Literary and filmic renditions of war are often organized around expressions of heightened sensation and aptitude. Sensation functions as a kind of other or alternative to trauma, a way of figuring the extreme experience of war in terms that, like trauma, separate the soldier from the ordinary citizen. At the same time, civilian texts by writers as diverse as H. G. Wells, Virginia Woolf, Rebecca West, and Kurt Vonnegut have explored the way sensation and other forms of exaltation, including the sublime, might also characterize the civilian experience of war. This chapter explores the close connection between the motifs of sublimity and sensation in war with other related principles that have characterized twentieth-century literature, considering both combatant and civilian texts. The chapter argues that the moral culture of the twentieth century requires that we acknowledge the shared experience of war across combat and non-combatant lines, and second, that the slippage between these two, and the rendering of exaltation as a value that can be abstracted from war, carries its own moral risks.