Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-26T02:51:36.715Z Has data issue: false hasContentIssue false
  • English
  • Français

Notes On Stanislavski

Published online by Cambridge University Press:  13 October 2022

Bertolt Brecht
Translated by
Carl R. Mueller
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
TDR Document Series
Information
Tulane Drama Review , Volume 9 , Issue 2: Stanislavski and America: 2 , Winter 1964 , pp. 155 - 166
Copyright
Copyright © 1964 The Tulane Drama Review

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 See Leslie Irene Coger's Stanislavski Changes his Mind, TDR, Volume 9, No. 1 (T25, Fall 1964), pp. 63-68.

2 This last paragraph is a collation of material which appeared in the original under the headings Some Thoughts on the Stanislavski Conference and The Stanislavski Conference.R.S.

3 See Gorchakov's Stanislavsky Directs (New York: Grosset and Dunlap, 1962), pp. 123-198. Brecht is referring to Alexander Griboyedov's Much Woe From Wisdom which the MAT did in 1906 and which Stanislavski revived in 1925 when he played Famusov.R.S.

4 The material from I have never yet worked with actors who were acquainted with the exercises to the footnote is taken from the section which in the original appeared under the heading Numerous Rehearsals.R. S.