Hostname: page-component-84b7d79bbc-l82ql Total loading time: 0 Render date: 2024-08-04T23:14:25.372Z Has data issue: false hasContentIssue false

Once Misjudged and Banned: Promoting the Musical Heritage in the GDR and Discourse Surrounding the 1959 Felix Mendelssohn Festwoche

Published online by Cambridge University Press:  30 April 2019

Abstract

In February 1959 East Germany fêted the legacy of Felix Mendelssohn with a week-long celebration. Like earlier festivals honouring composers such as Handel, these festivities provided a site for working out in practical terms abstract theories of the ethico-political value of the Germanic cultural heritage to a socialist German state. Yet, discourse surrounding the Festwoche indicates a unique approach to such negotiations. Debates surrounding the festival are analysed, including publications in journals and newspapers as well as speeches, in order to demonstrate that the circumstances surrounding the Mendelssohn festivities fomented remarkably diverse responses to issues pertaining to the value of the musical heritage and to Mendelssohn's place within that heritage. Further, the problems Mendelssohn's life and work presented led one of the most important musicologists in the GDR – Georg Knepler – to embrace a radically Marxian (rather than Marxist–Leninist) account of the significance of the composer's music to East German audiences.

Type
Articles
Copyright
Copyright © Cambridge University Press, 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

Research for this article was supported by the DAAD and New York University. I thank Barbara Wiermann and Nicole Höppner at the archives of the Hochschule für Musik und Theater ‘Felix Mendelssohn Bartholdy’ in Leipzig, Jörg-Uwe Fischer at the archives of the Deutsches Rundfunkarchiv in Potsdam, and Werner Grünzweig, Director of the Music Division of the Akademie der Künste in Berlin, for generously facilitating my research. Portions of this article were first presented at the fifty-fourth annual conference of the Royal Musical Association in Bristol (September 2018), at the eighty-first annual meeting of the American Musicological Society in Louisville (November 2015), and at a Pacific-Southwest chapter meeting of the American Musicological Society in Riverside, California (September 2015). I wish to thank the audience members at those presentations, Stanley Boorman, Michael Beckerman, Martin Daughtry, Michael Gallope, David Samuels, Stephen Bero, and the anonymous reviewers of this article for their invaluable comments and criticism.

References

Anonymous, ‘Die Nacht vor 22 Jahren – in der Westzone Gegenwart’, Leipziger Volkszeitung, 27 January 1959, 4.Google Scholar
Anonymous. ‘Glanzvoller Höhepunkt der Mendelssohn-Ehrung’, Leipziger Volkszeitung, 5 February 1959. ‘Konzerte, Pressberichte, Veranstaltungen’, Bestand B, M 8, Hochschulebibliothek Archiv, Hochschule für Musik und Theater Felix-Mendelssohn-Bartholdy (Leipzig).Google Scholar
Anonymous. ‘Kranzniederlegung am Mendelssohn-Denkmal’, Sächsische Tageblatt, 31 January 1959. ‘Konzerte, Pressberichte, Veranstaltungen’, Bestand B, M 8, Hochschulebibliothek Archiv, Hochschule für Musik und Theater Felix-Mendelssohn-Bartholdy (Leipzig).Google Scholar
