Hostname: page-component-586b7cd67f-g8jcs Total loading time: 0 Render date: 2024-11-24T11:30:01.506Z Has data issue: false hasContentIssue false
  • English
  • Français

Connections Between Dance and Dance Music: Summary of Hungarian Research

Published online by Cambridge University Press:  07 March 2019

László Felföldi
Get access Rights & Permissions [Opens in a new window]

Extract

The connection between folk dance and folk music is a subject of investigation for researchers of both dance and music. Significant results have been achieved in both disciplines, but a comprehensive summary has not yet been made. This may be due to the lack of a unified point of view or to the isolation of the research fields.

Type
Articles
Information
Yearbook for Traditional Music , Volume 33 , 2001 , pp. 159 - 166
Copyright
Copyright © 2001 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCE CITED

Hoerburger, Felix 1956 Die Zwiefachen. Gestaltung und Umgestaltung der Tanzmelodien im nördlichen Altbayern. Akademie Verlag. BerlinGoogle Scholar
Hoerburger, Felix 1960 On relationships between music and movement in folk dancing. Journal of the International Folk Music Council 12: 70.CrossRefGoogle Scholar
IFMC Study Group for Folk Dance Terminology 1974 Foundation for the analysis of the structure and form of folk dance. A syllabus. Yearbook of the International Folk Music Council 6. 115–35.CrossRefGoogle Scholar
Katzarova, Raina 1960 Le manque de coincidences entre la figure choreographique et la phrase melodique. Journal of the International Folk Music Council 12: 68.CrossRefGoogle Scholar
Martin, György 1964 Szempontok a néptánc és népi tánczene kapcsolatainak vizsgálatához (vázlat). (Aspect of the Analysis of Folk Dance and Dance Music Relationship.) Táncmŭvészeti Értesitő 1964 (1): 88–92.Google Scholar
Martin, György 1965 Considérations sur l'analyse des relations entre danse et la musique de danse populaires. Studia Musicologica Academiae Scientiarum Hungaricae 7: 313–38.Google Scholar
Martin, György 1967 A néptánc és népi tánczene kapcsolatai. (Connections of Folk Dance and Dance Music.) Tánctudományi Tanulmányok 1965-1966: 143–95.Google Scholar
Martin, György 1968a A botoló nóta. Proporció-gyakorlat nyomai a magyar néptáncban és népi tánczenében. (Weapon dance melody. Traces of proportion-practice in Hungarian folk dance and dance music.) In Magyar Zenetörténeti Tanulmányok Budapest, ed. Bónis Ferenc, 201–21.Google Scholar
Martin, György 1968b Páratlan és aszimmetrikus ritmusok tánczenénkben. (Odd and asymmetrical rhythms in our dance music.) Táncmŭvészeti Értesitő 1968: 26–42.Google Scholar
Martin, György 1970 A marosszéki táncciklus. (Dance cycle in Marosszek region.) Táncmŭveszeti Értesitő. 1970 (1). 103–121.Google Scholar
Martin, György 1972 The relationship between melodies and dance types in Corpus Musicae Popularis Hungaricae Volume VI. Studia Musicologica Academiae Scientiarum Hungaricae 14: 93–145.Google Scholar
Martin, György 1977 A táncos és zene. A tánczenei terminológia Kalotaszegen. (The dancer and the music.) Népi Kultúra—Népi Társadalom 9: 357–89.Google Scholar
Martin, György 1978 A táncciklus—a néptánc legnagyobb formai egysége. (The dnce cycle—as the largest formal unite of folk dance.) Magyar Zene 19: 197–217.Google Scholar
Martin, György 1980a Rögtönzes és szabályozódás a magyar néptáncokban. (Improvization and regulation in Hungarian folk dances.) Népi Kultúra—Népi Társadalom 11-12: 411–49.Google Scholar
Martin, György 1980b Improvization and regulation in Hungarian folk dances. Acta Ethnographica Academiae Scienciarum Hungaricae 29: 391–425.Google Scholar
Martin, György 1980c The traditional dance cycle—as the largest unit of folkdancing. In. Der altere Paartanz in Europa 46-66. Stockholm.Google Scholar
Réthei Prikkel, Marián 1924 A magyarság táncai. (Dances of Hungarians). BudapestGoogle Scholar
Sachs, Curt 1937 World history of the dance. New York: W.W. Norton and Company Inc.Google Scholar