Hostname: page-component-7479d7b7d-k7p5g Total loading time: 0 Render date: 2024-07-10T17:36:08.092Z Has data issue: false hasContentIssue false

Books received

Published online by Cambridge University Press:  01 October 2007

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Books Received
Copyright
Copyright © International Federation for Theatre Research 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

AALTONEN, HELI, Intercultural Bridges in Teenagers’ Theatrical Events: Performing Self and Constructing Cultural Identity through a Creative Drama Process. Vasa: Abo Akademi University Press, 2006. Pp. 332. €26 Pb.Google Scholar
ARAGAY, MIREIRA, KLEIN, HILDEGARD, MONFORTE, ENRIC and ZOZAYA, PILAR, eds., British Theatre of the 1990s: Interviews with Directors, Playwrights, Critics and Academics. Basingstoke: Palgrave Macmillan, 2007. Pp. xii +208. £45 Hb.CrossRefGoogle Scholar
ARNOLD, OLIVER, The Third Citizen: Shakespeare's Theater and the Early Modern House of Commons. Baltimore: Johns Hopkins University Press, 2007. Pp. 308 + illus. $55 Hb.Google Scholar
BASCH, SOPHIE and CHUVIN, PIERRE, eds., Pitres et Pantins: Transformations du masque comique, de l'antiquité au théâtre d'ombres. Paris: Presses Université Paris Sorbonne, 2007. Pp. 448 + illus. €40 Pb.Google Scholar
BATTY, MARK, Roger Blin and Twentieth-Century French Theatre Practice. Oxford, Bern, e.a.: Peter Lang, 2006. Pp. 250. €47.70/£29/$57.95 Pb.Google Scholar
BENETTA, JULES-ROSETTE, Josephine Baker in Art and Life: The Icon and the Image. Urbana and Chicago: University of Illinois Press, 2007. Pp. xxii + 370 + illus. $60 Hb; $25 Pb.Google Scholar
BOGART, ANNE, And Then, You Act: Making Art in an Unpredictable World. New York & London: Routledge, 2007. Pp. 140. £14.99/$26.95 Pb.Google Scholar
BRANDESKY, JOE, Czech Theatre Design in the Twentieth Century: Metaphor and Irony Revisited. Iowa City: University of Iowa Press, 2007. Pp. 118 + illus. + CD. $39.95 Hb.Google Scholar
BRATER, ENOCH, Arthur Miller's Global Theater. Ann Arbor: University of Michigan Press, 2007. Pp. 154. $49.50 Hb.CrossRefGoogle Scholar
BURNETT, MARK THORNTON, Filming Shakespeare in the Global Marketplace. Basingstoke: Palgrave Macmillan, 2007. Pp. xii + 228 + illus. £45/$69.95 Hb.CrossRefGoogle Scholar
CARDULLO, BERT, Screening the Stage: Studies in Cinedramatic Art. Oxford, Bern, e.a.: Peter Lang, 2006. Pp. 414. €64.20/£42/$71.95 Pb.Google Scholar
DAVIES, OLIVER FORD, Performing Shakespeare: Preparation, Rehearsal, Performance. London: Nick Hern, 2007. Pp. xiv + 274. £10.99 Pb.Google Scholar
DE GRAZIA, MARGARETA, Hamlet without Hamlet. Cambridge: Cambridge University Press, 2007. Pp. xii + 268 + illus. £17.99/$34.99 Pb; £48/$85 Hb.Google Scholar
DIXON, STEVE, Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge, MA: The MIT Press, 2007. Pp. 808 + illus. £30.95/$50 Hb.Google Scholar
FARRELL, JOSEPH and PUPPA, PAOLO, eds., A History of Italian Theatre. Cambridge: Cambridge University Press, 2006. Pp. xiv + 418 +illus. £65/$110 Hb.Google Scholar
GARDE, ULRIKE, Brecht & Co.: German-Speaking Playwrights on the Australian Stage. Bern e.a.: Peter Lang, 2007. Pp. 426. €64/£44.80/$76.95.Google Scholar
