Hostname: page-component-586b7cd67f-t7czq Total loading time: 0 Render date: 2024-11-30T16:16:23.845Z Has data issue: false hasContentIssue false

Current Research of Taoist Ritual Music in Mainland China and Hong Kong

Published online by Cambridge University Press:  07 March 2019

Extract

As a major indigenous religio-philosophical tradition of China, Taoism has played an important role in the life of the people of China for well over eighteen hundred years. The outward expressions of Taoism are its rituals, passed on from generation to generation by Taoist ritual specialists throughout the centuries. Music (recitations, chants, and instrumental playing) is an integral part of these rituals. Early study of religious Taoism had been limited to the collecting of written sources and the compilation of these sources into the multi-volumed Daozang (Taoist canon), a massive work compiled over a period of fifteen centuries.2 The Taoist canon contains two collections of notated chants: the Yuyin fashi (Jade sounds of [Taoist] rituals) and Darning yuzhi xuanjiao yuezhang (The great Ming imperial Taoist ritual music), respectively contained in Volumes 333 and 616 in the Taoist canon.

Type
Articles
Copyright
Copyright © 1992 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

1

This is a revised version of a paper read at the 31st ICTM World Conference in Hong Kong, July 1991. We thank Bell Yung for his useful suggestions to our earlier draft.

