Hostname: page-component-586b7cd67f-rdxmf Total loading time: 0 Render date: 2024-11-21T16:38:10.487Z Has data issue: false hasContentIssue false
  • English
  • Français

Musica mizrakhit, Israeli rock and national culture in Israel1

Published online by Cambridge University Press:  11 November 2008

Motti Regev
Get access Rights & Permissions [Opens in a new window]

Extract

It has become an annual ritual on Israeli television that, near Independence Day, several intellectuals are gathered in the studio in order to discuss the question whether there is an authentic Israeli culture and what exactly is its nature. Soon enough, popular music turns up as a major subject. It seems that popular music has become one of the few areas in Israel in which a vivid scene of cultural activity takes place, without public funding, and which plays a role in shaping a sense of identity for various groups.

Type
Articles
Information
Popular Music , Volume 15 , Issue 3 , October 1996 , pp. 275 - 284
Copyright
Copyright © Cambridge University Press 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Appadurai, A. 1990. ‘Disjuncture and difference in the global cultural economy’, Public Culture, 2, pp. 1–24Google Scholar
Bourdieu, P. 1980. ‘The production of belief: contribution to an economy of symbolic goods’, Media, Culture and Society, 2, pp. 261–93Google Scholar
Cohen, E. and Shiloah, A. 1985. ‘Major trends of change in Jewish oriental ethnic music in Israel’, Popular Music, 5, pp. 199–224CrossRefGoogle Scholar
Eilam-Amzaleg, A. 1993. (On Zohar Argov, untitled), in Ha-Kol Zahav, ed. Mar-Haim, Yossi and Stavi, Yair, (Tel-Aviv) (in Hebrew), p. 90Google Scholar
Frith, S. 1981. Sound Effects (New York)Google Scholar
Halper, J., Seroussi, E. and Squires-Kidron, P. 1989a. ‘Musica Mizrakhit: ethnicity and class culture in Israel’, Popular Music, 8, pp. 131–42CrossRefGoogle Scholar
Halper, J., Seroussi, E. and Squires-Kidron, P. 1989b. ‘Musica Mizrakhit and the realignment of Israeli society: the case of Haim Moshe’, paper presented at the IASPM conference,Paris, FranceGoogle Scholar
Hannerz, U. 1992. Cultural Complexity (New York)Google Scholar
Hendelman, D. 1994. ‘Contradictions between citizenship and nationality: their consequences for ethnicity and inequality in Israel’, International Journal of Politics, Culture and Society, 7, 441–59CrossRefGoogle Scholar
Kutner, Y. 1981. Review of Hatuna Levana. (Maariv) (in Hebrew)Google Scholar
Regev, M. 1986. ‘The musical soundscape as a contest area: oriental music and Israeli popular music’, Media Culture and Society, 8, pp. 343–56CrossRefGoogle Scholar
Regev, M. 1992. ‘Israeli rock, or a study in the politics of “local authenticity”,’ Popular Music, 11, 1–14Google Scholar
Regev, M. 1994. ‘Producing artistic value: the case of rock music’, The Sociological Quarterly, 35, 85–102CrossRefGoogle Scholar
Regev, M. 1995. ‘Present absentee: Arab music in Israeli culture’, Public Culture, 7, 433–45CrossRefGoogle Scholar
Robinson, D.C., Buck, E.B. and Cuthbert, M. 1991. Music at the Margins (Newbury Park)Google Scholar
Ron, H. 1988. ‘Shalom Hanoch’, Musica, 14 (in Hebrew)Google Scholar
Schudson, M. 1994. ‘Culture and the integration of national societies’, in The Sociology of Culture, ed. Crane, Diana (Oxford) pp. 21–44Google Scholar
Seroussi, E. 1991. ‘“Songs of the Land of Israel”: the origins of Israel's popular music in historical perspective’, paper presented at the IASPM conference,Berlin, GermanyGoogle Scholar
Shiloah, A. and Cohen, E. 1983. ‘The dynamics of change in Jewish Oriental Ethnic Music in Israel’, Ethnomusicology, 27, pp. 227–51CrossRefGoogle Scholar
Wallis, R. and Malm, K. 1984. Big Sounds from Small Peoples (New York)Google Scholar