Anonymous. ‘Mendelssohn-Kammermusik der Musikhochschule’, Leipziger Volkszeitung, 4 February 1959. ‘Konzerte, Pressberichte, Veranstaltungen’, Bestand B, M 8, Hochschulebibliothek Archiv, Hochschule für Musik und Theater Felix-Mendelssohn-Bartholdy (Leipzig).Google Scholar
Anonymous. ‘Musik als Bekenntnis zu Volk und Humanismus: Eröffnung der Mendelssohn-Festwoche – Prof Hans Pischner sprach im Capitol’, Sächsisches Tageblatt, 3 February 1959. ‘Konzerte, Pressberichte, Veranstaltungen’, Bestand B, M 8, Hochschulebibliothek Archiv, Hochschule für Musik und Theater Felix-Mendelssohn-Bartholdy (Leipzig).Google Scholar
Anonymous, ‘Nazipraxis des Totschweigens’, Musik und Gesellschaft 60/1 (1960), 277.Google Scholar
Anonymous. ‘Untitled caption under a photograph of the wreath-laying ceremony’. Leipziger Volkszeitung, 4 February 1959, ‘Konzerte, Pressberichte, Veranstaltungen’, Bestand B, M 8, Hochschulebibliothek Archiv, Hochschule für Musik und Theater Felix-Mendelssohn-Bartholdy (Leipzig).Google Scholar
Anonymous. ‘Warum feiern wir Mendelssohn? Zum 150. Geburtstag des Meisters Morgen Beginn der Festwoche’, Sächsische Tageblatt, 31 January 1959. ‘Konzerte, Pressberichte, Veranstaltungen’, Bestand B, M 8, Hochschulebibliothek Archiv, Hochschule für Musik und Theater Felix-Mendelssohn-Bartholdy (Leipzig).Google Scholar
Ballard, Lincoln M.Alexander Scriabin's Centenary Revival in Soviet Era Russia’. Journal of the Scriabin Society of America (n.d.), 41–9.Google Scholar
Bergmann, Werner and Erb, Rainer. Anti-Semitism in Germany: The Post-Nazi Epoch Since 1945, trans Cooper, Belinda and Brown, Allison. New Brunswick, NJ: Transaction Publishers, 1997.Google Scholar
‘Beschluß, 12 October 1960’. Item 494, AdK-Ost Archiv, Archivbestand Musik, Akademie der Künste Archiv, Akademie der Künste.Google Scholar
Botstein, Leon. ‘Mendelssohn, Werner, and the Jews: A Final Word’. The Musical Quarterly 83/1 (1999), 4550.Google Scholar
Calico, Joy H.The Third Space of Commemoration between East and West Germany’. The Musical Quarterly 88/1 (2005), 97.Google Scholar
Cooper, John Michael. ‘Mendelssohn's Works: Prolegomenon to a Comprehensive Inventory’, in The Mendelssohn Companion, ed. Seaton, Douglass. Westport, CT: Greenwood Press, 2001. 701–3.Google Scholar
Dietrich, Wolf. ‘Mendelssohn in seiner Zeit und heute: Die Festwoche der Stadt Leipzig – Rückblick und Ausblick’. Die Union, 10 February 1959. ‘Konzerte, Pressberichte, Veranstaltungen’, Bestand B, M 8, Hochschulebibliothek Archiv, Hochschule für Musik und Theater Felix-Mendelssohn-Bartholdy (Leipzig).Google Scholar
Eisler, Hanns, Berlin., Undated Letter to the editors of Musik in der Schule. ‘Die Wiederaufnahme der Verleihung des Felix-Mendelssohn-Bartholdy-Stipendiums in der DDR (1959, 1960–61, 1964–68)’. Item 494, AdK-Ost Archiv, Archivbestand Musik, Akademie der Künste Archiv, Akademie der Künste.Google Scholar
Engels, Friedrich. ‘From The Part Played by Labor in the Transition From Ape to Man (1876)’, in Marx and Engels on Literature and Art. ed. Baxandall, Lee and Morawski, Stefan. New York: International General, 1974. 54–6.Google Scholar
