Editorial
Ticking Time …
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- 08 April 2020, pp. 153-155
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Endurance
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- 02 September 2020, pp. 301-304
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Politics and Performance
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- 27 January 2020, pp. 1-3
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Articles
Ex-Chromosomes: Contemporary Performance and the End of Gender
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- 08 April 2020, pp. 156-181
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Each/Every: CADA's Radically Democratic Dramaturgy of Dissent
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- 27 January 2020, pp. 4-27
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Katherine Dunham's Global Method and the Embodied Politics of Dance's Everyday
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- 02 September 2020, pp. 305-330
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“A Christy Minstrel, a Harlequin, or an Ancient Persian”?: Opera, Hindustani Classical Music, and the Origins of the Popular South Asian “Musical”
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- 27 July 2020, pp. 331-350
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Theatre and Performance in Alternative Histories of Steve Biko's Death in Detention
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- 17 March 2020, pp. 182-202
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“Were They the Ones We Were Waiting for?” The TWWA and the Performance of Solidarity
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- 27 January 2020, pp. 28-51
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Staging Public Blackness in Mid-Twentieth-Century Peru: The Repertoires of Pancho Fierro and Cumanana
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- 08 April 2020, pp. 203-230
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The Yiddish Art Theatre in Paris after the Holocaust, 1944–1950
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- 27 July 2020, pp. 351-371
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Resisting Dispossession: Performative Spatial Irruptions and the LA Poverty Department
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- 27 January 2020, pp. 52-74
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What Remains? A Critical Historiography of 1960s–70s Israeli Lost Performance-Based Works
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- 27 July 2020, pp. 372-395
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Surrogation, Mediatization, and Black Representation On- and Offstage: When Ira Aldridge, the African Roscius, Visited Pest-Buda in 1853
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- 27 January 2020, pp. 75-101
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Defending the Standard Contract: Unmeasured Work, Class, and Design Professionalism in United Scenic Artists Local 829
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- 12 March 2020, pp. 231-251
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The Call to Play: New Work and Labor at Artsadmin
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- 08 April 2020, pp. 252-271
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Performing the Northern Athens: Dr. Corry's Diorama of Ireland and the Belfast Riot of 1864
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- 27 January 2020, pp. 102-128
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“I'll wait”: Crip-Queer Temporality and Reproductive Futurism in Musical Adaptations of Dürrenmatt's Der Besuch der alten Dame (The Visit of the Old Lady)
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- 04 August 2020, pp. 396-420
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Book Reviews: Edited by Erika T. Lin, with Jennie Youssef
Gaming the Stage: Playable Media and the Rise of English Commercial Theater By Gina Bloom. Theater: Theory/Text/Performance. Ann Arbor: University of Michigan Press, 2018; pp. xii + 276, 25 illustrations. $80 cloth, $34.95 paper, $34.95 e-book.
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- 27 January 2020, pp. 129-131
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Spectral Characters: Genre and Materiality on the Modern Stage By Sarah Balkin. Ann Arbor: University of Michigan Press, 2019; pp. viii + 190, 5 illustrations. $65 cloth, $49.95 e-book.
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- 08 April 2020, pp. 272-274
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