No CrossRef data available.
Article contents
Gentle Transnational Spirits
The Okazaki Art Theatre’s Immigrant Ghost Stories
Published online by Cambridge University Press: 03 June 2024
Abstract
Kamisato Yudai’s Immigrant Ghost Stories (2022) evokes past generations that suffered violence yet nevertheless haunt the present as gentle spirits, whether as reincarnated animals, reincarnated people, or repeated patterns of physical gesture and movement. Blurring the borders between fiction and documentary, storytelling and physical theatre, the work stages transnationality as both an economic practice and a sociocultural necessity, encouraging us to acknowledge the heterogeneity of Japanese–Latin American and other Japanese transnational identities.
Information
- Type
- Critical Acts
- Information
- Copyright
- © The Author(s), 2024. Published by Cambridge University Press for Tisch School of the Arts/NYU
References
References
Gordon, Avery F. 1997. Ghostly Matters: Haunting and the Sociological Imagination. University of Minnesota Press.Google Scholar
Hollifield, James F., and Orlando Sharpe, Michael. 2017. “Japan as an ‘Emerging Migration State.’” International Relations of the Asia-Pacific 17, 3:371–400. doi.org/10.1093/irap/lcx013
CrossRefGoogle Scholar
Hearn, Lafcadio. 1904. “Yuki-Onna.” In Kwaidan: Stories and Studies of Strange Things, 109–18. Houghton Mifflin.Google Scholar
Yudai, Kamisato. 2015. +51 Aviación San Borja. Trans. Ogawa Aya. Unpublished manuscript, author’s archive.Google Scholar
Yudai, Kamisato. 2017. Baruparaiso no nagai saka wo kudaru hanashi [The Story of Descending the Long Slopes of Valparaíso]. In Baruparaiso no nagai saka wo kudaru hanashi, 109–48. Hakusuisha.Google Scholar
Yudai, Kamisato. 2020. The Story of Descending the Long Slopes of Valparaíso. In Engeki: Japanese Theatre in the New Millennium 5. Trans. Ogawa, Aya. Ed. Japan Playwrights Association. Japan Playwrights Association.Google Scholar
Yudai, Kamisato. 2022. Immigrant Ghost Stories. Trans. Ogawa, Aya. Unpublished manuscript, author’s archive.Google Scholar
Takeshi, Kohara. 2011. Ryūkyū Kaidan: gendaijitsuwashū: yami to iyashi no hyaku monogatari [Ryūkyū Ghost Stories: A Collection of Modern True Stories: One Hundred Tales of Darkness and Healing]. Shogakukan.Google Scholar
Shimazaki, Satoko. 2016. Edo Kabuki in Transition: From the Worlds of the Samurai to the Vengeful Female Ghost. Columbia University Press.CrossRefGoogle Scholar
TDReadings
Jackson, Reginald. 2018. “Gallows Hospitality: Visiting Hangman Takuzō’s Garden Theatre.” TDR 62, 3 (T239):162–68. doi.org/10.1162/dram_a_00777
CrossRefGoogle Scholar
TDR 44, 1 (T165). 2000. Special sections on “Hijikata Tatsumi: The Words of Butoh” guest edited by Kurihara Nanako; and “Japanese Theatre: 1960s–Present” guest edited by Martin, Carol.Google Scholar