Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-c654p Total loading time: 0 Render date: 2024-07-29T23:22:46.142Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  05 October 2015

Andrew Walker White
Affiliation:
George Mason University, Virginia
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

mss 2047, 2406Google Scholar
ms 1527. Microfilm, Library of Congress, Washington, DCGoogle Scholar

Secondary Sources

mss 2047, 2406Google Scholar
ms 1527. Microfilm, Library of Congress, Washington, DCGoogle Scholar
Adler, A. (ed.) (1928–38) Suidae lexicon (5 vols.). Leipzig.Google Scholar
Tsar, Aleksei Mikhailovich (1975) “Letter to Belgorod with the Text of the ‘First’ Tsar’s Decree,” in Russkie Skomorokhi, A. Belkin. Moscow: 175–8.Google Scholar
Arethas, Archbishop of Caesaria (1968) Arethae scripta minora, ed. Westerink, L. G.. Leipzig.Google Scholar
Aristeas, (1951) Aristeas to Philocrates (Letter of Aristeas), trans. and ed. Hadas, M.. New York.Google Scholar
Aristides, Quintilianus (1983) On Music, trans. Mathiesen, T.. New Haven, CT.Google Scholar
Aristophanes, (1964) The Wasps; The Poet and the Women; The Frogs, trans. Barrett, D.. New York.Google Scholar
Aristotle, (1941) The Basic Works of Aristotle, ed. McKeon, R.. New York.Google Scholar
Aristotle, (1967) Poetics, trans. Else, G.. Ann Arbor, MI.Google Scholar
Aristotle, (1991–4) Aristote: Problèmes, trans. Louis, P. (3 vols). Paris.Google Scholar
Aristotle, (1995) Poetics, trans. Halliwell, S.. Loeb Classical Library 199, 2nd edn. Cambridge, MA: 28141.Google Scholar
Aristoxenus, (1984) “On Harmony,” in Greek Musical Writings, vol. ii, ed. Barker, A.. Cambridge: 119–84.Google Scholar
Athanasius, (1954) Discours contre les Ariens de saint Athanase, trans. Vaillant, A.. Sofia.Google Scholar
Augustine, St. (1931) The City of God Against the Pagans, vol. i, Books i–iii, trans. McCracken, G.. Cambridge, MA.Google Scholar
Augustine, St. (1951) Saint Augustine: Commentary on the Lord’s Sermon on the Mount with Seventeen Related Sermons, trans. Kavanagh, D.. Washington, DC.Google Scholar
Augustine, St. (1991) Confessions, trans. Chadwick, H.. Oxford.Google Scholar
Augustine, St. (1994) “On Baptism, Against the Donatists,” trans. King, J., in Nicene and Post-Nicene Fathers, 1st ser., vol. iv, St. Augustin: The Writings Against the Manichaeans, and Against the Donatists, ed. Schaff, P., repr. New York: 411514.Google Scholar
Augustine, St. (1995) “Lectures or Tractates on the Gospel According to St. John,” trans. J. Gibb and James Innes, in Nicene and Post-Nicene Fathers, 1st ser., vol. vii, St. Augustin: Homilies on the Gospel of John, Homilies on the First Epistle of John, Soliloquies, ed. P. Schaff, repr. New York: 7452.Google Scholar
Auzépy, M.-F. (trans.) (1997) La vie d’Étienne le Jeune (2 vols.). Brookfield, VT.Google Scholar
Baldwin, B. (trans.) (1984) Timarion. Detroit, MI.Google Scholar
Balestri, G. and Hyvernal, H. (eds.) (1960–1) Acta martyrum (4 vols.). Louvain.Google Scholar
Bedjan, R. (ed.) (1890–7) Acta martyrum et sanctorum Syriacae. Leipzig.Google Scholar
Birley, A. (trans.) (1976) Lives of the Later Caesars. Harmondsworth.Google Scholar
Bolland, J. et al. (eds.) (1965) Acta sanctorum quotquot toto orbe coluntur vel a catholicis scriptoribus celebrantur, 2nd edn. (68 vols.), repr. Brussels.Google Scholar
Brecht, B. (1964) Brecht on Theatre, trans. Willett, J.. New York.Google Scholar
Bryennius, M. (1970) The Harmonics of Manuel Bryennius, trans. Jonker, G.. Gröningen.Google Scholar
Cabasilas, N. (1960) A Commentary on the Divine Liturgy, trans. Hussey, J. and McNulty, P.. London.Google Scholar
Cedrenus, G. (1838–9) Chronicle, ed. Bekker, I.. Corpus scriptorum historiae Byzantinae, vols. 38–9. Bonn.Google Scholar
Choniates, N. (1984) O City of Byzantium: Annals of Niketas Choniates, trans. Magoulias, H.. Detroit, MI.Google Scholar
Choricius of Gaza, (1972) Choricii Gazeii opera, ed. Foerster, R. and Richtsteig, E., 2nd edn., repr. Stuttgart.Google Scholar
Choricius of Gaza, (1986) Χορικίου Σοφιστοῦ Γάζης, Συνηγορία Μίμων, ed. Stephanes, I.. Thessalonica.Google Scholar
Chrysaphes, M. (1985) The Treatise of Manuel Chrysaphes, the Lampadarios, trans. Conomos, D.. Vienna.Google Scholar
Chrysostom, John, St. (1864–78) Oeuvres complètes de S. Jean Chrysostome, trans. Bareille, J. (21 vols.). Paris.Google Scholar
Chrysostom, John, St. (1963) St. John Chrysostom: Baptismal Instructions, trans. Harkins, P.. Westminster, MD.Google Scholar
Chrysostom, John, St. (1985) The Divine Liturgy of Saint John Chrysostomos, 3rd edn. Brookline, MA.Google Scholar
Clavijo, R. (1928) Embassy to Tamerlane 1403–1406, trans. le Strange, G.. London.Google Scholar
Constantine VII Porphyrogenitus, (1935) Le livre des cérémonies, trans. Vogt, A. and Vogt, C.. (2 vols.). Paris.Google Scholar
Constantine VII Porphyrogenitus, (1967) De administrando imperio, trans. Jenkins, R.. Washington, DC.Google Scholar
Cyprian, Bishop of Carthage (1958) Saint Cyprian: Treatises, trans. Deferrari, R.. New York.Google Scholar
Dawes, E. and Baynes, N. (eds.) (1977) “The Life of St. Theodore of Sykeon,” in Three Byzantine Saints. Crestwood, NY: 88194.Google Scholar
Chrysostom, Dio (1932–51) Dio Chrysostom, trans. Crosby, H. L. (5 vols.). Cambridge, MA.Google Scholar
Dionysius the Areopagite, (pseud.) (1981) Dionysius the Pseudo-Areopagite: The Ecclesiastical Hierarchy, trans. Campbell, T.. New York.Google Scholar
Dionysius the Areopagite, (1987) Pseudo-Dionysius: The Complete Works, trans. Luibheid, C.. New York.Google Scholar
Dionysius of Halicarnassus, (1985) On Literary Composition, trans. Usher, S.. Cambridge, MA.Google Scholar
Duchesne, E. (trans.) (1920) Le Stoglav, ou Les cent chapitres. Paris.Google Scholar
Egeria, (1999) Egeria’s Travels, trans. Wilkinson, J., 3rd edn. Warminster.Google Scholar
Ehrman, B. (ed.) (2003) Lost Scriptures: Books that Did Not Make It into the New Testament. Oxford.Google Scholar
Eideneier, H. (ed.) (1977) Spanos: Eine byzantinische Satire in der Form einer Parodie. New York.Google Scholar
Ethelwold, (1953) The Monastic Agreement of the Monks and Nuns of the English Nation, trans. Symons, T.. New York.Google Scholar
Eusebius, (1981) Preparation for the Gospel, trans. Gifford, E. H., repr. Grand Rapids, MI.Google Scholar
Eustathios, , Archbishop of Thessalonica (1832) Eustathii metropolitae Thessalonicensis opuscula, ed. Tafel, T.. Frankfurt am Mein.Google Scholar
Fastré, J. (ed.) (1873) The Acts of the Early Martyrs (5 vols.). Philadelphia, PA.Google Scholar
Fletcher, Giles (1966) Of the Russe Common Wealth, ed. Pipes, R. and Fine, J. V. A., Jr. Cambridge, MA.Google Scholar
Gow, A. and Page, D. (eds.) (1965) The Greek Anthology: Hellenistic Epigrams (2 vols.). Cambridge.Google Scholar
Gregory of Nazianzus, (1997) Poemata arcana, trans. Holford-Strevens, L.. Oxford.Google Scholar
Gregory of Nazianzus, (pseud.) (1969) La passion du Christ, tragédie, trans. Tuilier, A.. Paris.Google Scholar
Hartman, L. (trans.) (1978) Anchor Bible: The Book of Daniel. New York.Google Scholar
Heiberg, J. (1929) Anonymi logica et quadriuium, cum scholiis antiquis. Copenhagen.Google Scholar
Herodas, (1922) The Mimes and Fragments, trans. W. Headlam, ed. Knox, A. D.. Cambridge.Google Scholar
Horace, (1983) “Epistles, Book II,” in The Complete Works of Horace (Quintus Horatius Flaccus), trans. Passage, C.. New York: 339–82.Google Scholar
Ignatius the Deacon, (1997) The Correspondence of Ignatius the Deacon, trans. Mango, C.. Washington, DC.Google Scholar
Ignatius of Smolensk, (1984) “The Journey of Ignatius of Smolensk,” in Russian Travelers to Constantinople in the Fourteenth and Fifteenth Centuries, trans. Majeska, G.. Washington, DC: 76113.Google Scholar
Jacob, Bishop of Serugh (1935) “Jacob of Serugh’s Homilies on the Spectacles and the Theater,” trans. Moss, C.. Le Muséon 48: 87112.Google Scholar
Jacquemard-Le Saos, C. (trans.) (1994) Querolus (Aulularia) ou Le Grincheux (Comédie de la petite marmite). Paris.Google Scholar
Jeffreys, E. (trans.) (1998) Digenis Akritis. Cambridge.Google Scholar
Climacus, John (1973) The Ladder of Divine Ascent, trans. Moore, Arch. L. Willits, CA.Google Scholar
John of Damascus, (1970) Writings [The Fount of Knowledge], trans. Chase, F., Jr. Washington, DC.Google Scholar
John of Damascus, (1980) On the Divine Images, trans. Anderson, D.. Crestwood, NY.Google Scholar
John of Damascus, (2003) Three Treatises on the Divine Images, trans. Louth, A.. Crestwood, NY.Google Scholar
John of Damascus, (pseud.) (1997) Die Erotapokriseis des Pseudo-Johannes Damaskenos zum Kirchengesang, ed. Hannick, C. and Wolfram, G.. Vienna.Google Scholar
