Published online by Cambridge University Press: 08 March 2022
The author argues that one of the central crises of post-socialist culture is that of infrastructure: specifically, the categories of state and public, and how those are understood in relation to funding and managing the arts. War in Donbas has created a situation of scarcity and opportunity, creating small openings for changes in theatrical policy at the government level and changes in management at the local level. The article offers several examples of theaters resulting from or responding to changes in theatrical infrastructure, and uses the case study of Teatr Lesi, the former Soviet Army theater in Lviv, to demonstrate the fundamental transformation of theatrical infrastructure in Ukraine since 2014.
This is an updated version of the original article. For details please see the notice at https://doi.org/10.1017/nps.2022.48
Please note a has been issued for this article.