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Wolfgang Ernst , Im Medium erklingt die Zeit: Technologische Tempor(e)alitäten und das Sonische als ihre privilegierte Erkenntnisform, Kaleidogramme Vol. 130 (Berlin: Kulturverlag Kadmos, 2015), ISBN: 978-3-86599-274-1 (pb). - Wolfgang Ernst , Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity (Amsterdam: Amsterdam University Press, 2016), ISBN: 978-08964-949-2 (hb).

Published online by Cambridge University Press:  10 March 2017

JENS GERRIT PAPENBURG
JENS GERRIT PAPENBURG*
Affiliation:
jens.papenburg@gmx.net
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Twentieth-Century Music , Volume 14 , Special Issue 1: Tape , February 2017 , pp. 169 - 175
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Copyright © Cambridge University Press, 2017 

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References

1 See, for example, Kittler, Friedrich A., Discourse Networks 1800/1900, trans. Michael Metteer, with Chris Cullens (Stanford, CA: Stanford University Press, 1990)Google Scholar and Siegert, Bernhard, Relays: Literature as an Epoch of the Postal System, trans. Kevin Repp (Stanford, CA: Stanford University Press, 1999)Google Scholar.

2 Winthrop-Young, Geoffrey, ‘Cultural Studies and German Media Theory’, in New Cultural Studies: Adventures in Theory, ed. Hall, Gary and Birchall, Clare (Edinburgh: University of Edinburgh Press, 2006), 88–104 Google Scholar.

3 As announced by a special issue of the Grey Room (No. 29, Fall 2007) ‘New German Media Theory’, edited by Eva Horn.

4 Ernst, Wolfgang, Digital Memory and the Archive, ed. Parikka, Jussi (Minneapolis: University of Minnesota Press, 2013)Google Scholar.

5 Young, Liam, ‘Under the Hood of Wolfgang Ernst's Media Archaeology’, Reviews in Cultural Theory 4/2 (2013)Google Scholar, http://reviewsinculture.com/2013/09/15/under-the-hood-of-wolfgang-ernsts-media-archaeology/.

6 See Kittler, Friedrich, Musik und Mathematik I. Hellas 1. Aphrodite (Munich: Wilhelm Fink, 2005)Google Scholar and Kittler, Friedrich, Musik und Mathematik I. Hellas 2. Eros (Munich: Wilhelm Fink, 2009)Google Scholar.

7 Wicke, Peter, ‘The Sonic: Sound Concepts of Popular Culture’, in Sound as Popular Culture: A Research Companion, ed. Papenburg, Jens Gerrit and Schulze, Holger (Cambridge, MA: MIT Press, 2016), 26 Google Scholar, emphasis in original.

8 Heidegger, Martin, ‘The Question Concerning Technology’, in The Question Concerning Technology and Other Essays (New York and London: Garland Publishing, 1977), 3–35.Google Scholar

9 Kane, Brian, ‘Sound Studies without Auditory Culture: A Critique of the Ontological Turn’, Sound Studies: An Interdisciplinary Journal 1/1 (2015), 2–21.CrossRefGoogle Scholar

10 Sterne, Jonathan, ‘Sonic Imaginations’, in The Sound Studies Reader, ed. Sterne, Jonathan (New York: Routledge, 2012), 9.Google Scholar