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The Destruction of Cultural Property in the Syrian Conflict: Legal Implications and Obligations

Published online by Cambridge University Press:  03 March 2016

Emma Cunliffe
Affiliation:
Endangered Archaeology in the Middle East and North Africa, Institute of Archaeology, University of Oxford, United Kingdom; Email: emma.cunliffe@arch.ox.ac.uk
Nibal Muhesen
Affiliation:
Archaeology and Heritage of Syria, Department of Cross-Cultural and Regional Studies, Carsten Niebuhr Center for Multi-Cultural Heritage, University of Copenhagen, Denmark
Marina Lostal
Affiliation:
Lecturer in International Law, Hague University, The Netherlands
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Abstract:

This article comes as the conflict in Syria has entered its fifth year, bringing with it loss of life and the displacement of the Syrian people as well as extensive damage to, and destruction of, the country’s cultural heritage. This article will first provide an overview and explanation of the national and international legal framework for protecting cultural property in conflict as it applies to the Syrian State and the non-State actors involved, using examples from the whole conflict, including the recent actions of Da’esh. Second, we demonstrate that the destruction of all types of cultural property, regardless of its importance, can be considered a prosecutable violation of these laws, and we examine the possibilities for prosecution. Following from this discussion, we question whether the existing framework can be considered effective and consider the role the international heritage community can play.

Information

Type
Research Article
Copyright
Copyright © International Cultural Property Society 2016 
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Figure 1. The destruction within the Ancient City of Aleppo, which hosts a very rich urban heritage, including mosques, shrines, and public places such as the souk and the khans. Some of the city’s urban heritage has been severely affected, and some has almost vanished in the conflict. This photograph, showing rubble fills in the district of Sharia al-Sweiqa, was taken in early November 2012 (© AP Images / Polfoto / Monica Prieto).

Figure 1

Figure 2. The destruction within the city of Homs, showing clear evidence of the lawless, systematic destruction of the urban landscape from heavy fighting. This photograph, which shows damaged buildings in the Jouret al-Chiyah neighborhood, was taken in early June 2013 by a citizen journalist and provided by “Lens Young Homsi” (© Polfoto / AP Images).

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Figure 3. An Aramaic gilt bronze statue dating to the eighth-century bc was stolen from the museum of Hama in the early stages of the conflict. In December 2012, the statue was put on Interpol’s “The Most Wanted Works of Art” poster, and in May 2012, Interpol also called for vigilance about the looting of ancient mosaics in Syria (photograph from 2009, courtesy of D. Osseman).

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Figure 4. The destruction of the inside of the Khalid Ibn Al-Walid mosque in Homs. It is believed to contain the tomb of the Muslim military leader Khalid Ibn Al-Walid. The inside of the mosque has been severely affected, and its roof has collapsed. In addition, the mihrab (niche) was also damaged (© Polfoto / AP Images).

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Figure 5. The destruction at the eighth-century ad Umayyad Mosque in Aleppo, which caught fire in August 2012. Besides the severe damage to the prayer hall and the mihrab (niche), precious Islamic and Pre-Islamic manuscripts were lost due to the conflagration that occurred in the library attached to the mosque in March 2013. The rubble at the corner of the photo indicates the place where the minaret stood (© Corbis Image).