Engels, Friedrich. ‘Letter to Margaret Harkness (1888)’, in Marx and Engels on Literature and Art. ed. Baxandall, Lee and Morawski, Stefan. New York: International General, 1974. 115–17.Google Scholar
Fairclough, Pauline. Classics for the Masses: Shaping Soviet Musical Identity Under Lenin and Stalin. New Haven: Yale University Press, 2016.Google Scholar
Fauser, Annegret. The Politics of Musical Identity: Selected Writings. Burlington: Ashgate, 2015.Google Scholar
Fischer, George. ‘Surgery One Hundred Years Ago: A Historical Study’. The Journal of the American Medical Association 28 (20 February 1897), 357–62.Google Scholar
Fischer, Lars. ‘Positioning Georg Knepler in the Musicological Discourse of the GDR’, in Classical Music in the German Democratic Republic. Rochester, NY: Camden House, 2015.Google Scholar
Frackman, Kyle and Powell, Larson. ‘Introduction: Music and Heritage in the German Democratic Republic’, in Classical Music in the German Democratic Republic, ed. Frackman, Kyle and Powell, Larson. Rochester, NY: Camden House, 2015. 119.Google Scholar
Frolova-Walker, Marina. Music and Soviet Power, 1917–32. Woodbridge: Boydell Press, 2012.Google Scholar
Frühauf, Tina and Hirsch, Lily, eds. Dislocated Memories: Jews, Music, and Postwar German Culture. Oxford: Oxford University Press, 2014.Google Scholar
Glanzvoller Höhepunkt der Mendelssohn-Ehrung’. Leipziger Volkszeitung, 5 February 1959.Google Scholar
Grimes, Nicole and Mace, Angela R., eds. Mendelssohn Perspectives. Burlington, VT: Ashgate Publishing, 2012.Google Scholar
Gur, Golan. ‘Classicism as Anti-Fascist Heritage: Realism and Myth in Ernst Hermann Meyer's Mansfelder Oratorium (1950)’, in Classical Music in the German Democratic Republic, ed. Frackman, Kyle and Powell, Larson. Rochester, NY: Camden House, 2015. 3457.Google Scholar
Herf, Jeffrey. ‘Purging “Cosmopolitanism”: The Jewish Question in East Germany, 1949–1956’, in Divided Memory: The Nazi Past in the Two Germanys. Cambridge, MA: Harvard University Press, 2013. 106–61.Google Scholar
Janik, Elizabeth. Recomposing German Music: Politics and Musical Tradition in Cold War Berlin. Boston: Brill, 2005.Google Scholar
Kelly, Elaine. Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music. Oxford: Oxford University Press, 2014.Google Scholar
Kelly, Elaine and Wlodarski, Amy, eds. Art Outside the Lines: New Perspectives on GDR Art Culture. New York: Rodopi, 2011.Google Scholar
Knepler, Georg. ‘Felix Mendelssohn Bartholdy: Betrachtungen über sein Leben und Schaffen zur 150. Wiederkehr seines Geburtstages’. Musik und Gesellschaft 59/2 (1959), 815.Google Scholar
Knepler, Georg. Musikgeschichte des 19. Jahrhunderts, Band I: Frankreich und England. Berlin: Henschel Verlag, 1961.Google Scholar
Köhler, Karl-Heinz. ‘Der unbekannte junge Mendelssohn: Einige Bemerkungen zu den unveröffentlichten Jugendkompositionen Felix Mendelssohn-Bartholdys’. Musik und Gesellschaft 59/2 (1959), 24.Google Scholar