References

References Cited

Boltz, Judith Magee 1989Neumatic Notation in the Taoist Canon and Performance Practice Today.” In Studies of Taoist Rituals and Music of Today, edited by Tsao Penyeh and Daniel Law, 88109. Hong Kong: The Chinese Music Archive and Society of Ethnomusicological Research in Hong Kong.Google Scholar
Jizhou, Cai 1990Cong gongguanpai dao minzupai” [From temple style to folk style]. Huangzhong 1: 918.Google Scholar
Renzhong, Chan 1984Jiaodong daoqu de minzu tedian” [Secular characteristics in Taoist ritual music of the Jiaodong region]. Yinyue yishu 3: 3034.Google Scholar
1991Quanzhendao yu Zhongguo xiju” [Quanzhen sect and Chinese theatre]. Paper read at the Second Symposium on Taoist Ritual Music held in Hong Kong between May 1116.Google Scholar
Dacan, Chen 1989Tongyi Daoqu zai gedi liuchuanzhongde bianhua” [Regional variation of a Taoist tune]. In Studies of Taoist Ritual and Music of Today, edited by Tsao Penyeh and Daniel Law, 166180. Hong Kong: The Chinese Music Archive and Society for Ethnomusicological Research in Hong Kong.Google Scholar
Guofu, Chen 1963 Daozang yuanliukao [Verification of the origin of Taoist canon]. Beijing: Zhonghua shuju. 2 volumes.Google Scholar
1981Ming Qing Daojiao yinyue kaokao” [Verification of Taoist music from the Ming-Qing period]. Zhonghua wenshi luncong 18: 128.Google Scholar
1989Beisong Yuyinfashi nian(xian)pu kao” [The interpretation of the line score of Yuyinfashi: A preliminary report]. In Studies of Taoist Rituals and Music of Today, edited by Tsao Penyeh and Daniel Law, 181217. Hong Kong: The Chinese Music Archive and Society of Ethnomusicological Research in Hong Kong.Google Scholar
Daozang [Taoist canon] 1923-26 Reprinted edition containing Zhengtong Daozang, compiled by Shao Yizheng (1444-45); and Wanli xu Daozang, compiled by Zhang Guoxiang (1607). Shanghai: Shangwu shuju, 1923–26.Google Scholar
Dieerjie Daojiao yinyue yantaohui lunwenji (forthcoming) [Proceedings of the Second Symposium on Taoist Ritual Music]. Edited by Tsao Penyeh, Mao Jizeng, and Wei Huang. Beijing: Yinyue yanjiu and Renmin yinyue chubanshe.Google Scholar
Diyijie Daojiao yinyue yantaohui lunwenji (forthcoming) [Proceedings of the First Symposium on Taoist Ritual Music]. Edited by Tsao Penyeh, Zhang Xuan, and Fei Shixun. Beijing: Renmin yinyue.Google Scholar
Zhaocheng, Gan 1989aQuanzhendao shifangjinyun yinyue de yicun” [Remains of the Taoist Quanzhen shifang tunes]. Yinyue tansuo 1: 4146.Google Scholar
1989bChuanxi Daojiao yinyue yu difang yinyue de guanxi” [Relationship between Taoist ritual music and local secular music in western Sichuan]. Paper read at the First Symposium on Taoist Ritual Music held in Hong Kong between December 2729.Google Scholar
1991Sichuan Daojiao yishi zhixingzhe de chuanchen yu chuanbo” [Perpetuation and transmission of Taoist ritual specialists in the Sichuan region]. Paper read at the Second Symposium on Taoist Ritual Music held in Hong Kong between May 1116.Google Scholar
Zhaocheng, Gan and Yang, Dong 1989Chuanxi Daojiao yinyue de leixing jiji tezheng” [Types and characteristics of Taoist music from the Chuangxi region]. Yinyue tansuo 3: 3747.Google Scholar
Kagan, Alan L. 1989Eight Immortals’ Longevity Blessings: Symbolic and Ritual Perspectives of the Music.” In Studies of Taoist Ritual and Music of Today, edited by Tsao Penyeh and Daniel Law, 121135. Hong Kong: The Chinese Music Archive and Society for Ethnomusicological Research in Hong Kong.Google Scholar
Yuzhen, Li 1989Dongbei xinyun” [The [Taoist] xinyun of the Dongbei region]. Paper read at the First Symposium on Taoist Ritual Music held in Hong Kong between December 2729.Google Scholar
1991Dandan Dongbei Daojiao yinyue zai Kaiguang kefan yishi zhongde gongyong” [Discussion of the function of music in the Taoist ritual “Opening the Light” of the Dongbei region]. Paper read at the Second Symposium on Taoist Ritual Music held in Hong Kong between May 1116.Google Scholar
Hong, Liu 1990Shilun Wudangyun” [Discussion of the Wudang [vocal] style]. Huangzhong 1: 18.Google Scholar
Chuikuan, Lu 1989Taiwan de Daojiao zaiji yu keyi” [Taoist rituals in Taiwan]. Yinyue yishu 2: 1926.Google Scholar
Shuren, Ni 1989Daojiao yinyue yu Fojiao yinyue de bijiaoyanjiu” [Comparison between Taoist and Buddhist music]. Paper read at the First Symposium on Taoist Ritual Music held in Hong Kong between December 2729.Google Scholar
Hengqiang, Pu 1987Wudangshan Daojiao yinyue chutan” [Preliminary study of Taoist music from the Wudang Mountain]. Yinyue yishu 3: 1731.Google Scholar
1988Daijiao yinyue zu Zhongguo chuantong xiqu yinyue” [Taoist music and traditional Chinese operatic music]. Huazhong shifan daxue xuebao 27: (1988) 4553.Google Scholar
1989aTang Minghuang yu Daojiao yinyue” [Emperor Tang Ming Huang and Taoist music]. Yinyue yishu 3: 2126.Google Scholar
1989bWudang Daoyue yu yunxian minge” [Taoist music of Wudang and folk songs from Yunxian]. Yishu tansuo 1: 3847.Google Scholar