John of Ephesus, (1926) John of Ephesus: Lives of the Eastern Saints I, trans. Brooks, E., Patrologia Orientalis 19. Paris.Google Scholar
John, Bishop of Nikiu (1916) Chronicle of John, Bishop of Nikiu, trans. Charles, R.. London.Google Scholar
Josephus, Flavius (1957) The Life and Works of Flavius Josephus, trans. Whiston, W.. Philadelphia, PA.Google Scholar
Julian, Emperor (1949–53) The Works of Emperor Julian, trans. Wright, W. (3 vols.). Cambridge, MA.Google Scholar
Justin, Martyr (1973) “First Apology,” in The Ante-Nicene Christian Library: Translations of the Writings of the Fathers down to a.d. 325, vol. i, The Apostolic Fathers – Justin Martyr – Irenæus, ed. Roberts, A. and Donaldson, J., repr. Grand Rapids, MI: 163–87.Google Scholar
Justinian, I, Emperor (1928) Novellae, ed. R. Schöll and G. Kroll. Berlin.Google Scholar
Justinian, I, Emperor (1929) Codex Justinianus, ed. Krüger, P.. Berlin.Google Scholar
Justinian, I, Emperor (1932) The Civil Law, trans. Scott, S. (17 vols.). Cincinnati, OH.Google Scholar
Justinian, I, Emperor (1985) The Digest of Justinian, trans. Watson, A. (4 vols.). Philadelphia, PA.Google Scholar
Justinian, I, Emperor (1987) Justinian’s Institutes, trans. Birks, P. and McCord, G.. Ithaca, NY.Google Scholar
Kožančikov, D. (ed.) (1969) Stoglav. Düsseldorf.Google Scholar
La Broquière, Bertrandon de (1804) “Voyage d’Outremer et retour de Jérusalem en France par la voie de terre, pendant le cours des années 1432 et 1433,” in Mémoires de l’Institut national des sciences et arts: Sciences morales et politiques, ed. d’Aussy, L.. Paris.Google Scholar
La Broquière, Bertrandon de (1971) Le voyage d’Outremer, ed. Schefer, C., repr. Westmead, UK.Google Scholar
La Broquière, Bertrandon de (1988) The “Voyage d’Outremer” by Bertrandon de la Broquiere, trans. Kline, G.. New York.Google Scholar
Leo III, Emperor (1927) Ecloga, trans. Freshfield, E.. Cambridge.Google Scholar
Leo VI, Emperor (1944) Novellae, trans. and ed. Noailles, P. and Dain, A.. Paris.Google Scholar
Libanius, (1963) Libanii opera, ed. Förster, R. (12 vols.). Hildesheim.Google Scholar
Libanius, (1992) Autobiography and Selected Letters, trans. Norman, A. (2 vols.). Cambridge, MA.Google Scholar
Libanius, (1996) Imaginary Speeches: A Selection of Declamations, trans. Russell, D. A.. London.Google Scholar
Liutprand, Bishop of Cremona (1915) Die Werke Liutprands von Cremona, ed. Becker, J.. Leipzig.Google Scholar
Liutprand, Bishop of Cremona (1930) The Works of Liutprand of Cremona, trans. Wright, F.. London.Google Scholar
Longo, O. (ed.) Scholia byzantina in Sophoclis Oedipum Tyrannum. Padua.Google Scholar
Lucian, (1905) “Of Pantomime,” in The Works of Lucian of Samosata, trans. Fowler, H. and Fowler, F.. Oxford: 238–62.Google Scholar
Lydus, John (1983) Ioannes Lydus on Powers, Or, the Magistracies of the Roman State, trans. and ed. Bandy, A.. Philadelphia, PA.Google Scholar
Malalas, John (1986) The Chronicle of John Malalas, trans. Jeffreys, E., Jeffreys, M., and Scott, R.. Melbourne.Google Scholar
Malevich, Gavril (1975) “The Famous Petition of Gavril Malevich from the City of Korsk,” in Russkie Skomorokhi, Belkin, A.. Moscow: 173–5.Google Scholar
Mansi, G. (ed.) (1901–27) Sacrorum conciliorum nova et amplissima collectio, 2nd edn. (54 vols.). Paris and Leipzig.Google Scholar
Manuel, II Palaiologos, Emperor (1966) Dialoge mit einem “Perser,” trans. Trapp, E.. Vienna.Google Scholar
Manuel, II Palaiologos, Emperor (1977) The Letters of Manuel II Palaeologus, trans. Dennis, G.. Washington, DC.Google Scholar
Mavrogordato, J. (trans.) (1959) Digenes Akrites. Oxford.Google Scholar
Menander, (2001) The Plays and Fragments, trans. Balme, M.. Oxford.Google Scholar
Mesarites, Nicholas (1957) “Nicholas Mesarites: Description of the Church of the Holy Apostles at Constantinople,” trans. Downey, G., Transactions of the American Philosophical Society 47.6: 855918.Google Scholar
Mézières, Philippe de (1971) Figurative Representation of the Presentation of the Virgin Mary in the Temple, trans. Haller, R.. Lincoln, NB.Google Scholar
Michael the Italian, (1972) Michel Italikos, Lettres et discours, trans. Gautier, P.. Paris.Google Scholar
Migne, J.-P. (ed.) (1979) Patrologiae cursus completus. Series graeca (161 vols.), repr. Brepols.Google Scholar
Moore, C. (trans.) (1977) Anchor Bible: Daniel, Esther and Jeremiah; the Additions. New York.Google Scholar
Musurillo, H. (trans.) (1972) The Acts of the Christian Martyrs. Oxford.Google Scholar
Nestor, (1953) The Russian Primary Chronicle: Laurentian Text, trans. and ed. Cross, S. H. and Sherbowitz-Wetzor, O.. Cambridge, MA.Google Scholar
Obozrienie Otdieleniia Khristianskikh Drevnostei v Muzeie Imperatora Aleksandra III. St. Petersburg, 1898.Google Scholar
Olearius, Adam (1967) The Travels of Olearius in Seventeenth-Century Russia, trans. and ed. Baron, S.. Stanford, CA.Google Scholar
Pachymeres, George (1940) Quadrivium de Georges Pachymere, ed. Tannery, Paul. Vatican City.Google Scholar
Palamas, Gregory (1959) Défense des saints Hésychastes, ed. and trans. Meyendorff, J. (2 vols.). Louvain.Google Scholar
Palamas, Gregory (1988) The One Hundred and Fifty Chapters, trans. Sinkewicz, R.. Toronto.Google Scholar
Papadeas, G. (trans.) (1999) Greek Orthodox Holy Week and Easter Services. South Daytona, FL.Google Scholar
Paton, W. (trans.) (1969–79) The Greek Anthology (5 vols.). Cambridge, MA.Google Scholar
Pausanias, (1978–88) Description of Greece, trans. Jones, W. (5 vols.). Cambridge.Google Scholar
Percival, H. (ed.) (1900) The Seven Ecumenical Councils of the Undivided Church, vol. xiv, A Select Library of the Nicene and Post-Nicene Fathers, ed. Schaff, P. and Wace, H.. New York.Google Scholar
Photius, Patriarch of Constantinople (1920) The Library of Photius, trans. Freese, J.. New York.Google Scholar
Photius, Patriarch of Constantinople (1958) The Homilies of Photius, Patriarch of Constantinople, trans. Mango, C.. Cambridge, MA.Google Scholar
Photius, Patriarch of Constantinople (1982) Photii patriarchae lexicon, ed. Theodoridis, C.. New York.Google Scholar
Photius, Patriarch of Constantinople (1994) Photius, the Bibliotheca, ed. Wilson, N.. London.Google Scholar
Plato, (1963) The Collected Dialogues of Plato, ed. Hamilton, E. and Cairns, H.. Princeton, NJ.Google Scholar
Plato, (1968) The Republic, trans. Bloom, A.. New York.Google Scholar
Plutarch, (1978) Oeuvres morales, vol. ix.ii, Propos de table, trans. Fuhrmann, F.. Paris.Google Scholar
Procopius of Caesarea, (1914–40) Procopius of Caesarea, trans. Dewing, H. and Downey, G. (7 vols.). Cambridge, MA.Google Scholar
Procopius of Caesarea, (2010) Prokopius: The Secret History with Related Texts, trans. Kaldellis, A.. Indianpolis, IN.Google Scholar
Psellos, Michael (1966) Fourteen Byzantine Rulers: The Chronographia of Michael Psellus, trans. Seuter, E.. New York.Google Scholar
Psellos, Michael (1986) The Essays on Euripides and George of Pisidia and on Heliodorus and Achilles Tatius, ed. Dyck, A.. Vienna.Google Scholar
Psellos, Michael (1989) Le opere dei demonii, trans. Pizzari, P.. Palermo.Google Scholar
Psellos, Michael (1994a) Michaelis Pselli: Orationes hagiographicae, ed. Fisher, E.. Stuttgart.Google Scholar
Psellos, Michael (1994b) Orationes forenses et acta, ed. Dennis, G.. Stuttgart.Google Scholar
Psellos, Michael (pseudo.) (1993) La tragedia greca, trans. Perusino, F.. Urbino.Google Scholar
Quintilian, (2001) Quintilian: The Orator’s Education, trans. Russell, D. (5 vols.). Cambridge, MA.Google Scholar
Romanos the Melode, (1963) Sancti romani melodi cantica, ed. Maas, P. and Trypanis, C.. Oxford.Google Scholar
Romanos the Melode, (1964–81) Romanos le Mélode: Hymnes, ed. and trans. Grosdidiers de Matons, J. (5 vols.). Paris.Google Scholar
Romanos the Melode, (1970–3) Kontakia of Romanos, Byzantine Melodist, trans. Carpenter, M. (2 vols.). Columbia, MO.Google Scholar
Romanos the Melode, (1995) Sacred Song from the Byzantine Pulpit: Romanos the Melodist, trans. Schork, R.. Gainesville, FL.Google Scholar
Rufinus of Aquileia, (1997) The Church History of Rufinus of Aquileia, trans. Amidon, P.. Oxford.Google Scholar
Schaff, P. and Wace, H. (eds.) (1890–1900) A Select Library of the Nicene and Post-Nicene Fathers, 2nd ser. (14 vols.). New York.Google Scholar
Schartau, B. (ed.) (1998) Anonymous Questions and Answers on the Interval Signs. Vienna.Google Scholar
Schwartz, E. et al. (eds.) (1922–92) Acta conciliarum oecumenicorum (6 vols.). Berlin.Google Scholar
Severus, Bishop of Antioch (1908) Les homiliae cathedrales de Sévère d’Antioche, vol. i, Homélies lii à lvii, trans. Duval, R., Patrologia Orientalis 4.1. Paris.Google Scholar
