Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-12T20:12:24.225Z Has data issue: false hasContentIssue false
  • English
  • Français

The Composer as Seer, but not Prophet

Published online by Cambridge University Press:  22 January 2016

Claire Polin
Get access Rights & Permissions [Opens in a new window]

Extract

Have composers developed a new role in our time? Are creative musicians today, by the gifts given to them, foretelling Armageddon, the musical Nostrodamuses of our day? Does Steve Reich's recent opera The Cave, despite its avowed peaceful message, actually foretell the Hebron massacre of last February? Are the sombre works of the Russian composers Alfred Schnittke and Sofia Gubaidulina predicting events of a similar nature, which are just waiting to be interpreted from the musical sounds to meaningful dialogue?

Type
Research Article
Information
Tempo , Issue 190 , September 1994 , pp. 13 - 18
Copyright
Copyright © Cambridge University Press 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Brodsky, Joseph, A Part of Speech, New York, 1975 Google Scholar.

2 Kupriyanov, Vyacheslav, An Epidemic, Anthology of 20th Century Russian Poetry, ed. Todd, & Hayward, , New York, 1994 Google Scholar.

3 Aleksandr Soprovsky, from Two Poems, Anthology of 20th Century Russian Poetry, ibid.