Köhler, Willi (editor of Neues Deutschland), Berlin. Letter to Hanns Eisler, 3 March 1959. ‘Die Wiederaufnahme der Verleihung des Felix-Mendelssohn-Bartholdy-Stipendiums in der DDR (1959, 1960–61, 1964–68)’. Item 494, AdK-Ost Archiv, Archivbestand Musik, Akademie der Künste Archiv, Akademie der Künste.Google Scholar
‘Konzeption: Mendelssohn-Festwoche vom Rat der Stadt Leipzig (Abteilung Kultur), 4 December 1958’. ‘Mendelssohn-Festwoche 1–7. Februar 1959’. Bestand B, M 4/5, Hochschulebibliothek Archiv, Hochschule für Musik und Theater Felix-Mendelssohn-Bartholdy (Leipzig).Google Scholar
‘Konzertprogramme’. Item 811, Max Butting Archiv, Archivbestand Musik, Akademie der Künste Archiv, Akademie der Künste.Google Scholar
Frackman, Kyle and Powell, Larson, eds. Classical Music in the German Democratic Republic. Rochester, NY: Camden House, 2015.Google Scholar
Krause, Ernst. ‘Klassische Klänge des Biedermeyer’. Die Wochenpost 59/67 (February 1959), 15.Google Scholar
Kreuzer, Gundula. Verdi and the Germans: From Unification to the Third Reich (Cambridge: Cambridge University Press, 2010).Google Scholar
LaFargue, Paul. ‘From Reminiscences of Marx (1890)’, in Marx and Engels on Literature and Art, ed. Baxandall, Lee and Morawski, Stefan. New York: International General, 1974. 152–3.Google Scholar
Laux, Karl. ‘Leipzig ehrte Mendelssohn: Festwoche aus Anlaß der 150. Wiederkehr der Geburtstages’. Sächsische Neueste Nachrichten, 1 March 1959.Google Scholar
Levi, Erik. Mozart and the Nazis: How the Third Reich Abused a Cultural Icon. New Haven: Yale University Press, 2016.Google Scholar
Lukács, Georg. ‘Critical Realism and Socialist Realism’, in The Meaning of Contemporary Realism, trans. John and Necke Mander. London: Merlin Press, 1963. 93136.Google Scholar
Lukács, Georg. The Destruction of Reason, trans. Palmer, Peter. Atlantic Highlands, NJ: Humanities Press, 1981.Google Scholar
Lukács, Georg. Essays on Realism, ed. Livingstone, Rodney, trans. David Fernbach. Cambridge, MA: MIT Press, 1981.Google Scholar
Lustiger, Arno. ‘Lenin and Stalin on the Jewish Question’, in Stalin and the Jews. New York: Enigma Books, 2003. 31–4.Google Scholar
Lustiger, Arno. ‘Open War Against the Jews – The Last Years of Stalin's Dictatorship’, in Stalin and the Jews. New York: Enigma Books, 2003. 195220.Google Scholar
Marx, Karl. ‘From Introduction to the Critique of Political Economy (1857)’, in Marx and Engels on Literature and Art, ed. Baxandall, Lee and Morawski, Stefan. New York: International General, 1974. 136–8.Google Scholar
Marx, Karl. ‘Zur Judenfrage’, in Karl Marx/Friedrich Engels Gesamtausgabe, vol. 1. Berlin, 1976.Google Scholar
‘Mendelssohn-Festwoche der Stadt Leipzig: 20 Jahre Musikleben in der DDR’. Recording #3M5064, DDR Bestand, Deutsches Rundfunkarchiv.Google Scholar
Meng, Michael. ‘East Germany's Jewish Question: The Return and Preservation of Jewish Sites in East Berlin and Potsdam, 1945–1989’. Central European History 38/4 (2005), 607.Google Scholar
Meyer, Ernst Hermann. Musik im Zeitgeschehen. Berlin: Verlag Bruno Henschel und Sohn, 1952.Google Scholar
Morawski, Stefan. ‘Introduction’, in Marx and Engels on Literature and Art, ed. Baxandall, Lee and Morawski, Stefan. New York: International General, 1974. 347.Google Scholar