Sherk, R. (ed. and trans.) (1988) The Roman Empire: Augustus to Hadrian. Cambridge.Google Scholar
Skylitzes, John (2003) Jean Skylitzes: Empereurs de Constantinople, trans. Flusin, B.. Paris.Google Scholar
Skylitzes, John (2010) John Skylitzes: A Synopsis of Byzantine History, 811–1057, trans. Wortley, J.. Cambridge.Google Scholar
Socrates Scholasticus, (1952) “Church History,” trans. Zenos, A., in A Select Library of the Nicene and Post-Nicene Fathers, 2nd ser., vol. ii, Socrates, Sozomenus: Church Histories, ed. Schaff, P. and Wace, H., repr. Grand Rapids, MI: 1178.Google Scholar
Sophocles, (1984–5) Sophoclis tragoediae, ed. Dawe, R. (2 vols.). Leipzig.Google Scholar
Sozomen, (1952) “Church History,” trans. Hartranft, C., in A Select Library of the Nicene and Post-Nicene Fathers, 2nd ser., vol. ii, Socrates, Sozomenus: Church Histories, ed. Schaff, P. and Wace, H., repr. Grand Rapids, MI: 179427.Google Scholar
Symeon, , Archbishop of Thessalonica (1968) Συμεών Ἀρχιεπισκοποῦ Θεσσαλονίκης· τα Λειτουργικά Συγγράμματα, vol. i, Ἐύχαι καὶ Ὕμνοι, ed. Phountoules, I.. Thessalonica.Google Scholar
Symeon, , Archbishop of Thessalonica (1979) Politico-Historical Works of Symeon Archbishop of Thessalonica (1416/17 to 1429), ed. Balfour, David. Vienna.Google Scholar
Symeon, , Archbishop of Thessalonica (1984) Treatise on Prayer: An Explanation of the Services Conducted in the Orthodox Church, trans. Simmons, H.. Brookline, MA.Google Scholar
Symeon, , Archbishop of Thessalonica (2004) “Διάλογος ἐν Χριστῶ κατὰ πασῶν τῶν ἁιρέσεων καὶ περί τῆς μόνης πίστεως τοῦ Κυρίου καὶ Σωτῆρος ἡμῶν Ἰησοῦ Χριστοῦ, τῶν ἱερῶν τελετῶν τε καὶ μυστηρίον πάντων τῆς Ἐκκλησίας,” in Patrologiae cursus completus. Series graeca, ed. J.-P. Migne, vol. 155, repr. Turnhout: 33174.Google Scholar
Symmachus, (1994) “Letter of St. Ambrose,” trans. de Romestin, H., in A Select Library of Nicene and Post Nicene Fathers of the Christian Church, 2nd ser., vol. x, Ambrose: Select Works and Letters, ed. Schaff, P., repr. Peabody, MA: 414–17.Google Scholar
Synesius, Bishop of Cyrene. (1989) Opere di Sinesio di Cirene: epistole, operette, inni, ed. Garzya, A.. Turin.Google Scholar
Synesius, Bishop of Cyrene(2003) Synésius de Cyrène: Hymnes, ed. Lacombrade, C.. Paris.Google Scholar
Talbot, A. (ed.) (1998) Byzantine Defenders of the Images: Eight Saints’ Lives in English Translation. Washington, DC.Google Scholar
Tanner, N. (ed.) (1990): Decrees of the Ecumenical Councils (2 vols.). Washington, DC.Google Scholar
Tertullian, (1959) “Spectacles,” in Tertullian: Disciplinary, Moral and Ascetical Works, trans. Arbesmann, R. et al. Washington, DC: 33110.Google Scholar
Themistius (1999) The Private Orations of Themistius, trans. Penella, R.. Berkeley, CA.Google Scholar
Theodosius I, Emperor (1905) Theodisiani Libri XVI cum Constitutionibus Sirmonidianis, ed. Mommsen, T. and Meyer, P. (2 vols.), 3rd edn. Berlin.Google Scholar
Theodosius I, Emperor (1952) The Theodosian Code and Novels and the Sirmondian Constitutions, trans. Pharr, C.. Princeton, NJ.Google Scholar
Theophanes Confessor (1982) The Chronicle of Theophanes, trans. Turtledove, H.. Philadelphia, PA.Google Scholar
Theophanes Confessor (1997) The Chronicle of Theophanes Confessor, trans. Mango, C. and Scott, R.. Oxford.Google Scholar
Theophylact, Simocatta (1986) The History, trans. L. M. and Whitby, M.. Oxford.Google Scholar
Veder, W. (trans.) (1994) The Edificatory Prose of Kievan Rus’. Cambridge, MA.Google Scholar
Vitruvius, (1931) On Architecture, trans. Granger, F. (2 vols.). Cambridge, MA.Google Scholar
Whitby, L. M and Whitby, M. (trans.) (1989) Chronicon Paschale 284–628 a. d. Liverpool.Google Scholar
Whitehead, D. et al. (eds.) Suda On Line: Byzantine Lexicography. www.stoa.org/sol/.Google Scholar
William, Archbishop of Tyre (1943) A History of Deeds Done beyond the Sea, trans. Babcock, E. and Krey, A. (2 vols.). New York.Google Scholar
William, Archbishop of Tyre (1986) Willelmi Tyrensis archiepiscopi Chronicon, ed. Huygens, R. (2 vols.). Turnhout.Google Scholar
Zonaras, John (1897) History, ed. Büttner-Wobst, T. (3 vols.). Bonn.Google Scholar
Zosimus, (1982) A New History, trans. Ridley, R.. Canberra.Google Scholar
Abel, F.-M. (1931) “Gaza au VIe siècle d’après le Rhéteur Chorikios,” Revue Biblique 40: 531.Google Scholar
Adamis, M. (1978) “Office of the Three Children in the Fiery Furnace” (score). Private collection.Google Scholar
Adams, D. and Apostolos-Cappadona, D. (eds.) (1990) Dance as Religious Studies. New York.Google Scholar
Adkins, L. and Adkins, R. (1993) Handbook to Life in Ancient Rome. Oxford.Google Scholar
Agapitos, P. (1998) “Narrative, Rhetoric and ‘Drama’ Rediscovered: Scholars and Poets in Byzantium Interpret Heliodorus,” in Studies in Heliodorus, ed. Hunter, R.. Cambridge: 125–56.Google Scholar
Aldrete, G. (1999) Gestures and Acclamations in Ancient Rome. Baltimore, MD.Google Scholar
Alexander, A. (ed.) (1975) Russian Folklore: An Anthology in English Translation. Belmont, MA.Google Scholar
Alexopoulos, S. (2012) “The State of Modern Greek Liturgical Studies and Research: A Preliminary Study,” in Inquiries into Eastern Christian Worship: Selected Papers of the Second International Congress of the Society of Oriental Liturgy, Rome, 17–21 September 2008, ed. Groen, B., Hawkes-Teeples, S. and Alexopoulos, S.. Walpole, MA: 375–92.Google Scholar
Amico, S. d’ (ed.) (1891) Origini del teatro in Italia, 2nd edn. (2 vols.). Turin.Google Scholar
Amico, S. d’ (1958) Storia del teatro drammatico, 4th edn. (4 vols.). Milan.Google Scholar
Anderson, Graham (1974) “Lucian and the Authorship of De Saltatione,” Greek, Roman, and Byzantine Studies 15: 275–86.Google Scholar
Anderson, J., Jr. (1997) Roman Architecture and Society. Baltimore, MD.Google Scholar
Anichkov, E. (1914) Iazychestvo i drevniaia Rus’. St. Petersburg.Google Scholar
Appel, W. and Schechner, R. (eds.) (1990) By Means of Performance: Intercultural Studies of Theatre and Ritual. Cambridge.Google Scholar
Arnott, P. (1971) The Ancient Greek and Roman Theatre. New York.Google Scholar
Arranz, M. (1971) “Les prières presbytérales des matines Byzantines,” Orientalia Christiana Periodica 37: 406–36.Google Scholar
Arranz, M. (1982) “Office divin en Orient,” in Dictionnaire de Spiritualité. Paris: 707–20.Google Scholar
Arranz, M. (1988) “Romanos le Mélode,” in Dictionnaire de Spiritualité. Paris: 898901.Google Scholar
Athanassiadi, P. and Frede, M. (eds.) (1999) Pagan Monotheism in Late Antiquity. Oxford.Google Scholar
Aubreton, R. (1949) Démétrius Triclinius et les recensions médiévales de Sophocle. Paris.Google Scholar
Auzépy, M.-F. (1999) L’hagiographie et l’iconoclasme byzantin: Le cas de la Vie d’Étienne le Jeune. Brookfield, VT.Google Scholar
Babić, G. (1969) Les chapelles annexes des églises byzantines. Paris.Google Scholar
Bachmann, H. and Slaby, W. (eds.) (1987) Concordance to the Novum Testamentum Graece, 3rd edn. New York.Google Scholar
Bakhtin, M. (1984) Problems of Dostoevsky’s Poetics, trans. Emerson, C.. Minneapolis, MN.Google Scholar
Bakhtin, M. (1986) Speech Genres and Other Late Essays, trans. McGee, V.. Austin, TX.Google Scholar
Bakst, J. (1977) A History of Russian-Soviet Music. Westport, CT.Google Scholar
Baldovin, J. (1987) The Urban Character of Christian Worship: The Origins, Development, and Meaning of Stational Liturgy. Rome.Google Scholar
Baldwin, B. (1978) “A Note on the Religious Sympathies of Circus Factions,” Byzantion 48: 275–6.Google Scholar
Baldwin, B. (1981) “The Date of a Circus Dialogue,” Revue des Études Byzantines 39: 301–6.Google Scholar
Baldwin, B. (1982) “A Talent to Abuse: Some Aspects of Byzantine Satire,” Byzantinische Forschungen 8: 1928.Google Scholar
Baldwin, B. (1984) Studies on Late Roman and Byzantine History, Literature and Language. Amsterdam.Google Scholar
Baldwin, B. (ed.) (1985) An Anthology of Byzantine Poetry. Amsterdam.Google Scholar
Balfour, D. (1983) “Saint Symeon of Thessalonike as a Historical Personality,” Greek Orthodox Theological Review 28.1: 5572.Google Scholar
Balsdon, J. (1969) Life and Leisure at Rome. New York.Google Scholar
Bar, D. (2004) “Frontier and Periphery in Late Antique Palestine,” Greek, Roman, and Byzantine Studies 44: 6992.Google Scholar
Barker, A. (1984) Greek Musical Writings (2 vols.). Cambridge.Google Scholar
Barton, I. (1989) Roman Public Buildings. Exeter.Google Scholar
Barnes, T. (1996) “Christians and the Theater,” in Roman Theater and Society: E. Togo Salmon Papers I, ed. Slater, W.. Ann Arbor, MI: 161–80.Google Scholar
Bartsch, S. (1994) Actors in the Audience: Theatricality and Doublespeak from Nero to Hadrian. Cambridge, MA.Google Scholar
