of Reading, Whiteknights, Reading RG6 6AA, UK E-mail: m.worley@reading.ac.uk
David Wilkinson
Affiliation:
Department of English, Manchester Metropolitan University, Manchester M15 6LL, UK E-mail: d.wilkinson@mmu.ac.uk

Abstract

The emergence of punk in Britain (1976–1978) is recalled and documented as a moment of rebellion, one in which youth culture was seen to challenge accepted values and forms of behaviour, and to set in motion a new kind of cultural politics. In this article we do two things. First, we ask how far punk's challenge extended. Did it penetrate those political, cultural and social elites against which it set itself? And second, we reflect on the problem of recovering the history and politics of moments such as punk, and on the value of archives to such exercises in recuperation. In pursuit of both tasks, we make use of a wide range of historical sources, relying on these rather than on retrospective oral or autobiographical accounts. We set our findings against the narratives offered by both subcultural and mainstream histories of punk. We show how punk's impact on elites can be detected in the rhetoric of the popular media, and in aspects of the practice of local government and the police. Its impact on other elites (e.g. central government or the monarchy) is much harder to discern. These insights are important both for enriching our understanding of the political significance of punk and for how we approach the historical record left by popular music.

Type
Articles
Copyright
Copyright © Cambridge University Press 2018 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Albertine, V. 2014. Clothes, Clothes, Clothes, Music, Music, Music, Boys, Boys, Boys (London, Faber)Google Scholar
Beckett, A. 2009. When the Lights Went out: Britain in the Seventies (London, Faber)Google Scholar
Benn, T. 1989. Against the Tide, Diaries 1973–76 (London, Hutchinson)Google Scholar
Berger, G. 2006. The Story of Crass (London, Omnibus)Google Scholar
Black, L. 2012. ‘An enlightening decade? New histories of 1970s’ Britain’, International Labor and Working-class History, 82, pp. 174–86Google Scholar
Burchill, J., and Parsons, T. 1978. The Boy Looked at Johnny (London, Pluto)Google Scholar
Castle, B. 1980. The Castle Diaries, 1974–1976 (London, Weidenfeld & Nicholson)Google Scholar
Clarke, G. 1997. ‘Defending ski jumpers: a critique of theories youth subcultures’, in The Subcultures Reader, ed. Gelder, K. and Thornton, S. (London, Routledge), pp. 175–80Google Scholar
Clarke, M. 1982. The Politics of Pop Festivals (London, Junction Books)Google Scholar
Cloonan, M. 1996. Banned! Censorship of Popular Music in Britain, 1967–1992 (Aldershot, Ashgate)Google Scholar
Cohen, S. 1972. Folk Devils and Moral Panics (London, Routledge)Google Scholar
Crossley, N. 2015. Networks of sound, Style and Subversion: The Punk and Post-punk Worlds of Manchester, London, Liverpool and Sheffield, 1975–80 (Manchester, Manchester University Press)Google Scholar
Dale, P. 2010. Anyone Can Do It: Empowerment, Tradition and the Punk Underground (Farnham, Ashgate)Google Scholar
Donoughue, B. 2008. Downing Street Diary, Volume Two, With James Callaghan in No. 10 (London, Jonathan Cape)Google Scholar
Frith, S., and Horne, H. 1987. Art into Pop (London, Methuen)Google Scholar
Garnett, M. 2007. From Anger to Apathy: The British Experience since 1975 (London, Jonathan Cape)Google Scholar
Gessen, M. 2014. Words Will Break Cement: The Passion of Pussy Riot (London, Granta)Google Scholar
Gilbert, P. 2009. Passion is a Fashion: The Real Story of The Clash (London, Da Capo)Google Scholar
Gildart, K. 2013a. Images of England Through Popular Music (London, Routledge)Google Scholar
Gildart, K. 2013b. ‘“The antithesis of humankind”: exploring responses to the Sex Pistols’ Anarchy tour 1976’, Cultural and Social History, 10/1, pp. 129–49Google Scholar
Hardman, R. 2007. Monarchy: The Royal Family at Work (London, Ebury Press)Google Scholar
Harrison, B. 2010. Finding A Role: The United Kingdom, 1970–1990 (Oxford, Oxford University Press)Google Scholar
Haseler, S. 1993. The End of the House of Windsor (London, IB Tauris)Google Scholar
Hebdige, D. 1979. Subculture: The Meaning of Style (London, Routledge)Google Scholar
Hennessy, P. 2006. Having It So Good: Britain in the Fifties (London, Penguin)Google Scholar
Hesmondhalgh, D. 1997. ‘Post-Punk's attempt to democratize the music industry: the success and failure of Rough Trade’, Popular Music, 16/3, pp. 255–74Google Scholar