Oeser, C., Leipzig., Letter to Leipzig City Councilman Wende, 18 October 1958. ‘Mendelssohn-Festwoche 1–7. Februar 1959’. Bestand B, M 4/5, Hochschulebibliothek Archiv, Hochschule für Musik und Theater Felix-Mendelssohn-Bartholdy (Leipzig).Google Scholar
Orlow, Dietrich. ‘The GDR's Failed Search for a National Identity, 1945–1989’. German Studies Review 29/3 (2006), 537–58.Google Scholar
Palazzeti, Nicolò.The Bartók Myth: Fascism, Modernism and Resistance in Italian Musical Culture’. International Review of the Aesthetics and Sociology of Music 47/2 (2016), 289314Google Scholar
Parkinson, G. H. R. Georg Lukács. London: Routledge & Kegan Paul, 1977.Google Scholar
Petzoldt, Richard. ‘Symbolik zweier Denkmäler: Zu Felix Mendelssohn-Bartholdys 150. Geburtstag am 3. Februar 1959’. Musik in der Schule 10/1 (1959), 1112.Google Scholar
Philpotts, Matthew and Rolle, Sabine, eds. Contested Legacies: Constructions of Cultural Heritage in the GDR – Edinburgh German Yearbook Volume 3. Rochester, NY: Camden House, 2009.Google Scholar
Pischner, Hans. ‘Mendelssohns Bild in der Gegenwart: Aus der Rede zur Eröffnung der Leipziger Gedenkwoche zum 150. Geburtstag des Komponisten’. Sonntag 59/6 (1959). ‘Konzerte, Pressberichte, Veranstaltungen’, Bestand B, M 8, Hochschulebibliothek Archiv, Hochschule für Musik und Theater Felix-Mendelssohn-Bartholdy (Leipzig).Google Scholar
Potter, Pamela M.The Politicization of Handel and His Oratorios in the Weimar Republic, the Third Reich, and the Early Years of the German Democratic Republic’. The Musical Quarterly 85/2 (2001), 311–41.Google Scholar
Programme – Festkonzert 1959. ‘Konzerte 1950–1964’. Item 481, 9, AdK-Ost Archiv, Archivbestand Musik, Akademie der Künste.Google Scholar
Rothe, Hans-Joachim. ‘Besinnung und Verpflichtung: Mendelssohn-Festwoche in Leipzig’. Kulturspiegel 59/2 (1959), 173.Google Scholar
Schneider, Max (International Felix Mendelssohn Society), Basel. Letter to Rudolf Fischer, 8 April 1960. Item 494, AdK-Ost Archiv, Archivbestand Musik, Akademie der Künste Archiv, Akademie der Künste.Google Scholar
Schönewolf, Karl. ‘Erbe und Gegenwart’. Musik und Gesellschaft 59/4 (1959), 47–8.Google Scholar
Seeger, Horst. ‘Im Geiste Mendelssohn: Die Leipziger Neuausgabe der Werke des Meisters – Wiedereinsetzung des Mendelssohn-Stipendiums’. Musik und Gesellschaft 61/7 (1961), 421–23.Google Scholar
Shreffler, Anne C.Berlin Walls: Dahlhaus, Knepler, and Ideologies of Music History’. The Journal of Musicology 20/4 (2003), 498525.Google Scholar
Silverberg, Laura. ‘Between Dissonance and Dissidence: Socialist Modernism in the German Democratic Republic’. The Journal of Musicology 26/1 (2009), 4484.Google Scholar
Silverberg, Laura. ‘(Re)defining the Musical Heritage: Confrontations with Tradition in East German New Music’, in Contested Legacies: Constructions of Cultural Heritage in the GDR – Edinburgh German Yearbook Volume 3, ed. Philpotts, Matthew and Rolle, Sabine. Rochester, NY: Camden House, 2009. 124–40.Google Scholar
Sposato, Jeffrey. ‘Creative Writing: The [Self]-Identification of Mendelssohn as Jew’. The Musical Quarterly 82/1 (1998), 190209.Google Scholar