Baud-Bovy, S. (1938) “Sur un ‘Sacrifice d’Abraham’ de Romanos et sur l’existence d’un théâtre religieux à Byzance,” Byzantion 13: 321–34Google Scholar
Baud-Bovy, S. (1975) “Le théâtre religieux, Byzance et l’occident,” Hellenika 28: 328–49.Google Scholar
Bauer, Walter (1979) A Greek–English Lexicon of the New Testament and Other Early Christian Literature, trans. Arndt, W. and Gingrich, F., 2nd edn. Chicago.Google Scholar
Baumstark, A. (1958) Comparative Liturgy, trans. Cross, F.. Westminster, MD.Google Scholar
Beacham, R. (1991) The Roman Theatre and its Audience. Cambridge, MA.Google Scholar
Beacham, R. (1999) Spectacle Entertainments of Early Imperial Rome. New Haven, CT.Google Scholar
Beare, W. (1964) The Roman Stage, 3rd edn. London.Google Scholar
Beck, H. (1971) Geschichte der byzantinischen Volksliteratur. Munich.Google Scholar
Belkin, A. (1975) Russkie Skomorokhi. Moscow.Google Scholar
Bell, C. (1992) Ritual Theory, Ritual Practice. Oxford.Google Scholar
Bell, C. (1997) Ritual Perspectives and Dimensions. Oxford.Google Scholar
Berger, A. (2001) “Imperial and Ecclesiastical Processions in Constantinople,” in Byzantine Constantinople: Monuments, Topography and Everyday Life, ed. Necipoğlu, Nevra. Boston, MA: 7387.Google Scholar
Bergeron, K. (1998) Decadent Enchantments: The Revival of Gregorian Chant at Solesmes. Berkeley, CA.Google Scholar
Bergeron, K. and Bohlman, P. (eds.) (1992) Disciplining Music: Musicology and its Canons. Chicago.Google Scholar
Bergmann, B. and Kondoleon, C. (eds.) (1999) The Art of Ancient Spectacle. New Haven, CT.Google Scholar
Bernardi-Ferrero, D. (1966–74) Teatri classici in Asia Minore (4 vols.). Rome.Google Scholar
Berthold, M. (1972) The History of World Theatre: From the Beginnings to the Baroque, trans. Simmons, E.. New York.Google Scholar
Besançon, A. (2000) The Forbidden Image: An Intellectual History of Iconoclasm, trans. Todd, J.. Chicago.Google Scholar
Bieber, M. (1961) The History of the Greek and Roman Theater, 3rd edn. Princeton, NJ.Google Scholar
Bires, C. (1940) Ἁι Ἐκκλησίαι τῶν Παλαιῶν Ἀθηνῶν. Athens.Google Scholar
Boardman, J. (1999) The Greeks Overseas: The Early Colonies and Trade. London.Google Scholar
Bogdanos, T. (1976) “Liturgical Drama in Byzantine Literature,” Comparative Drama 10: 200–15.Google Scholar
Boissac, P. (1976) Circus and Culture: A Semiotic Approach. Bloomington, IN.Google Scholar
Bornert, R. (1966) Les commentaires byzantins de la Divine Liturgie du VIIe au XVe siècle. Paris.Google Scholar
Bouras, L. (1982) “Byzantine Lighting Devices,” Jahrbuch des Österreichischen Byzantinistik 32.3: 479–91.Google Scholar
Bouvy, E. (1886) Poètes et mélodes. Étude sur les origines du rhythme tonique et l’hymnographie de l’église grecque. Nimes.Google Scholar
Bowersock, G. (1978) Julian the Apostate. Cambridge, MA.Google Scholar
Bowersock, G., Brown, P., and Grabar, O. (eds.) (1999) Late Antiquity: A Guide to the Postclassical World. Cambridge, MA.Google Scholar
Bradshaw, P. (1990) Ordination Rites of the Ancient Churches of East and West. New York.Google Scholar
Bradshaw, P. (1993) The Search for the Origins of Christian Worship: Sources and Methods for the Study of Early Liturgy. Oxford.Google Scholar
Bradshaw, P. (2004) Eucharistic Origins. Oxford.Google Scholar
Brehier, L. (1913) “Le théâtre religieux à Byzance,” Journal des Savants 11: 357–61, 395–404.Google Scholar
Brehier, L. (1921) “Les miniatures des ‘Homilies’ du Moine Jacques et le théâtre religieux à Byzance,” Monuments et Mémoires de l’Academie des Inscriptions et Belles Lettres 24: 101–28.Google Scholar
Brehier, L. (1932) “Le théâtre à Byzance,” Journal des Savants 30: 249–61.Google Scholar
Brehier, L. (1950) La civilisation byzantine. Paris.Google Scholar
Brehier, L. (1977) The Life and Death of Byzantium, trans. Vaughan, M.. New York.Google Scholar
Brock, S. (2002) “The Dispute between the Cherub and the Thief,” Hugoye: Journal of Syriac Studies 5.2: 120. http://syrcom.cua.edu/Hugoye/Vol5No2/HV5N2Brock.html.Google Scholar
Brock, S. and Harvey, S. (eds.) (1987) Holy Women of the Syrian Orient. Berkeley, CA.Google Scholar
Brockett, O. and Hildy, F. (2003) History of the Theatre, 9th edn. Boston, MA.Google Scholar
Brown, P. (1978) The Making of Late Antiquity. Cambridge, MA.Google Scholar
Brown, P. (1981) The Cult of the Saints: Its Rise and Function in Latin Christianity. Chicago.Google Scholar
Brown, P. (1989) The World of Late Antiquity ad 150–750. New York.Google Scholar
Browning, R. (1952) “The Riot of a.d. 387 in Antioch: The Role of the Theatrical Claques in the later Roman Empire,” Journal of Roman Studies 17: 1320.Google Scholar
Browning, R. (1963) “A Byzantine Treatise on Tragedy,” in ΓΈΡΑΣ: Studies Presented to George Thomson on the Occasion of his 60th Birthday, ed. Varcle, L. and Willetts, R.. Prague: 6782.Google Scholar
Browning, R. (1968) “Ignace le Diacre et la tragédie classique à Byzance,” Revue des Études Grecques 81: 401–10.Google Scholar
Browning, R. (1969) Medieval and Modern Greek. London.Google Scholar
Browning, R. (1971) Justinian and Theodora. New York.Google Scholar
Browning, R. (1976) The Emperor Julian. Berkeley, CA.Google Scholar
Browning, R. (1977) Studies in Byzantine History, Literature and Education. London.Google Scholar
Browning, R. (1978) “Literacy in the Byzantine World,” Byzantine and Modern Greek Studies 4: 3954.Google Scholar
Browning, R. (1988) “A Byzantine Scholar of the Early Fourteenth Century: Georgios Karbones,” in Gonimos: Neoplatonic and Byzantine Studies Presented to Leendert G. Westerink at 75, ed. Duffy, J. and Peradotto, J.. Buffalo, NY: 223–31.Google Scholar
Browning, R. (1989) History, Language and Literacy in the Byzantine World. Northampton, UK.Google Scholar
Browning, R. (1992) The Byzantine Empire. Washington, DC.Google Scholar
Bucknell, P. (1979) Entertainment and Ritual: 600 to 1600. London.Google Scholar
Burford, E. (1993) The Bishop’s Brothels. London.Google Scholar
Burton, J. (1995) Theocritus’s Urban Mimes: Mobility, Gender, and Patronage. Berkeley, CA.Google Scholar
Cabié, R. (1992) History of the Mass, trans. Johnson, L.. Washington, DC.Google Scholar
Cameron, Alan (1973) Porphyrius the Charioteer. Oxford.Google Scholar
Cameron, Alan (1976) Circus Factions: Blues and Greens at Rome and Byzantium. Oxford.Google Scholar
Cameron, Averil (1985) Procopius and the Sixth Century. Berkeley, CA.Google Scholar
Cameron, Averil (1987) “The Construction of Court Ritual: The Byzantine Book of Ceremonies,” in Rituals of Royalty: Power and Ceremonial in Traditional Societies, ed. Cannadine, D. and Price, S.. Cambridge: 106–36.Google Scholar
Cameron, Averil (1991) Christianity and the Rhetoric of Empire: The Development of Christian Discourse. Berkeley, CA.Google Scholar
Cargill, O. (1969) Drama and Liturgy. New York.Google Scholar
Carlson, M. (1993) Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present, 2nd edn. Ithaca, NY.Google Scholar
Carpenter, M. (1936) “Romanos and the Mystery Plays of the East,” University of Missouri Studies 11: 2151.Google Scholar
Castagno, A. (1998) “Origen the Scholar and Pastor,” trans. Cooper, F., in Preacher and Audience: Studies in Early Christian and Byzantine Homiletics, ed. Cunningham, M. and Allen, P.. Boston: 6587.Google Scholar
Cavallo, G. (ed.) (1996) The Byzantines. Chicago.Google Scholar
Cavarnos, C. (1956) Byzantine Sacred Music. Belmont, MA.Google Scholar
Cavarnos, C. (1995) Cultural and Educational Continuity of Greece: From Antiquity to the Present. Belmont, MA.Google Scholar
Cavarnos, C. (1998) Byzantine Chant: A Sequel to the Monograph Byzantine Sacred Music, Containing a Concise Discussion of the Origin of Byzantine Chant, its Modes, Tempo, Notation, Prologoi, Prosomoia, Style, and Other Features. Belmont, MA.Google Scholar
Chambers, E. (1903) The Medieval Stage (2 vols.). Oxford.Google Scholar
Chatzidakis, M. (1976) “L’évolution de l’icone aux 11e–13e siècles et la transformation du templon,” in XVe Congrès international d’Études byzantines, vol. iii, Art et archaéologie, ed. Gavrilis, M.. Athens: 159–89.Google Scholar
Chrysos, Evangelos (1997) “The Empire in East and West,” in The Transformation of the Roman World ad 400–900, ed. Webster, L. and Brown, M.. Berkeley, CA: 918.Google Scholar
Ciggaar, K. (1973) “Une description anonyme de Constantinople du XIIe siècle,” Revue des Études Byzantines 31: 335–54.Google Scholar
Clugnet, M. (1899) “Les offices et les dignités ecclésiastiques dans l’église grecque,” Revue de l’Orient Chrétien 4:116–28.Google Scholar
Collins, J. (1983) Between Athens and Jerusalem: Jewish Identity in the Hellenistic Diaspora. New York.Google Scholar
Colosimo, J.-F. (2001) Le silence des anges. Paris.Google Scholar