Heylin, C. 2007. Babylon's Burning: From Punk to Grunge (London, Canongate)Google Scholar
Jones, O. 2014. The Establishment: And how they get away with it (London, Penguin)Google Scholar
Kynaston, D. 2009. Family Britain 1951–57 (London, Bloomsbury)Google Scholar
Laing, D. 1985. One Chord Wonders (Milton Keynes, Open University)Google Scholar
Laing, D. 1978. ‘Interpreting punk rock’, Marxism Today, pp. 123–8Google Scholar
Lydon, J. 2014. Anger is an Energy: My Life Uncensored (London, Dey Street Books)Google Scholar
Lynskey, D. 2011. 33 Revolutions per Minute: A History of Protest Songs (London, Faber)Google Scholar
Marcus, G. 1989. Lipstick Traces: A Secret History of the Twentieth Century (Cambridge, MA, Harvard University Press)Google Scholar
Marr, A. 2007. A History of Modern Britain (London, Macmillan)Google Scholar
Martin, L., and Segrave, K. 1993. Anti-rock: The Opposition to Rock'n‘Roll (New York, Da Capo)Google Scholar
Matlock, G. 2006. I Was a Teenage Sex Pistol (London, Reynolds and Hearn)Google Scholar
Miles, B. 2010. London Calling: A Countercultural History of London Since 1945, (London, Atlantic Books)Google Scholar
Moore, R. 2004. ‘Postmodernism and punk subculture: cultures of authenticity and deconstruction’, The Communication Review, 7, pp. 307 and 310Google Scholar
Morgan, K. 1990. The People's Peace, British History 1945–1959 (Oxford, Oxford University Press)Google Scholar
Nicolson, N. 2003. The Queen and Us (London, Weidenfeld & Nicholson)Google Scholar
Osgerby, B. 2013. ‘Stanley Cohen's folk devils and moral panics revisited’, in Reassessing 1970s’ Britain, ed. Black, L. and Thane, P. (Manchester, Manchester University Press), pp. 187211Google Scholar
Paxman, J. 1991. Friends in High Places (London, Penguin)Google Scholar
Pearson, G. 1983. Hooligan: A History of Respectable Fears (Basingstoke, Macmillan)Google Scholar
Perry, M. 1976. ‘Anarchy in the singles’, Sniffin’ Glue, 5, p. 9Google Scholar
Phillipov, M. 2006. ‘Haunted by the spirit of ’77: punk studies and the persistence of politics’, Continuum: Journal of Media & Cultural Studies, 20/3, p. 383393Google Scholar
Pimlott, B. 2002. The Queen: Elizabeth II and the Monarchy (London, Harper Collins)Google Scholar
Popovic, S. 2015. Blueprint for Revolution (Melbourne, Scribe)Google Scholar
Rimbaud, P. 1998. Shibboleth (Edinburgh, AR Press)Google Scholar
Robb, J. 2006. Punk Rock: An Oral History (London, Ebury Press)Google Scholar
Sampson, A. 1962. The Anatomy of Britain (London, Hodder & Stoughton)Google Scholar
Sandbrook, D. 2005. Never Had It So Good: A History of Britain From Suez to the Beatles (New York, Little, Brown)Google Scholar
Sandbrook, D. 2015. The Great British Dream Factory: The Strange History of Our National Imagination (London, Allen Lane)Google Scholar
Savage, J. 1991. England's Dreaming: Sex Pistols and Punk Rock (London, Faber)Google Scholar
Seaton, J. 2015. ‘Pinkoes and Traitors’: The BBC and the Nation, 1974–1987 (London, Profile)Google Scholar
Southall, B. 2007. Sex Pistols: 90 Days at EMI (London, Omnibus)Google Scholar
Stanley, B. 2013. Yeah, Yeah, Yeah: The Story of Modern Pop (London, Faber)Google Scholar
Strober, D., and Strober, G. 2002. The Monarchy: An oral history of Elizabeth II (New York, Broadway)Google Scholar
Thompson, B. 2013. Ban This Filth! Letters from the Mary Whitehouse Archive (London, Faber)Google Scholar
Thornton, S. 1995. Club Culture: Music, Media and Subcultural Capital (Cambridge, Polity)Google Scholar
Tomlinson, J. 2009. ‘Thrice denied: “declinism” as a recurrent theme in British history in the long twentieth century’, Twentieth Century British History, 20/2, pp. 227–51Google Scholar
Turner, A. 2008. Crisis, What Crisis? Britain in the 1970s (London, Aurum)Google Scholar
Wald, E. 2009. How The Beatles Destroyed Rock ‘N’ Roll: An Alternative History of American Popular Music (Oxford, Oxford University Press)Google Scholar
Williams, R. 1977. Marxism and Literature (Oxford, Oxford University Press)Google Scholar
Wobble, J. 2009. Memoirs of a Geezer (London, Serpent's Tail)Google Scholar
Worley, M. 2012. ‘Shot by both sides: punk, politics and the end of “consensus”’, Contemporary British History, 26/3, pp. 333–54Google Scholar
Worley, M. 2015. ‘While the world was dying, did you wonder why?: punk, politics and British (fan)zines, 1976–84’, History Workshop Journal, 79/1, pp. 76106Google Scholar
Worley, M. 2017. No Future: Punk, Politics and British Youth Culture, 1976–1984 (Cambridge, Cambridge University Press)Google Scholar