The premise for developing Little Trips was an actress “tripping out” while working with an audience. Her age: 19. The stress of performing and the acid would combine and cause her to stop the ritual “montage” based on “the life of Cassandra, prophetess of the Trojan War.” What fascinated me was the dissolution of hard, ritualistic theatre into something loose and spontaneous, with people really responding to each other in the immediacy of the present moment.

In Dionysus in 69, the actors acted at the audience. The two times that I saw it, the audience participation was an effect. There was no real place for the audience within the structure of the play. What is the point of getting an audience to participate if the actor cannot or will not incorporate the audience's response? If the actor never lets this response affect his next action?