Comotti, G. (1989) Music in Greek and Roman Culture. Baltimore, MD.Google Scholar
Connolly, F., D’Arcy, M., and Ulanov, B. (1962) Literature as Christian Comedy: The McAuley Lectures 1961. West Hartford, CT.Google Scholar
Conomos, D. (1974) Byzantine Trisagia and Cheroubika of the Fourteenth and Fifteenth Centuries: A Study of Late Byzantine Liturgical Chant. Thessalonica.Google Scholar
Conomos, D. (1984) Byzantine Hymnography and Byzantine Chant. Brookline, MA.Google Scholar
Conomos, D. (1985) The Late Byzantine and Slavonic Communion Cycle: Liturgy and Music. Washington, DC.Google Scholar
Constantinides, C. (1982) Higher Education in Byzantium in the Thirteenth and Early Fourteenth Centuries (1204–ca. 1310). Nicosia.Google Scholar
Cormack, R. (1991) “The Wall-Painting of St. Michael in the Theatre,” in Aphrodisias Papers 2, ed. Smith, R. and Erim, K.. Ann Arbor, MI: 109–22.Google Scholar
Cornford, F. (1993) The Origin of Attic Comedy. Ann Arbor, MI.Google Scholar
Corrigan, R. (ed.) (1987) Classical Comedy Greek and Roman. New York.Google Scholar
Cottas, V. (1931a) Le théâtre à Byzance. Paris.Google Scholar
Cottas, V. (1931b) L’influence du drame Christos Paschon sur l’art chrétien d’Orient. Paris.Google Scholar
Cottas, V. (1940) “Contribution à l’étude de quelques tissus liturgiques,” Studi Bizantini e Neoellenici 6: 87102.Google Scholar
Csapo, E. and Slater, W. (eds.) (1995) The Context of Ancient Drama. Ann Arbor, MI.Google Scholar
Cunningham, M. and Allen, P. (eds.) (1998) Preacher and Audience: Studies in Early Christian and Byzantine Homiletics. Boston, MA.Google Scholar
Cunningham, M. and Allen, P. (2003) “Dramatic Device or Didactic Tool? The Function of Dialogue in Byzantine Preaching,” in Rhetoric in Byzantium: Papers from the Thirty-Fifth Spring Symposium of Byzantine Studies, Exeter College, University of Oxford, March 2001, ed. Jeffreys, E.. London: 101–13Google Scholar
Czekanowska, A., Velimirović, M., and Skorwon, Z. (eds.) (1993) From Idea to Sound: Proceedings of the International Musicological Symposium held at Castle Nieborow in Poland, September 4–5, 1985. Krakow.Google Scholar
Dagron, G. (1991) “Holy Images and Likeness,” Dumbarton Oaks Papers 45: 2333.Google Scholar
Darrouzès, J. (1957) “Autres manuscrits originaires de Chypre,” Revue des Études Byzantines 15: 131–68.Google Scholar
Darrouzès, J. (1970) Recherches sur les Ὀφφίκια de l’église byzantine. Paris.Google Scholar
Darrouzès, J. (1976) “Sainte-Sophie de Thessalonique d’après un rituel,” Revue des Études Byzantines 34: 4578.Google Scholar
Davidson, C. and Stroupe, J. (eds.) (1991) Drama in the Middle Ages. New York.Google Scholar
Davidson, C. and Stroupe, J. (1997) “Sacred Blood and the Late Medieval Stage,” Comparative Drama 31: 436–58.Google Scholar
Day, J. (1999) Baptism in Early Byzantine Palestine, 325–451. Cambridge.Google Scholar
Demus, O. (1966) The Church of San Marco in Venice: History, Architecture, Sculpture. Washington, DC.Google Scholar
Demus, O. (1976) Byzantine Mosaic Decoration: Aspects of Monumental Art in Byzantium. New Rochelle, NY.Google Scholar
Dezeimeris, R. (1881) Études sur le Querolus. Bordeaux.Google Scholar
Diehl, C. (1901) Justinian et la civilisation byzantine au VIe siècle. Paris.Google Scholar
Diehl, C. (1925–6) Manuel d’art byzantine, 2nd edn. (2 vols.). Paris.Google Scholar
Dix, G. (2005) The Shape of the Liturgy, 2nd edn. New York.Google Scholar
Dmitrievskiĭ, A. (1894) “Chin peshchnago dieistva,” Vizantiĭskiĭ Vremennik 1: 553600.Google Scholar
Dmitrievskiĭ, A. (1923–6) “Ο ἅγιος ϕοῦρνος,” Vizantiĭskiĭ Vremennik 24: 139–40.Google Scholar
Doda, A. (ed.) (1995) Studi di musica bizantina. In onore di Giovanni Marzi. Lucca.Google Scholar
Dolan, T. (1995) “The Mass as Performance Text,” in From Page to Performance, ed. Alford, J.. East Lansing, MI: 1324.Google Scholar
Douhet, J. de (1989) Dictionnaire des mystères, moralités, rites figurés et cérémonies singulières, repr. Turnhout.Google Scholar
Downey, G. (1958) “The Christian Schools of Palestine: A Chapter in Literary History,” Harvard Library Bulletin 12: 297319.Google Scholar
Downey, G. (1960) Constantinople in the Age of Justinian. Norman, OK.Google Scholar
Downey, G. (1961) A History of Antioch in Syria: From Seleucus to the Arab Conquest. Princeton, NJ.Google Scholar
Downey, G. (1962) Antioch in the Age of Theodosius the Great. Norman, OK.Google Scholar
Downey, G. (1963) Gaza in the Early Sixth Century. Norman, OK.Google Scholar
Duckworth, G. (1994) The Nature of Roman Comedy: A Study in Popular Entertainment, 2nd edn. Norman, OK.Google Scholar
Duffy, E. (1994) The Stripping of the Altars: Traditional Religion in England, 1400–1580. New Haven, CT.Google Scholar
Dufrenne, S. (1970) Les programmes iconographiques des églises byzantines de Mistra. Paris.Google Scholar
Dunn, E. C. (1989) The Gallican Saint’s Life and the Late Roman Dramatic Tradition. Washington, DC.Google Scholar
Dupont, F. (1999) The Invention of Literature: From Greek Intoxication to the Latin Book, trans. Lloyd, J.. Baltimore, MD.Google Scholar
Duval, R. (1900) Littérature syriaque. Paris.Google Scholar
Easterling, P. (ed.) (1985) Greek Religion and Society. Cambridge.Google Scholar
Easterling, P. and Hall, E. (eds.) (2002) Greek and Roman Actors: Aspects of an Ancient Profession. Cambridge.Google Scholar
Edbury, P. and Rowe, J. (1988) William of Tyre: Historian of the Latin East. Cambridge.Google Scholar
Edwards, C. (1997) “Unspeakable Professions: Public Performance and Prostitution in the Roman Empire,” in Roman Sexualities, ed. Hallett, J. and Skinner, M.. Princeton, NJ: 6695.Google Scholar
Eisenstein, S. (1944–6) Ivan the Terrible, Parts I and II. Video Classics. Videocassette.Google Scholar
Eisenstein, S. (1962) Ivan the Terrible, trans. Montagu, I. and Marshall, H.. New York.Google Scholar
Else, G. (1958) “‘Imitation’ in the Fifth Century,” Classical Philology 53.2: 7390.Google Scholar
Else, G. (1967) The Origin and Early Form of Greek Tragedy. Cambridge, MA.Google Scholar
Enders, J. (1992) Rhetoric and the Origins of Medieval Drama. Ithaca, NY.Google Scholar
Epstein, A. (1981) “The Middle Byzantine Sanctuary Barrier: Templon or Iconostasis?,” Journal of the British Archaeological Association 134: 128.Google Scholar
Erbe, B. (1973) En Undersøgelse af Byzantinsk Teater. Oslo.Google Scholar
Eustratiades, S. (ed.) (1932) Heirmologion. Chennevières-sur-Marne.Google Scholar
Evans, J. (1996) The Age of Justinian: The Circumstances of Imperial Power. New York.Google Scholar
Famitsyn, A. (1995) Skomorokhi na rusi, repr. St. Petersburg.Google Scholar
Fedotov, G. (1960) The Russian Religious Mind, vol. i, Kievan Christianity: The Tenth to the Thirteenth Centuries. New York.Google Scholar
Fisher, E. (1978) “Theodora and Antonia in the Historia Arcana: History and/or Fiction?,” Arethusa 11: 253–79.Google Scholar
Fisher, E. (2014) Michael Psellos on Symeon the Metaphrast and the Miracle at Blachernae: Annotated Translations and Introductions. Washington, DC. http://chs.harvard.edu/wa/pageR?tn=ArticleWrapper&bdc=12&mn=5478.Google Scholar
Floros, C. (2005) Introduction to Early Medieval Notation, 2nd edn. Warren, MI.Google Scholar
Florovsky, G. (1979) Ways of Russian Theology, trans. Nichols, R. (2 vols.). Belmont, MA.Google Scholar
Follieri, H. (1960–5) Initia hymnorum ecclesiae graecae (6 vols.). Vatican City.Google Scholar
Forni, V. (1956) “Circo,” in Enciclopedia dello spettacolo, vol. ix. Rome: 724–58.Google Scholar
Forni, V. (1962) “Teatro: eta classica,” in Enciclopedia dello spettacolo, vol. iii. Rome: 872–82.Google Scholar
Fortescue, A. (1917) Donatism. London.Google Scholar
Fortescue, A. (1937) The Mass: A Study of the Roman Liturgy. New York.Google Scholar
Foucault, M. (1982) “The Subject and Power,” in Michel Foucault: Beyond Structuralism and Hermeneutics, ed. Dreyfus, H and Rabinow, P.. Chicago: 208–26.Google Scholar
Franceschini, E. (1995) “The Iron Masks: The Persistence of Pagan Festivals in Christian Byzantium,” Byzantinische Forschungen 21: 117–32.Google Scholar
Frantz, A. (1988) Late Antiquity: a.d. 267–700. Princeton, NJ.Google Scholar
Fraser, P. and Matthews, E. (eds.) (1988–2001) A Lexicon of Greek Personal Names (4 vols.). Oxford.Google Scholar
French, D. (1985) “Christian Emperors and Pagan Spectacles: The Secularization of the Ludi a.d. 382–525,” Ph.D. dissertation, University of California, Berkeley.Google Scholar
French, D. (1998) “Maintaining Boundaries: The Status of Actresses in Early Christian Society,” Vigilae Christianae 52: 293318.Google Scholar
Frend, W. (1952) The Donatist Church: A Movement of Protest in Roman Africa. Oxford.Google Scholar
