Hostname: page-component-7479d7b7d-pfhbr Total loading time: 0 Render date: 2024-07-10T14:31:10.160Z Has data issue: false hasContentIssue false
  • English
  • Français

“LOATHSOME LONDON”: RUSKIN, MORRIS, AND HENRY DAVEY'S HISTORY OF ENGLISH MUSIC (1895)

Published online by Cambridge University Press:  01 September 2009

Bennett Zon
Bennett Zon*
Affiliation:
Durham University
Get access Rights & Permissions [Opens in a new window]

Extract

The dystopia of the Victorian city is ubiquitous as a trope of nineteenth- and early twentieth-century literature, appearing across a wide array of literature in fiction, poetry, pamphlets, articles, reviews, socio-demographic works, socialist tracts, and miscellaneous papers. Anti-urbanism plays a prominent role in Dickens, Kingsley, and Gissing, to name but a few, and emerges in more pointedly sociological titles such as Andrew Mearns's The Bitter Cry of London (1883); Thomas Escott's England: Its Peoples, Polity, and Pursuits (1885); Charles Booth's Life and Labour of the People of London (1889–1902); Ford Madox Ford's The Heart of the Empire (1905); and W. W. Hutching's London Town Past and Present (1909) (Lees, in Fraser and Sutcliffe, 1983: 154; Hulin and Coustillas, 1979: passim). Themes of urban degradation, overpopulation, squalor, unemployment, lack of education, despair, and pollution fill their pages.

Type
Research Article
Information
Victorian Literature and Culture , Volume 37 , Issue 2 , September 2009 , pp. 359 - 375
Copyright
Copyright © Cambridge University Press 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

