Editorial
Editorial Note
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- 07 July 2009, p. 3
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Articles
The Haunted Stage: Recycling and Reception in the Theatre
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- 07 July 2009, pp. 5-18
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Dramatic Characters and Composite Dramatis Personae
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- 07 July 2009, pp. 19-32
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Cultural Anthropology and Theatre Historiography: Notes on a Methodological Rapprochement
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- 07 July 2009, pp. 33-52
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Kagura, Chaban, and the Awaji Puppet Theatre: A Literary View of Japan's Performing Arts
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- 07 July 2009, pp. 55-64
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Special Section: Feminists Theorize the Past
Private Women and the Public Realm
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- 07 July 2009, pp. 65-71
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Actress to Activist: Mlle Clairon in the Public Sphere of the 1760s1
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- 07 July 2009, pp. 73-86
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Oh I Love Mother, I Love Her Power: Shaker Spirit Possession and the Performance of Desire
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- 07 July 2009, pp. 89-97
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Elsie De Wolfe Circa 1901: The Dynamics of Prescriptive Feminine Performance in American Theatre and Society
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- 07 July 2009, pp. 101-117
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The Actresses' Franchise League Prepares For War: Feminist Theatre in Camouflage
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- 07 July 2009, pp. 121-137
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Book Reviews
Looking at Shakespeare: A Visual History of Twentieth-Century Performances. By Dennis Kennedy. Cambridge: Cambridge University Press, 1993; pp. 358. 150 illustrations, 21 color plates. $69.95 hardcover. - Bit Parts in Shakespeare's Plays. By M. M. Mahood. Cambridge: Cambridge University Press, 1992; pp. 252. $59.95 hardcover.
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- 07 July 2009, pp. 139-142
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United States Theatre: A Bibliography From the Beginning to 1990. Compiled and edited by Robert Sylvester. Romsey, England: Motley Press; New York: G. K. Hall & Company, 1993; pp. 400. $150.00 hardcover.
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- 07 July 2009, pp. 143-146
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Cambridge Guide to American Theatre. Eds. Don B. Wilmeth and Tice L. Miller. New York and Cambridge: Cambridge University Press, 1993; pp. x + 547, 250 illustrations. $49.95 hardcover.
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- 07 July 2009, pp. 147-148
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Performing the Pilgrims: A Study of Ethnological Role-Playing at Plimoth Plantation. By Stephen Eddy Snow Jackson, MS: University of Mississippi Press, 1993; pp. 241. $37.50.
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- 07 July 2009, pp. 149-150
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Love and Theft: Blackface Minstrelsy and the American Working Class. By Eric Lott. New York: Oxford University Press, 1993; pp. 314. $24.95 hardcover.
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- 07 July 2009, pp. 151-153
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How Dramas End: Essays on the German Sturm Und Drang, Büchner, Hauptmann, and Fleisser. By Henry J. Schmidt. Ann Arbor, MI: The University of Michigan Press, 1992; pp. 192. $39.50 hardcover.
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- 07 July 2009, pp. 154-155
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The Semiotics of Performance. By Marco De Marinis. Trans, by Aine O'Healy. Bloomington and Indianapolis: Indiana University Press, 1993; pp. 272, 15 figs. $39.95 cloth. - The Semiotics of Theatre. By Erika Fischer-Lichte. Trans, by Jeremy Gaines and Doris L. Jones. Bloomington and Indianapolis: Indiana University Press, 1992; pp. 368, 6 illus. $49.95 cloth. - Theatre as a Sign System. A Semiotics of Text and Performance. By Elaine Aston and George Savona. London and New York: Routledge, 1991; pp. 203. $49.95 cloth; $19.95 paperback.
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- 07 July 2009, pp. 156-159
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Contemporary Feminist Theatres: To Each Her Own. By Lizbeth Goodman. London: Routledge, 1993; pp. 313. $17.95.
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- 07 July 2009, pp. 160-162
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Roofed Theatres of Classical Antiquity. By George C. Izenour. New Haven: Yale University Press, 1992; pp. xxi + 234. $110. - Greek Tragic Theatre. By Rush Rehm. London: Routledge, 1992; pp. x + 168. $55.00.
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- 07 July 2009, pp. 163-165
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Modern Verse Drama in English: An Annotated Bibliography. By Kayla McKinney Wiggins. Bibliographies and Indexes in World Literature, Number 39. Westport, CT: Greenwood Press, 1993; pp. 184. $55.00 hardcover.
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- 07 July 2009, pp. 166-167
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