Frézouls, E. (1958–9) “Recherches sur les théâtres de l’Orient syriens,” Syria 35/36: 202–27.Google Scholar
Frézouls, E. (1960–61) “Recherches sur les théâtres de l’Orient syriens,” Syria 37/38: 5486.Google Scholar
Frøyshov, S. (2012) “The Georgian Witness to the Jerusalem Liturgy: New Sources and Studies,” in Inquiries into Eastern Christian Worship: Selected Papers of the Second International Congress of the Society of Oriental Liturgy, Rome, 17–21 September 2008, ed. Groen, B., Hawkes-Teeples, S., and Alexopoulos, S.. Walpole, MA: 227–67.Google Scholar
Fryde, E. (2000) The Early Palaiologan Renaissance (1261–c. 1360). Boston, MA.Google Scholar
Fulton, J. (trans.) (1892) Index canonum. New York.Google Scholar
Garton, C. (1972) Personal Aspects of the Roman Theatre. Toronto.Google Scholar
Gassner, J. (1987) Medieval and Tudor Drama. New York.Google Scholar
Gastoué, A. (1929) “l’importance musicale, liturgique et philologique du Ms. Hagiopolites,” Byzantion 5: 347–55.Google Scholar
Geanakoplos, D. (1989) Constantinople and the West: Essays on the Late Byzantine (Palaiologan) and Italian Renaissances and the Byzantine and Roman Churches. Madison, WI.Google Scholar
Geffcken, J. (1978) The Last Days of Greco-Roman Paganism, trans. MacCormack, S.. New York.Google Scholar
Gerstel, S. (1999) Beholding the Sacred Mysteries: Programs of the Byzantine Sanctuary. Seattle, WA.Google Scholar
Gerstel, S. (ed.) (2011) Approaching the Holy Mountain: Art and Liturgy at St Catherine’s Monastery in the Sinai. Turnhout.Google Scholar
Ghiron-Bistagne, P. (1976) Recherches sur les acteurs dans la Grèce antique. Paris.Google Scholar
Gill, J. (1959) The Council of Florence. Cambridge.Google Scholar
Gilula, D. (1974) “The Mask of the Pseudokore,” Greek, Roman, and Byzantine Studies 15: 247–50.Google Scholar
Gleason, M. (1995) Making Men: Sophists and Self-Presentation in Ancient Rome. Princeton, NJ.Google Scholar
Glucker, C. (1987) The City of Gaza in the Roman and Byzantine Periods. Oxford.Google Scholar
Golden, L. (1984) “Aristotle on Comedy,” Journal of Aesthetics and Art Criticism 42: 283–90.Google Scholar
Golden, L. (1992) Aristotle on Tragic and Comic Mimesis. Oxford.Google Scholar
Goldhill, S. (1987) “The Great Dionysia and Civic Ideology,” Journal of Hellenic Studies 107: 5876.Google Scholar
Gombosi, O. (1951) “Key, Mode, Species,” Journal of the American Musicological Society 4: 20–6.Google Scholar
Gombrich, E. (1961) Art and Illusion: A Study in the Psychology of Pictorial Representation, 2nd edn. Princeton, NJ.Google Scholar
Graham-White, A. (1977) “The Characteristics of Traditional Drama,” Drama Review 21: 1124.Google Scholar
Grande, C. del (1954) “Teatro bizantino,” in Enciclopedia dello spettacolo, vol. ii. Rome: 556–9.Google Scholar
Grant, G. (1940) “The Elevation of the Host: A Reaction to Twelfth Century Heresy,” Theological Studies 1: 228–50.Google Scholar
Graux, C. (1877) “Choricios, Apologie des mimes,” Revue de Philologie 1: 209–47.Google Scholar
Grimes, R. (1995) Beginnings in Ritual Studies, rev. edn. Columbia, SC.Google Scholar
Grimes, R. (2004) “Performance Theory and the Study of Ritual,” in New Approaches to the Study of Religion, vol. ii, Textual, Comparative, Sociological, and Cognitive Approaches, ed. Antes, P., Geertz, A., and Warne, R.. New York: 109–38.Google Scholar
Grimes, R. (2012) “Religion, Ritual and Performance,” in Ritual, Theatre and Performance Acts of Faith, ed. Gharavi, L.. New York: 2741.Google Scholar
Grosdidier de Matons, J. (1977) Romanos le Melode et les origines de la poésie religieuse à Byzance. Paris.Google Scholar
Grout, D. (1988) A History of Western Music, 3rd edn. New York.Google Scholar
Gruen, E. (1998) Heritage and Hellenism: The Reinvention of Jewish Tradition. Berkeley, CA.Google Scholar
Gruenwald, I. (2003) Rituals and Ritual Theory in Ancient Israel. Boston, MA.Google Scholar
Gunderson, E. (2000) Staging Masculinity: The Rhetoric of Performance in the Roman World. Ann Arbor, MI.Google Scholar
Haight, A. (ed.) (1965) Hrosvitha of Gandersheim: Her Life, Times and Works, and a Comprehensive Bibliography. New York.Google Scholar
Halaris, Christodoulos (prod. and dir.) (1992) Music of Ancient Greece. Orata Ltd. ORANGM 2013. Compact Disc.Google Scholar
Halaris, Christodoulos (prod. and dir.) (1993) Hellenic Elegies (Antiquity, Middle-Ages, Post-Byzantine Period). Orata Ltd. ORM 4012. Compact Disc.Google Scholar
Hall, E. (2002) “The Singing Actors of Antiquity,” in Greek and Roman Actors: Aspects of an Ancient Profession, ed. Easterling, P. and Hall, E.. Cambridge: 338.Google Scholar
Hanawalt, B. and Kobialka, M. (eds.) (2000) Medieval Practices of Space. Minneapolis, MN.Google Scholar
Hannick, C. (1978) “Byzantinische Musik,” in Die hochsprachliche profane Literatur der Byzantiner, ed. Hunger, H.. Munich: 183218.Google Scholar
Hanson, J. (1959) Roman Theatre-Temples. Princeton, NJ.Google Scholar
Hapgood, I. (1922) Service Book of the Holy Orthodox-Catholic Apostolic Church, Compiled, Translated and Arranged from the Old Church-Slavonic Service Books of the Russian Church and Collaged with the Service Books of the Greek Church, 2nd edn. New York.Google Scholar
Hardison, O. (1983) Christian Rite and Christian Drama in the Middle Ages: Essays in the Origin and Early History of Modern Drama, repr. Westport, CT.Google Scholar
Harris, J. (1992) Medieval Theatre in Context: An Introduction. New York.Google Scholar
Haslam, M. (1978) “Apollonius Rhodius and the Papyri,” Illinois Classical Studies 3: 4773.Google Scholar
Herrin, J. (2008) Byzantium: The Surprising Life of a Medieval Empire. Princeton, NJ.Google Scholar
Hillgarth, J. (ed.) (1986) Christianity and Paganism, 350–750, rev. edn. Philadelphia, PA.Google Scholar
Høeg, C. (1922) “La théorie de la musique byzantine,” Revue des Études Grecques 35 (1922): 321–34.Google Scholar
Høeg, C. (1935) La notation ekphonique. Copenhagen.Google Scholar
Høeg, C. (1952) The Hymns of the Hirmologion, Part I: The First Mode and the First Plagal Mode. Copenhagen.Google Scholar
Høeg, C. (1953) “The Oldest Slavonic Tradition of Byzantine Music,” Proceedings of the British Academy 39: 3765.Google Scholar
Horrocks, G. (1987) Greek: A History of the Language and its Speakers. New York.Google Scholar
Howard-Johnston, J. and Hayward, P. (eds.) (2000) The Cult of Saints in Late Antiquity and the Middle Ages: Essays on the Contribution of Peter Brown. Oxford.Google Scholar
Hubbs, J. (1988) Mother Russia: The Feminine Myth in Russian Culture. Bloomington, IN.Google Scholar
Huber, P. (1989) Athos: Leben, Glaube, Kunst. Zurich.Google Scholar
Huizinga, J. (1955) Homo Ludens: A Study of the Play Element in Culture. Boston, MA.Google Scholar
Hunger, H. (1969–70) “On the Imitation of Antiquity (Mimesis) in Byzantine Literature,” Dumbarton Oaks Papers 23–24: 1538.Google Scholar
Hunger, H. (ed.) (1977–8) Die hochsprachige profane Literatur der Byzantiner (2 vols.). Munich.Google Scholar
Hunger, H. (1998) “‘Aristophanes’ in margine: Versus exotici,” in AETOS: Studies in Honor of Cyril Mango Presented to him on April 14, 1998, ed. Ševčenko, I. and Hutter, I.. Stuttgart: 177–80.Google Scholar
Hussey, J. (1986) The Orthodox Church in the Byzantine Empire. Oxford.Google Scholar
Institute for New Testament Textual Research (1987) Concordance to the Novum Testamentum Graece of Nestle–Aland, 3rd edn. New York.Google Scholar
Irigoin, J. (1977) “À propos de l’Hélène d’Euripide: Structure métrique et tradition du texte,” Comptes Rendus des Séances de l’Académie des Inscriptions et Belles-Lettres 121: 177–90.Google Scholar
Irigoin, J. (1997) Tradition et critique des textes grecs. Paris.Google Scholar
Iser, W. (1974) The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett. Baltimore MD.Google Scholar
Ivanov, S. (1985) “Slavic Jesters and the Byzantine Hippodrome,” Dumbarton Oaks Papers 39: 129–32.Google Scholar
Jacobsh, F. (1988) “The Saints of Leskov and Böll,” Germano-Slavica 6: 91102.Google Scholar
Jacoff, M. (1993) The Horses of San Marco and the Quadriga of the Lord. Princeton, NJ.Google Scholar
Janell, W. (1922) Lob des Schauspielers oder Mime und Mimus. Berlin.Google Scholar
Janin, R. (1936) “Les processions religieuses à Byzance,” Revue des Études Byzantines 24: 6987.Google Scholar
Janin, R. (1964) Constantinople byzantine. Paris.Google Scholar
Jeffery, P. (2001) “The Earliest Octōēchoi: The Role of Jerusalem and Palestine in the Beginnings of Modal Ordering,” in The Study of Medieval Chant: Paths and Bridges, East and West – in Honor of Kenneth Levy, ed. Jeffery, P.. Rochester, NY: 147209.Google Scholar
Jeffery, P. (2014) “Octōēchos,” in Grove Music Online, ed. L. Macy. www.grovemusic.com.Google Scholar
