Articles
Re-thinking ‘whiteness’? Identity, change and ‘white’ popular music in post-apartheid South Africa
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- 23 July 2004, pp. 105-131
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I Wanna Be Your Man: Suzi Quatro's musical androgyny
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- 28 January 2004, pp. 1-16
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Marsalis and Baraka: an essay in comparative cultural discourse
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- 19 October 2004, pp. 241-255
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Fixing a hole in the scale: suppressed notes in the Beatles' songs
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- 19 October 2004, pp. 257-269
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Living troubadours and other recent uses for medieval music
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- 23 July 2004, pp. 133-153
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Drag, camp and gender subversion in the music and videos of Annie Lennox
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- 28 January 2004, pp. 17-29
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(Re)voicing tradition: improvising aesthetics and identity on local jazz scenes
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- 23 July 2004, pp. 155-171
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The promotional state and Canada's Juno Awards
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- 19 October 2004, pp. 271-289
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From ‘My Blue Heaven’ to ‘Race with the Devil’: echo, reverb and (dis)ordered space in early popular music recording
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- 28 January 2004, pp. 31-49
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Articles
Conflation and conflict in Brazilian popular music: forty years between ‘filming’ bossa nova in Orfeu Negro and rap in Orfeu
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- 19 October 2004, pp. 291-310
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‘So slide over here’: the aesthetics of masculinity in late twentieth-century Australian pop music
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- 23 July 2004, pp. 173-193
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‘Sorry, can’t hear you! I'm on a train!' Ringing tones, meanings and the Finnish soundscape
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- 28 January 2004, pp. 51-62
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Beyond the ‘high fidelity’ stereotype: defining the (contemporary) record collector
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- 19 October 2004, pp. 311-330
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‘Over to you’: Can Europe restrain Microsoft's threat to freedom of musical expression in computer-mediated communication?
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- 28 January 2004, pp. 63-78
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Middle Eight
Apolitical Blues: Report on the IASPM 12th Biennial Conference, McGill University, Montreal, 3–7 July 2003
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- 23 July 2004, pp. 195-219
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Articles
Anti-Orpheus: narrating the dream brother
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- 19 October 2004, pp. 331-348
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Reviews
Voice of the Magi, Enchanted Journeys in Southeast Brazil. By Suzel Ana Reily. Chicago Studies in Ethnomusicology. The University of Chicago Press, 2002. 266 pp. ISBN 0-226-0939-8
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- 23 July 2004, pp. 221-224
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Middle Eight
The music industry, technology and utopia – an exchange between Marcus Breen and Eamonn Forde
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- 29 January 2004, pp. 79-89
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Book Review
Banda – Mexican Musical Life Across Borders. By Helena Simonett. Middletown, Connecticut: Wesleyan University Press, 2001. 373 pp.
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- 28 January 2004, pp. 91-92
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Reviews
The Last Party: Britpop, Blair and the Demise of English Rock. By John Harris. London: Fourth Estate, 2003. 448 pp. ISBN 0-00-713472-X
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- 23 July 2004, pp. 224-227
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