GILBERT, HELEN and LO, JACQUELINE, Performance and Cosmopolitics: Cross-Cultural Transactions in Australasia. Basingstoke: Palgrave Macmillan, 2007. Pp. x + 246 + illus. £45/$74.95 Hb.Google Scholar
GODDARD, LYNETTE, Staging Black Feminisms: Identity, Politics, Performance. Basingstoke: Palgrave Macmillan, 2007. Pp. x + 230. £45/$74.95 Hb.CrossRefGoogle Scholar
HAMERA, JUDITH, Dancing Communities: Performance, Difference and Connection in the Global City. Basingstoke: Palgrave Macmillan, 2007. Pp. xiv + 238 + illus. £45/$74.95 Hb.CrossRefGoogle Scholar
HAMMERSCHMIDT-HUMMEL, HILDEGARD, ed., Die Shakespeare Illustrationen 1594–2000: Bildkünstlerische Darstellungen zu den Dramen William Shakespeares: Katalog, Geschichte, Funktion und Deutung. Wiesbaden: Harrassowitz Verlag, 2007. Vol. I: Pp. xxxvi + 460; Vol. II: Pp. viii + 612; Vol. III: Pp. viii + 648 + total of 3,100 illus. €228 Hb.Google Scholar
HOLLAND, PETER, ed., Shakespeare, Memory and Performance. Cambridge: Cambridge University Press, 2006. Pp. xx + 358 + illus. £50/$90 Hb.Google Scholar
HOWARD, TONY, Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction. Cambridge: Cambridge University Press, 2007. Pp. xii + 330 + illus. £50/$90 Hb.Google Scholar
JOHNSTON, CHRIS, The Improvisation Game: Discovering the Secrets of Spontaneous Performance. London: Nick Hern, 2006. Pp. 364. £12.99 Pb.Google Scholar
KAYE, NICK, ed., Multi-Media: Video – Installation – Performance. Abingdon & New York: Routledge, 2007. Pp. xxii + 250 + illus. £70/$113 Hb; £22.99/$34 Pb.Google Scholar
KUPPERS, PETRA, Community Performance: An Introduction. Abingdon and New York: Routledge, 2007. Pp. xii + 238 + illus. £16.99/$29 Pb; £60/$104 Hb.Google Scholar
KUPPERS, PETRA and ROBERTSON, GWEN, The Community Performance Reader. Abingdon and New York: Routledge, 2007. Pp. xx + 284 + illus. £18.99/$33 Pb; £70/$122 Hb.Google Scholar
LEACH, ROBERT, Theatre Workshop: Joan Littlewood and the Making of Modern British Theatre. Exeter: University of Exeter Press, 2006. Pp. xviii + 238 + illus. £16.99/$32.50 Pb; £49.50/$95 Hb.Google Scholar
LEMAIRE, VÉRONIQUE, HAINAUX, WITH RENÉ, Theatre and Architecture – Stage Design – Costume: A Bibliographic Guide in Five Languages, 1970–2000. Bruxelles, Bern, e.a.: PIE, 2006. Pp. 295. €39.90/£27.90/$47.95 Pb.Google Scholar
MCAULEY, GAY, ed., Unstable Ground: Performance and the Politics of Place. Bruxelles, Bern, e.a.: PIE Peter Lang, 2006. Pp. 306 +46 illus. €41.20/£27/$45.95 Pb.Google Scholar
MCNEILL, FIONA, Poor Women in Shakespeare. Cambridge: Cambridge University Press, 2007. Pp. xii + 256. £50/$90 Hb.Google Scholar
MAGUIRE, TOM, Making Theatre in Northern Ireland: Through and Beyond the Troubles. Exeter: University of Exeter Press, 2006. Pp. x +222 + illus. £14.99/$27.95 Pb; £49.50/$89.95 Hb.Google Scholar
MANGAN, MICHAEL, Performing Dark Arts: A Cultural History of Conjuring. Bristol: Intellect, 2007. Pp. 280. £19.95/$35 Pb.Google Scholar
MARSHALL, C. W., The Stagecraft and Performance of Roman Comedy. Cambridge: Cambridge University Press, 2006. Pp. xiv + 320. £50/$90 Hb.CrossRefGoogle Scholar
