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Yves Balmer, Christopher Brent Murray, and Thomas Lacôte, Le Modèle et l'invention: Messiaen et la technique de l'emprunt (Lyon: Symétrie, 2017), ISBN 978-2-36485-045-3 (hb).

Published online by Cambridge University Press:  30 April 2019

MATTHEW LORENZON
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Twentieth-Century Music , Volume 16 , Issue 2 , June 2019 , pp. 359 - 362
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Copyright © Cambridge University Press, 2019 

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References

1 Messiaen, Olivier, Technique de mon langage musical (Paris: Alphonse Leduc, 1944)Google Scholar.

2 Messiaen, Olivier, Traité de rythme, de couleur, et d'ornithologie, 7 vols. (Paris: Alphonse Leduc, 1994–2002)Google Scholar.

3 See, for instance, Dingle, Christopher, ‘Sacred Machines: Fear, Mystery and Transfiguration in Messiaen's Mechanical Procedures’, in Messiaen Perspectives 2: Techniques, Influence and Reception, ed. Dingle, Christopher and Fallon, Robert (Aldershot: Ashgate, 2013), 13–31Google Scholar; Keym, Stefan, ‘“The Art of the Most Intensive Contrast”: Olivier Messiaen's Mosaic Form up to Its Apotheosis in Saint François d'Assise’, in Messiaen Studies, ed. Sholl, Robert (Cambridge: Cambridge University Press, 2007), 188–205Google Scholar; Bauer, Amy, ‘The Impossible Charm of Messiaen's Chronochromie’, in Messiaen Studies, ed. Sholl, Robert (Cambridge: Cambridge University Press, 2007), 145–167Google Scholar; Cheong, Wai-Ling, ‘Rediscovering Messiaen's Invented Chords’, Acta Musicologica 75/1 (2003), 85–105Google Scholar.

4 All translations are my own.

5 Grosset, Joanny, ‘Inde: Histoire de la musique depuis l'origine jusqu’à nos jours’, in Encyclopédie de la musique et dictionnaire du conservatoire, ed. Lavignac, Albert and de la Laurencie, Lionel (Paris: Librairie Delagrave, 1921), 258–376Google Scholar.

6 Meillassoux, Quentin, The Number and the Siren: A Decipherment of Mallarmé’s ‘Coup de dés’, trans. Mackay, Robin (Falmouth: Urbanomic, 2012)Google Scholar.