Sposato, Jeffrey. ‘Mendelssohn, “Paulus,” and the Jews: A Response to Leon Botstein and Michael Steinberg’. The Musical Quarterly 83/2 (1999), 280–91.Google Scholar
Steinberg, Michael. ‘Mendelssohn's Music and German-Jewish Culture: An Intervention’. The Musical Quarterly 83/1 (1999), 3144.Google Scholar
Thacker, Toby. ‘1950: Bach “Shenanigans”’, in Music after Hitler, 1945–1955. Burlington, VT: Ashgate Publishing, 2007. 127–50.Google Scholar
Thacker, Toby. ‘“Renovating” Bach and Handel: New Musical Biographies in the German Democratic Republic’, in Musical Biography: Towards New Paradigms, ed. Pekacz, Jolanta. Burlington, VT: Ashgate Publishing, 2006. 1741.Google Scholar
Untitled’. Musik und Gesellschaft 59/5 (1959), 62–3.Google Scholar
Uszkoreit, Hans-Georg (MfK), Berlin. Letter to the District Council of Leipzig (Culture Division), 7 May 1958. ‘Mendelssohn-Festwoche 1–7. Februar 1959’. Bestand B, M 4/5, Hochschulebibliothek Archiv, Hochschule für Musik und Theater Felix-Mendelssohn-Bartholdy (Leipzig).Google Scholar
Uszkoreit, Hans-Georg (MfK), Berlin. Letter to Prof. Rudolf Fischer (Leipzig Conservatory), 12 May 1959. ‘Briefwechsel 1956–1959’, Bestand B, M 30, Hochschulebibliothek Archiv, Hochschule für Musik und Theater Felix-Mendelssohn-Bartholdy (Leipzig).Google Scholar
Volkmann, Edmund. ‘Ein universaler Geist im Dienste seiner Zeit: Zum 150. Geburtstag von Felix Mendelssohn-Bartholdy – Er führte die Musik zu klassischen Formen zurück’. Sächsisches Tageblatt, 4 February 1959, ‘Konzerte, Pressberichte, Veranstaltungen’, Bestand B, M 8, Hochschulebibliothek Archiv, Hochschule für Musik und Theater Felix-Mendelssohn-Bartholdy (Leipzig).Google Scholar
Wanslow, W. W.Über die Widerspiegelung der Wirklichkeit in der Musik’. Musik und Gesellschaft 51/8 (1951 Sonderdrück), 116.Google Scholar
Ward Jones, Peter. ‘Letter to the Editor’. The Musical Quarterly 83/1 (1999), 2730.Google Scholar
Wehner, Ralf. ‘“It Seems to Have Been Lost”: On Missing and Recovered Mendelssohn Sources’, in The Mendelssohns: Their Music in History, ed. Cooper, John Michael and Prandi, Julie. Oxford: Oxford University Press, 2002. 315.Google Scholar
Wolf, Werner. ‘Mendelssohn-Festwoche der Stadt Leipzig’. Musik und Gesellschaft 59/3 (1959), 45–8.Google Scholar
Wolf, Werner. ‘Würdiger Ausklang der Mendelssohn-Ehrung’. Leipziger Volkszeitung, 12 February 1959, ‘Konzerte, Pressberichte, Veranstaltungen’, Bestand B, M 8, Hochschulebibliothek Archiv, Hochschule für Musik und Theater Felix-Mendelssohn-Bartholdy (Leipzig)Google Scholar
Wolff, Hellmuth Christian. ‘Felix Mendelssohn-Bartholdy: Zum 150. Geburtstag am 3. Februar’. Kulturspiegel der Stadt Leipzig 59/2 (1959), 82.Google Scholar
Yang, Hon-Lun. ‘Power, Politics, and Musical Commemoration: Western Musical Figures in the People's Republic of China 1949–1964’. Music and Politics 1/2 (2007). https://quod.lib.umich.edu/m/mp/9460447.0001.205/--power-politics-and-musical-commemoration-western-musical?rgn=main;view=fulltext (accessed 11 February 2019).Google Scholar
Yarustovsky, Boris. ‘Musik – Widerspiegelung hoher Ideale’. Musik und Gesellschaft 51/2 (1951), 1820.Google Scholar