1989cWudangshan Daojiao keyi yinyue de qutijiegou yu fengge chulun” [Preliminary discussion on the formal structure and style of Taoist ritual music from the Wudang Mountain]. Paper read at the First Symposium on Taoist Ritual Music held in Hong Kong between December 2729.Google Scholar
1991Mingdai Wudangshan Daojiao yinyue kaolue” [Taoist music of Wudang during the Ming dynasty]. Paper read at the Second Symposium on Taoist Ritual Music held in Hong Kong between May 1116.Google Scholar
Hengqiang, Pu and Liling, Peng 1988Zong Daojiao yinyue tan gudai yinyue aomide ruogan sexiang” [Some thoughts on finding the secrets of ancient music through [existing] Taoist [ritual] music]. Yinyue yishu 2: 2327.Google Scholar
Henjian, Pu 1991Wudangshan daoyue yunqiang teyi fengge de xingtaixue yanjiu” [A study of the unique style of the Taoist vocal music from Wudang Mountain]. Paper read at the Second Symposium on Taoist Ritual Music held in Hong Kong between May 1116.Google Scholar
Kangning, Qian 1989Weishan dongjing yinyue” [Dongjing ritual music of Wei Mountain]. Paper read at the First Symposium on Taoist Ritual Music held in Hong Kong between December 2729.Google Scholar
Shenyangshi minzu minjian qiyuejicheng bianqibu 1990 Shenyang Taiqinggon Daojiao yinyue [Taoist ritual music of the Taiqing temple of Shenyang]. Shenyang: Shenyanshi tushuguan.Google Scholar
Xinmin, Shi 1987 Zhongguo Wudangshan Daojiao yinyue [Taoist music of the Wudang Mountain]. Chief Editor. Beijing: Wenlian chubangongsi.Google Scholar
Xinmin, Shi (cont.) 1990Quanzhen, yinfu, huoju”. Huangzhong 1: 1823.Google Scholar
1991Wudang daoyue zi tezheng” [Characteristics of Taoist music of Wudang]. Paper read at the Second Symposium on Taoist Ritual Music held in Hong Kong between May 1116.Google Scholar
Suzhou Daojiao yishu ji 1957 [Collection of the art of religious Taoism in Suzhou]. Zhongguo wudao yichu yanjiuhui. [Mimeograph].Google Scholar
Penyeh, Tsao 1986Xianggang daojiao jiaoshi yinyue qushi jigou di bianti jiqiao” [Variation Techniques in the Formal Structure of the Music of Taoist Jiaoshi]. Guangzhou yinyue xueyuan xuebao 2 and 3 (1985): 716.Google Scholar
1989aXianggang Quanzhenpai yishi yinyue chushu” [Preliminary discussion of Taoist ritual music of the Quanzhen sect in Hong Kong]. Renmin yinyue 8: 2629.Google Scholar
1898b Taoist Ritual Music of the Yu-Lan Pen-Hui (Feeding the Hungry Ghost Festival) in a Hong Kong Taoist Temple. Hong Kong: Hai Feng Publishing.Google Scholar
1989cDaojiao yishi zhuchizhe de xunlian: yige xianggang Quanzhen daoguan de shilie” [Training of the Taoist ritual specialists: case study of a Quanzhen Taoist temple in Hong Kong]. Paper read at the First Symposium on Taoist Ritual Music held in Hong Kong between December 2729.Google Scholar
1990 Dao kedu youyuepu [Music of the Taoist rituals for the deceased]. Hong Kong: Yuenxue xue yuan.Google Scholar
1991aXianggang Quanzhendao keyi yinyue de zuchengjicu” [Structural basis of Taoist ritual music of the Quanzhen Taoists in Hong Kong]. Paper read at the Second Symposium on Taoist Ritual Music held in Hong Kong between May 1116.Google Scholar
1991b “Xianggang daojiao quanzhengpai shengyue yinyue zai yishi yunyong zhongdi guding he feiguding xianxiang” [Fixity and variability: the use of chants in Taoist ritual performances of the Hong Kong Quanzhen sect]. In Zongguo yinyue guoji yantao hui lunwenji [Proceedings of the 1988 International Chinese Music Conference], 148158. Shandong: Jiaoyue chubanshe.Google Scholar
Penyeh, Tsao and Daniel Law, Editors. 1989 Studies of Taoist Rituals and Music of Today. Hong Kong: The Chinese Music Archive and Society of Ethnomusicological Research in Hong Kong.Google Scholar
Li, Xin 1989Suqu yu daoqing: Shangdong shuochang yinyue tan” [Secular songs and Daoqing: a discussion of narrative music in the Shangdong region]. Paper read at the First Symposium on Taoist Ritual Music held in Hong Kong between December 2729.Google Scholar
Xiaodun, Wang 1989Wei Jin Nanbei chao qijiande Daojiao keyi yinyue” [Taoist ritual music of the Wei-Jin and Nanbei periods]. Paper read at the First Symposium on Taoist Ritual Music held in Hong Kong between December 2729.Google Scholar
1991Tangdai Daoqu he Daodiao” [Taoist music of the Tang dynasty]. Paper read at the Second Symposium on Taoist Ritual Music held in Hong Kong between May 1116.Google Scholar
Xueyuan, Wu 1989Kunming Daojiao keyi yinyue tanxi” [Analysis of Taoist ritual music in the Kunming region]. Paper read at the First Symposium on Taoist Ritual Music held in Hong Kong between December 2729.Google Scholar
Yangzhou Daojiao yinyue jieshao 1958 [Introduction to Taoist music from Yangzhou. Yangzhou: Wenlian. [Mimeograph].Google Scholar
Jianhua, Zu 1990 “Darning yuzhi xuanjiao yuezhang yu Wudangshan Daojiao yinyue” [The Great Ming Imperial Taoist Ritual Music and Taoist ritual music of the Wudang Mountain]. Huangzhong 1: 2732.Google Scholar
Zongjiao yinyue—Hunan yinyue puchabaogao fulu 1958 [Religious music—appendix to survey of music of the Hunan region]. Edited by Yinliu, Yang. Beijing: Minzu yinyue yanjiusuo. [Mimeograph]. Republished in 1960. Beijing: Yinyue chupanshe.Google Scholar