MERLIN, BELLA, The Complete Stanislavsky Toolkit. London: Nick Hern, 2007. Pp. x + 340. £10.99 Pb.Google Scholar
NASHSHON, EDNA, ed., From the Ghetto to the Melting Pot: Israel Zangwill's Jewish Plays. Detroit: Wayne State University Press, 2006. Pp. 559 + illus. $34.95 Hb.Google Scholar
ODDEY, ALISON, Re-framing the Theatrical: Interdisciplinary Landscapes for Performance. Basingstoke: Palgrave Macmillan, 2007. Pp. xii +252 + illus. £50/$80 Hb.CrossRefGoogle Scholar
OIDA, YOSHI and MARSHALL, LORNA, An Actor's Tricks. Foreword by Peter Brook. London: Methuen, 2007. Pp. x + 102. £10.99 Pb.Google Scholar
PEARSON, MIKE, In Comes I: Performance, Memory and Landscape. Exeter: University of Exeter Press, 2007. Pp. xiv + 240 + illus. £17.99/$34.95 Pb; £50/$89.95 Hb.Google Scholar
RICHARDSON, MICHAEL D., Revolutionary Theater and the Classical Heritage: Inheritance and Appropriation from Weimar to the GDR. Oxford, Bern, e.a.: Peter Lang, 2007. Pp. 257. €49.90/£30/$59.95 Pb.Google Scholar
ROACH, JOSEPH, It. Ann Arbor: University of Michigan Press, 2007. Pp. 260 + illus. $19.95 Pb; $60 Hb.CrossRefGoogle Scholar
ROACH, JOSEPH and REINELT, JANELLE, eds., Critical Theory and Performance: Revised and Enlarged Edition. Ann Arbor: University of Michigan Press, 2007. Pp. 608 + illus. $32.50 Pb; $80.00 Hb.Google Scholar
ROBERTS, PHILIP and STAFFORD-CLARK, MAX, Taking Stock: The Theatre of Max Stafford-Clark. London: Nick Hern, 2007. Pp. xviii + 266. £14.99 Pb.Google Scholar
ROCHE, ANTHONY, ed., The Cambridge Companion to Brian Friel. Cambridge: Cambridge University Press, 2006. Pp. xvi + 178. £17.99/$29.99 Pb; £45/$75 Hb.CrossRefGoogle Scholar
ROWE, NICK, Playing the Other: Dramatizing Personal Narratives in Playback Theatre. London and Philadelphia: Jessica Kingsley, 2007. Pp. 208. £18.99/$35 Pb.Google Scholar
SAYER, JOHN, Jean Racine: Life and Legend. Oxford, Bern, e.a.: Peter Lang, 2006. Pp. 427. £43.50/€66.50/$74.95 Pb.Google Scholar
SCHAFER, ELIZABETH, Lilian Baylis: A Biography. Hatfield: University of Hertfordshire Press, 2006. Pp. xii + 308 + illus. £16.99 Hb; £8.99 Pb.Google Scholar
SCOTT-DOUGLASS, AMY, Shakespeare Inside: The Bard behind Bars. London: Continuum, 2007. Pp. xvi + 144 + illus. £45 Hb; £12.99 Pb.CrossRefGoogle Scholar
SENELICK, LAURENCE, Historical Dictionary of Russian Theater. Lanham, MD e.a.: Scarecrow, 2007. Pp. lii + 554. £72/$110 Hb.Google Scholar
SIHRA, MELISSA, ed., Women in Irish Drama: A Century of Authorship and Representation. Foreword by Marina Carr. Basingstoke: Palgrave Macmillan, 2007. Pp. xx + 242 + illus. £45/$74.95 Hb.CrossRefGoogle Scholar
STRIETMAN, ELSA and HAPPÉ, PETER, eds., Urban Theatre in the Low Countries: 1400–1625. Turnhout: Brepols, 2006. Pp. xii + 320 + illus. €70 Hb.CrossRefGoogle Scholar
WALLACE, CLARE, ed., Monologues: Theatre, Performance, Subjectivity. Prague: Litteraria Pragensia, 2006. Pp. 330. €12/£18/$27 Pb.Google Scholar
WATERS, HAZEL, Racism on the Victorian Stage: Representation of Slavery and the Black Character. Cambridge: University of Cambridge Press, 2007. Pp. viii + 244 + illus. £50/$90 Hb.CrossRefGoogle Scholar