Jeffreys, E. (ed.) (2003) Rhetoric in Byzantium: Papers from the Thirty-Fifth Spring Symposium of Byzantine Studies, Exeter College, University of Oxford, March 2001. London.Google Scholar
Jones, A. (1978) Constantine and the Conversion of Europe. Buffalo, NY.Google Scholar
Jones, C. (2014) Between Pagan and Christian. Cambridge, MA.Google Scholar
Jones, H. (ed.) (1966) Select Passages from Ancient Writers Illustrative of the History of Greek Sculpture. Chicago.Google Scholar
Jory, E. (1970) “Associations of Actors in Rome,” Hermes 98: 224–53.Google Scholar
Jungmann, J. (1948) Missarum Sollemnia: Eine genetische Erklärung der römischen Messe (2 vols.). Vienna.Google Scholar
Jungmann, J. (1955) The Mass of the Roman Rite: Its Origins and Development, trans. Brunner, F. (2 vols.). New York.Google Scholar
Kaldellis, A. (2004) Procopius of Caesaria: Tyranny, History, and Philosophy at the End of Antiquity. Philadelphia, PA.Google Scholar
Kaldellis, A. (2009) The Christian Parthenon: Classicism and Pilgrimage in Byzantine Athens. Cambridge.Google Scholar
Kaldellis, A. (2014) “The Making of Hagia Sophia and the Last Pagans of New Rome,” Late Antiquity 6.2: 347–66.Google Scholar
Kandinsky, W. (1977) Concerning the Spiritual in Art, trans Sadler, M.. New York.Google Scholar
Karamanolis, G. (2000) “Choricius of Gaza,” in Encyclopedia of Greece and the Hellenic Tradition, ed. Speake, Graham (2 vols.). Chicago: 1.324.Google Scholar
Karlinsky, S. (1985) Russian Drama: From its Beginnings to the Age of Pushkin. Berkeley, CA.Google Scholar
Kastalskii, A. (1909) Peshchnoe deistva, musical score. Moscow.Google Scholar
Kazhdan, A. (1983) La produzione intellectuale a Bisanzio: libri e scrittori in una societá colta, ed. Maisano, R.. Naples.Google Scholar
Kazhdan, A. (ed.) (1991) The Oxford Dictionary of Byzantium (3 vols.). Oxford.Google Scholar
Kazhdan, A. and Epstein, Ann Wharton (1985) Change in Byzantine Culture in the Eleventh and Twelfth Centuries. Berkeley, CA.Google Scholar
Kazhdan, A., Sherry, Lee, and Angelidi, Christine (1999) A History of Byzantine Literature (650–850) (2 vols.). Athens.Google Scholar
Kelly, M. (ed.) (1998) Encyclopedia of Aesthetics (4 vols.). Oxford.Google Scholar
Kennedy, G. (1983) Greek Rhetoric under Christian Emperors. Princeton, NJ.Google Scholar
Kennedy, G. (1994) A New History of Classical Rhetoric. Princeton, NJ.Google Scholar
Kennedy, G. (1999) Classical Rhetoric and its Christian and Secular Tradition from Ancient to Modern Times, 2nd edn. Chapel Hill, NC.Google Scholar
Kennedy, G. (ed.) (2003) Progymnasmata: Greek Textbooks of Prose Composition and Rhetoric. Atlanta, GA.Google Scholar
Kennard, J. (1964) The Italian Theatre: From its Beginning to the Close of the Seventeenth Century. New York.Google Scholar
Kerman, J. (1985) Contemplating Music: Challenges to Musicology. Cambridge, MA.Google Scholar
Kernodle, G. (1944) From Art to Theatre: Form and Convention in the Renaissance. Chicago.Google Scholar
King, N. (1961) The Emperor Theodosius and the Establishment of Christianity. London.Google Scholar
Kirsten, C. (1894) Quaestiones Choricianae. Breslau [Wrocław].Google Scholar
Klawitter, G. (1991) “Dramatic Elements in Early Monastic Induction Ceremonies,” in Drama in the Middle Ages, ed. Davidson, C. and Stroupe, J. New York: 4360.Google Scholar
Knibbe, K. (1995) “Via Sacra Ephesiaca: New Aspects of the Cult of Artemis Ephesia,” in Ephesos Metropolis of Asia: An Interdisciplinary Approach to its Archaeology, Religion, and Culture, ed. Koester, H.. Valley Forge, PA: 141–55.Google Scholar
Kobialka, M. (1999a) This is My Body: Representational Practices in the Early Middle Ages. Ann Arbor, MI.Google Scholar
Kobialka, M. (ed.) (1999b) Of Borders and Thresholds: Theatre History, Practice, and Theory. Minneapolis, MN.Google Scholar
Koester, H. (ed.) (1995) Ephesos Metropolis of Asia: An Interdisciplinary Approach to its Archaeology, Religion, and Culture. Valley Forge, PA.Google Scholar
Kokolakis, M. (1959) Pantomimes and the Treatise “peri Orcheseos.” Athens.Google Scholar
Koshelev, V. (1994a) Skomorokhi: Annotirovannyi bibliograficheskii ukazatel’ 1790–1994. St. Petersburg.Google Scholar
Koshelev, V(ed.) (1994b) Mezhdunarodnyi simpozium ‘Skomorokhi – problemy i perspektivy izucheniia. St. Petersburg.Google Scholar
Koukoules, P. (1948–55) Βυζαντινῶν βίος καί πολιτισμός (6 vols.). Athens.Google Scholar
Koutroubas, D. (ed.) (1995) Ἀρχαίοι ἁρμονικοί Συγγράφεις. Athens.Google Scholar
Koutsouras, G. (2006) “Koinonikon: The Hymnological Context of Holy Communion,” Phronema 21: 6182.Google Scholar
Krautheimer, R. (1971) “The Constantinian Basilica,” Dumbarton Oaks Papers 21: 117–40.Google Scholar
Krautheimer, R. (1986) Early Christian and Byzantine Architecture, 4th edn. New York.Google Scholar
Krivocheine, Fr. B. (1954) “The Ascetic and Theological Teaching of Gregory Palamas,” Eastern Churches Quarterly (1938), repr. London.Google Scholar
Krueger, D. (1988) Symeon the Holy Fool: Leontius’s Life and the Late Antique City. Berkeley, CA.Google Scholar
Krueger, D. (1999) “Hagiography as an Ascetic Practice in the Early Christian East,” Journal of Religion 79: 216–32.Google Scholar
Krueger, D. (2004) Writing and Holiness: The Practice of Authorship in the Early Christian East. Philadelphia, PA.Google Scholar
Kustas, G. (1973) Studies in Byzantine Rhetoric. Thessalonica.Google Scholar
Kyriakis, M. (1973) “Satire and Slapstick in Seventh and Twelfth Century Byzantium,” Byzantina 5: 289306.Google Scholar
Lacy, G. (1978) “Augustinian Imagery and Fabliaux Obscenity,” in Studies on the Seven Sages of Rome and Other Essays in Medieval Literature, ed. Niedzielski, H., Runte, H., and Hendrickson, W.. Honolulu, HI: 219–30.Google Scholar
Lage, V. (1898) Studien zur Genesiuslegende. Berlin.Google Scholar
Laiou, A. (1999) “Economic Activities of Vatopedi in the Fourteenth Century,” in The Monastery of Vatopedi: History and Art, ed. Gounaridis, P.. Athonika Symmeikta 7. Athens: 5572.Google Scholar
Lampakis, S. (2004) Γεωργιοζ Παχομερηζ Πρωτεκδικοζ και Δικαιοϕυλαξ ισαγωικο Εδοκιμιο. Institute for Byzantine Research Monographs 5. Athens.Google Scholar
Lampros, S. (1916) “Βυζαντιακή Σκηνοθετική Διάταξις τῶν Παθῶν τοῦ Χριστοῦ,” Νεος Ελληνομνημον 13: 381408.Google Scholar
La Piana, G. (1912) Le rappresentazioni sacre nella letteratura bizantina dalle origini al secolo IX, con rapporti al teatro sacro d’occidente. Grotteferrata.Google Scholar
La Piana, G. (1936) “The Byzantine Theatre,” Speculum 11: 171211.Google Scholar
La Piana, G. (1943) “Theology of History,” in The Interpretation of History, ed. Strayer, J.. Princeton, NJ: 149–86.Google Scholar
La Piana, G. (1955) “The Byzantine Iconography of the Presentation of the Virgin Mary to the Temple and a Latin Religious Pageant,” in Late Classical and Medieval Studies in Honor of Albert Mathias Friend, Jr., ed. Weitzmann, K.. Princeton, NJ: 261–71.Google Scholar
Larson, O. (1957) “Bishop Abraham of Souzdal’s Description of ‘Sacre Rappresentazioni’,” Educational Theatre Journal 9: 208–13.Google Scholar
Latte, K. (1913) De saltationibus graecorum armatis. Königsberg.Google Scholar
Lavan, L. (ed.) (2001) Recent Research in Late-Antique Urbanism. Portsmouth, RI.Google Scholar
Lavriotes, A. (1895–6) “Ἀκολουθεία Ψαλλομένη τη Κυριακή τῶν Ἁγιῶν Πατερῶν πρό τῆς τοῦ Χριστοῦ Γεννεσέως, ἤτι τῆς καμίνου,” Ἐκκλεσιαστική Ἀλήθεια 20: 345–6.Google Scholar
Lawson, A. (ed.) (1988) Russian Futurism through its Manifestoes, 1912–1928. Ithaca, NY.Google Scholar
Lees, D. (1912) “The ‘Sacre Rappresentazioni’ of Florence,” The Mask 4: 219–49.Google Scholar
Lefebvre, H. (1991) The Production of Space, trans. Nicholson-Smith, D.. Oxford.Google Scholar
Lepelley, C. (1979) Les cités de l’Afrique romaine au bas empire (2 vols.). Paris.Google Scholar
Lepelley, C. (1989) “Trois documents méconnus sur l’histoire sociale et religieuse de l’Afrique romaine tardive parmi les spuria de Sulpice Sévère,” Antiquités Africaines 25: 258–61.Google Scholar
Levy, K. (1976) “Le ‘tournant décisif’ dans l’histoire de la musique byzantine 1071–1261,” in XVe Congrès international d’Études byzantines, vol. iii, Art et archaéologie, ed. Gavrilis, M.. Athens: 281–8.Google Scholar
Levy, S. (2000) The Bible as Theatre. Portland, OR.Google Scholar
Lewin, A. (2001) “Urban Public Building from Constantine to Julian: The Epigraphic Evidence,” in Recent Research in Late-Antique Urbanism, ed. Lavan, L.. Portsmouth, RI: 2737.Google Scholar
Leyerle, B. (2001) Theatrical Shows and Ascetic Lives: John Chrysostomos’ Attack on Spiritual Marriage. Berkeley, CA.Google Scholar
Liddell, H. and Scott, R. (eds.) (1996) A Greek–English Lexicon, 9th edn., rev. Jones, H.. Oxford.Google Scholar
