Chapter 4 considers the late nineteenth-century aesthetic press as an embodiment of the collaborative process. Drawing from manuscript culture and William Morris’s lectures, this chapter illuminates two integral processes: individuals coming together to form a liberal community and the mechanization of the Kelmscott Press as a joining of art and writing. By positioning the Press within a larger trajectory of Victorian liberal sentiment, this chapter foregrounds that fraternal communitarian conceptions of liberalism can be understood as the same as Morris’s practical socialism. During the 1880s, liberalism and socialism were closely related. Further, by emphasizing Morris’s belief that the production of art brings relief from the vulgarization of society, this chapter asserts that such reform occurs in the communal endeavor of the press as a business partnership, witnessed in the collaborative productions of Edward Burne-Jones and Robert Catterson-Smith, and William Morris and Charles Gere. Morris’s ideal book, thus, serves as an exemplar of lived sociality in the embodiment of the Kelmscott Press: a site that combines work with social pleasure.