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Black through white: Hoagy Carmichael and the cultural reproduction of racism*

Published online by Cambridge University Press:  11 November 2008

Roger Hewitt
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Extract

The relationship between the black and white elements in the popular music of this century has been intimate and persistent. However, the nature of this relationship has varied from period to period and been mediated by the economic and institutional context in which it has occurred. The ‘free flow’ of musical ideas between black and white has been directed and regulated by numerous distinctly unmusical factors — principally the racist ideologies and practies within which musicians, despite their individual proclivities, have lived and worked.

Type
Part 1. In the Past
Information
Popular Music , Volume 3 , January 1983 , pp. 33 - 50
Copyright
Copyright © Cambridge University Press 1983

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References

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