WORKS CITED

Armytage, W. H. G.Heavens Below: Utopian Experiments in England 1560–1960. London: Routledge and Kegan Paul, 1961.Google Scholar
Bailey, Peter. Popular Culture and Custom in Nineteenth-Century England. London: Helm, 1982.Google Scholar
Bailey, Peter. Popular Culture and Performance in the Victorian City. Cambridge: Cambridge UP, 1998.Google Scholar
Banfield, Stephen. “The Artist and Society.” Temperley (1981): 11–28.Google Scholar
Bellamy, Edward. Looking Backward, 2000–1887. Ed. Macdonald, Alex. Toronto: Broadview Literary Texts, 2002.Google Scholar
Brown, James D., and Stratton, Stephen S.. British Musical Biography: A Dictionary of Musical Artists, Authors and Composers, Born in Britain and Its Colonies. Birmingham: S. S. Stratton, 1897.Google Scholar
Bullen, J. B.Writing and Victorianism. London: Longman, 1997.Google Scholar
Chorley, Henry. The National Music of the World. 1880. 3rd ed. London: William Reeves, 1911.Google Scholar
Claeys, Gregory, and Sargent, Lyman Tower, eds. The Utopia Reader. New York: New York UP, 1999.Google Scholar
Cole, G. D. H., ed. William Morris: Stories in Prose, Stories in Verse, Shorter Poems, Lectures and Essays. New York: Random House, 1934.Google Scholar
Coleman, Stephen, and O'Sullivan, Paddy, eds. William Morris and News from Nowhere: A Vision of Our Time. Bideford: Green Book, 1990.Google Scholar
Crowest, Frederick J.The Story of British Music (From the Earliest Times to the Tudor Period). London: Richard Bentley & Son, 1896.Google Scholar
Cunningham, Valentine, ed. The Victorians: An Anthology of Poetry and Poetics. Malden: Blackwell, 1999.Google Scholar
Davey, Henry. History of English Music. London: J. Curwen & Sons, 1895.Google Scholar
Davey, Henry. History of English Music. 2nd ed. London: J. Curwen & Sons, 1921.Google Scholar
Davies, Benjamin. “The Historiography of the Reformation, or the Reformation of Historiography.” Early Music 29.2 (May 2001): 263–69.CrossRefGoogle Scholar
Engel, Carl. Rev. of “History of English Music.” Musical Quarterly 8.2 (April 1922): 307–08.Google Scholar
Fenwick, Gillian. The Contributors' Index to The Dictionary of National Biography 1885–1901. Winchester: St Paul's Bibliographies, 1989.Google Scholar
Rev. of “Feste,” “The Musician's Bookshelf.” Musical Times (1 Nov. 1921): 772–73.CrossRefGoogle Scholar
Fuller Maitland, J. A.Rev. of “History of English Music.” New Quarterly Musical Review 3.11 (Nov. 1895): 145–47. “Henry Davey.” http://www.jstor.org. Web. 2 May 2006.Google Scholar
Rev. of “The History of English Music.” Music and Letters 3.1 (Jan. 1922): 112–13.Google Scholar
Hulin, Jean-Paul, and Coustillas, Pierre, eds. Victorian Writers and the City. Lille: Publications de l'Université Lille III, 1979.Google Scholar
Hunt, Tristram. Building Jerusalem: The Rise and Fall of the Victorian City. London: Weidenfeld & Nicolson, 2004.Google Scholar
“If It Wasn't for the ’ouses in Between.” The English Music Hall. http://www.amaranthdesign.ca/musichall/songs/houses.htm. Web. 6 Jan. 2006.Google Scholar
Kift, Dagmar. The Victorian Music Hall: Class, Culture and Conflict. New York: Cambridge UP, 1996.Google Scholar
Lang, Michael H.Designing Utopia: John Ruskin's Urban Vision for Britain and America. Montreal: Black Rose Books, 1999.Google Scholar
Lees, Andrew. “Perceptions of Cities in Britain and Germany 1820–1914.” The Pursuit of Urban History. Ed. Fraser, Derek and Sutcliffe, Anthony. London: Edward Arnold, 1983. 151–65.Google Scholar
Levine, George. “From ‘Know-not-Where’ to ‘Nowhere’: The City in Carlyle, Ruskin, and Morris.” The Victorian City: Imagines and Realities. Ed. Dyos, H. J. and Wolff, M.. London: Routledge & Kegan Paul, 1973. 2: 495–516.Google Scholar
Levitas, Ruth. The Concept of Utopia. Hemel Hempstead: Philip Allan, 1990.Google Scholar
Lewis, Roger C. “News from Nowhere: Arcadia or Utopia?” Journal of the William Morris Society 7.2 (Spring 1987): 15–25.Google Scholar
Merrifield, Andy. Dialectical Urbanism: Social Struggles in the Capitalist City. New York: Monthly Review, 2002.Google Scholar
Morris, May, ed. William Morris: Artist, Writer, Socialist. Volume the Second: Morris as Socialist. 2 vols. Oxford: Blackwell, 1936.Google Scholar
Morris, William. News from Nowhere Or An Epoch of Rest Being some Chapters From a Utopian Romance. Ed. Leopold, David. Oxford: Oxford UP, 2003.Google Scholar
Morton, A. L., ed. Political Writings of William Morris. London: Lawrence & Wishart, 1979.Google Scholar
Musgrave, Michael. The Musical Life of the Crystal Palace. Cambridge: Cambridge UP, 1995.Google Scholar
Niecks, F. “The Teaching of Musical History.” Proceedings of the Musical Association 26 (10 April 1900): 161–81.CrossRefGoogle Scholar
Passinen, T. M. “Bellamy, Morris, and the Image of the Industrial City in Victorian Social Criticism.” Midwest Quarterly: A Journal of Contemporary Thought 14 (1973): 257–66.Google Scholar
Ruskin, John. Fors Clavigera. 1871–74. Vol. 28 of The Works of John Ruskin. Ed. Cook, E. T. and Wedderburn, Alexander. London: George Allen; New York: Longmans, Green, 1903–12.Google Scholar
Ruskin, John. Lectures on Art. 1903–12. Vol. 20 of The Works of John Ruskin.Google Scholar
Ruskin, John. The Two Paths. 1903–12. Vol. 16 of The Works of John Ruskin.Google Scholar
Salmon, Nicholas, ed. William Morris on History. Sheffield: Sheffield Academic P, 1996.Google Scholar
Scott, Derek. “In Search of Genetically Modified Music: Race and Musical Style in the Nineteenth Century.” Nineteenth-Century Music Review 3.1 (2006): 3–23.CrossRefGoogle Scholar
Scott, Derek. “Music and Social Class in Victorian London.” Urban History 29.1 (2002): 60–73.CrossRefGoogle Scholar
Scott, Derek. The Singing Bourgeois. 2nd ed. Aldershot: Ashgate, 2001.Google Scholar
Smith, Ruth, and Sadie, Stanley. “Davey, Henry.” Grove Music Online. Ed. Macy, L.. http://www.grovemusic.com. Web. 12 Jan. 2006.Google Scholar
Temperley, Nicholas, ed. The Athlone History of Music in Briain: The Romantic Age 1800–1914. London: Athlone, 1981.Google Scholar
Temperley, Nicholas. “Xenophilia in British Musical History.” Nineteenth-Century British Music Studies. Ed. Zon, Bennett. 3–19.CrossRefGoogle Scholar
Utopia, Limited. Gilbert and Sullivan Archive. http://math.boisestate.edu/gas/utopia/webop/ul014.html. Web. 15 Jan. 2006.Google Scholar
Vaninskaya, Anna. “Janus-Faced Fictions: Socialism as Utopia and Dystopia in William Morris and George Orwell.” Utopian Studies 14.2 (2003): 83–98.Google Scholar
Waters, Christopher. “Morris's ‘Chants’ and the Problems of Socialist Culture.” Socialism and the Literary Artistry of William Morris. Ed. Boos, Florence S. and Silver, Carole G.. Columbia: U of Missouri P, 1990. 127–46.Google Scholar
“Wills and Bequests.” The Times 9, issue 45322 (1 Oct. 1929), column D.Google Scholar
Zon, Bennett, ed. Nineteenth-Century British Music Studies 1. Aldershot: Ashgate, 1999.Google Scholar
Zon, Bennett. Music and Metaphor in Nineteenth-Century British Musicology. Aldershot: Ashgate, 2000.Google Scholar
Zon, Bennett. Representing Non-Western Music in Nineteenth-Century Britain. Rochester: U of Rochester P, 2007.CrossRefGoogle Scholar