Lieberman, S. (1950) Hellenism in Jewish Palestine. New York.Google Scholar
Liebeschuetz, J. (1972) Antioch: City and Imperial Administration in the Later Roman Empire. Oxford.Google Scholar
Liebeschuetz, J. (1979) Continuity and Change in Roman Religion. Oxford.Google Scholar
Liebeschuetz, J. (1992) “The End of the Ancient City,” in The City in Late Antiquity, ed. Rich., J. London: 149.Google Scholar
Liebeschuetz, J. (1996) “Administration and Politics in the Cities of the 5th and 6th Centuries with Special Reference to the Circus Factions,” in La fin de la cité antique et le début de la cité médiévale, de la fin du IIIe siècle à l’avènement de Charlemagne, ed. Lepelley, C.. Bari: 161–82.Google Scholar
Liebeschuetz, J. (1998) “The Circus Factions,” in Convegno per Santo Mazzarino, Roma, 9–11 maggio 1991. Rome: 163–85.Google Scholar
Liebeschuetz, J. (2000) “Gaza,” in Encyclopedia of Greece and the Hellenic Tradition, vol. i, A–K, ed. Speake, Graham. Chicago: 645–6.Google Scholar
Lim, R. (1997) “Consensus and Dissensus on Public Spectacles in Early Byzantium,” in Conformity and Non-Conformity in Byzantium: Papers Given at the Eighth Conference of the Australian Association for Byzantine Studies, University of New England, Australia, July 1993, ed. Garland, Lynda. Amsterdam: 159–79.Google Scholar
Lim, R. (2003) “Converting the Unchristianizable: The Baptism of Stage Performers in Late Antiquity,” in Conversion in Late Antiquity and the Early Middle Ages: Seeing and Believing, ed. Mills, K. and Grafton, A.. Rochester, NY: 84126.Google Scholar
Lindsay, J. (1952) Byzantium into Europe. London.Google Scholar
Lingas, A. (1993) “The Liturgical Place and Origins of the Byzantine Liturgical Drama of the Three Children,” in Nineteenth Annual Byzantine Studies Conference: Abstracts of Papers, 4–7 November 1993. Princeton, NJ: 81–2.Google Scholar
Lingas, A. (1996a) “Sunday Matins in the Byzantine Cathedral Rite: Music and Liturgy,” Ph.D. dissertation, University of British Columbia.Google Scholar
Lingas, A. (1996b) “Hesychasm and Psalmody,” in Mount Athos and Byzantine Monasticism: Papers from the Twenty-Eighth Spring Symposium of Byzantine Studies, Birmingham, March 1994, ed. Bryer, A. and Cunningham, M.. London: 155–68.Google Scholar
Lingas, A. (1996c) “Ritual Extravagance and Musical Sobriety: The Decline of the Byzantine Cathedral Rite,” Bulletin of British Byzantine Studies 24: 86–7.Google Scholar
Lingas, A. (2011) “Late Byzantine Cathedral Liturgy and the Service of the Furnace,” in Approaching the Holy Mountain: Art and Liturgy at St Catherine’s Monastery in the Sinai, ed. Gerstel, S.. Turnhout: 179230.Google Scholar
Link, J. (1904) Die Geschichte der Schauspieler: Nach einem syrischen Manuscript der königlichen Bibliothek in Berlin. Berlin.Google Scholar
Litsas, F. (1980) “Choricius of Gaza: An Approach to his Work,” Ph.D. dissertation, University of Chicago.Google Scholar
Litsas, F. (1982) “Choricius of Gaza and his Descriptions of Festivals at Gaza,” Jahrbuch des Österreichischen Byzantinistik 32.3: 427–36.Google Scholar
Longosz, S. (1993) “L’antico mimo anticristiano,” Studia Patristica 24: 164–8.Google Scholar
Longworth, P. (1984) Alexis: Tsar of all the Russias. London.Google Scholar
Lotman, I. and Uspenskii, Boris (1985) “Binary Models in the Dynamics of Russian Culture (to the End of the Eighteenth Century),” in The Semiotics of Russian Cultural History, ed. Nakhimovsky, A. D. and Nakhimovsky, A. S.. Ithaca, NY: 3067.Google Scholar
Lotman, I. and Uspenskii, Boris (1990) Universe of the Mind: A Semiotic Theory of Culture, trans. Shukman, A.. Bloomington, IN.Google Scholar
Maas, M. and Snyder, J. (1989) Stringed Instruments of Ancient Greece. New Haven, CT.Google Scholar
Maas, P. (1942) Étude sur les sources de la Passion du Palatinus. Tiel.Google Scholar
MacCormack, S. (1981) Art and Ceremony in Late Antiquity. Berkeley, CA.Google Scholar
Macy, G. (1984) The Theologies of the Eucharist in the Early Scholastic Period: A Study of the Salvific Function of the Sacrament according to the Theologians c. 1080–c. 1220. Oxford.Google Scholar
Magnin, M. C. (1981) Les origines du théâtre moderne., repr. Paris.Google Scholar
Magoulias, H. (1971) “Bathhouse, Inn, Tavern, Prostitution and the Stage as Seen in the Lives of the Saints of the Sixth and Seventh Centuries,” Ἐπετηρίς Ἑταιρείας Βυζαντινῶν Σπουδῶν 38: 233–52.Google Scholar
Mahr, A. (1942) Relations of Passion Plays to St. Ephrem the Syrian. Columbus, OH.Google Scholar
Mahr, A. (1947) The Cyprus Passion Cycle. Notre Dame, IN.Google Scholar
Mainstone, R. (1988) Hagia Sophia: Architecture, Structure and Liturgy of Justinian’s Great Church. New York.Google Scholar
Majeska, G. (1978) “Notes on the Archeology of St. Sophia at Constantinople: The Green Marble Bands on the Floor,” Dumbarton Oaks Papers 32: 299308.Google Scholar
Majeska, G. (1984) Russian Travelers to Constantinople in the Fourteenth and Fifteenth Centuries. Washington, DC.Google Scholar
Majeska, G. (1997) “The Emperor in His Church,” in Byzantine Court Culture from 829 to 1204, ed. Maguire, H.. Washington DC: 111.Google Scholar
Maliaras, N. (2007) Bυζαντιναμουσικαοργανα. Athens.Google Scholar
Maloney, G. (1976) A History of Orthodox Theology since 1453. Belmont, MA.Google Scholar
Maltese, E. (1997) “Sulle tracce dello ‘spettacolo sacro’ a Bisanzio,” in Da Bisanzio a San Marco: musica e liturgia, ed. Cattin, G.. Venice: 3342.Google Scholar
McCormick, M. (1990) Eternal Victory: Triumphal Rulership in Late Antiquity, Byzantium and the Early Medieval West. Cambridge.Google Scholar
McGee, T. (1996) “‘Ornamental’ Neumes and Early Notation,” Performance Practice Review 9: 3965.Google Scholar
McGee, T. (1998) The Sound of Medieval Song: Ornamentation and Vocal Style according to the Treatises. Oxford.Google Scholar
McGinn, T. (2004) The Economy of Prostitution in the Roman World: A Study of Social History and the Brothel. Ann Arbor, MI.Google Scholar
McMullen, R. (1984) Christianizing the Roman Empire, a.d. 100–400. New Haven, CT.Google Scholar
McMullen, R. (1997) Christianity and Paganism in the Fourth to Eighth Centuries. New Haven, CT.Google Scholar
Mango, C. (1979) “On the History of the Templon and the Martyrion of St. Artemios at Constantinople,” Zograf 10: 40–3.Google Scholar
Mango, C. (1980) Byzantium: The Empire of New Rome. New York.Google Scholar
Mango, C. (1981) “Daily Life in Byzantium,” Jahrbuch des Österreichischen Byzantinistik 31 .1: 337–53.Google Scholar
Mango, C. (1984) “St. Michael and Attis,” Δελτίον Χριστιανκής Ἀρχαεολογικής Ἑταιρείας 12: 3962.Google Scholar
Mango, C. (1986) The Art of the Byzantine Empire 312–1453: Sources and Documents, repr. Toronto.Google Scholar
Mango, C. and Ertung, A. (1997) Hagia Sophia: A Vision for Empires. Istanbul.Google Scholar
Mann, D. (1992) “The Roman Mime and Medieval Theatre,” Theatre Notebook 46: 135–43.Google Scholar
Marciniak, P. (2004) Greek Drama in Byzantine Times. Katowice.Google Scholar
Marion, J-L. (1991) God without Being: Hors-Texte, trans. Carlson, T.. Chicago.Google Scholar
Markus, R. (1990) The End of Ancient Christianity. Cambridge.Google Scholar
Marrou, H. (1955) Histoire de l’éducation dans l’antiquité, 3rd edn. Paris.Google Scholar
Martin, E. (1978) A History of the Iconoclastic Controversy, repr. New York.Google Scholar
Mateos, J. (1971) La célébration de la parole dans la liturgie byzantine. Rome.Google Scholar
Mathew, G. (1964) Byzantine Aesthetics. New York.Google Scholar
Mathews, T. (1971) Early Churches of Constantinople: Architecture and Liturgy. University Park, PA.Google Scholar
Mathews, T. (1998) Byzantium: From Antiquity to the Renaissance. New York.Google Scholar
Mathiesen, T. (1999) Apollo’s Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages. Lincoln, NB.Google Scholar
Mathisen, R. (ed.) (2003) People, Personal Expression, and Social Relations in Late Antiquity (2 vols.). Ann Arbor, MI.Google Scholar
Mayer, W. (1998) “John Chrysostom: Extraordinary Preacher, Ordinary Audience,” in Preacher and Audience: Studies in Early Christian and Byzantine Homiletics, ed. Cunningham, M. and Allen, P.. Boston: 105–37.Google Scholar
Medvedev, I. (1993) “The So-Called θέατρα as a Form of Communication of the Byzantine Intellectuals in the 14th and 15th Centuries,” in Ἡ Ἐπικοινωνία στὸ Βυζάντιο· Πρακτικά τοῦ Β´ Διεθνοῦς Συμποσίου, 4–6 Ὀκτόβριου 1990, ed. Moschonas, N.. Athens: 227–35.Google Scholar
Meijering, R. (1987) Literary and Rhetorical Theories in Greek Scholia. Gröningen.Google Scholar
Meyendorff, J. (1957) “Notes sur l’influence dionysienne en Orient,” Studia Patristica, vol. ii, Papers Presented to the Second International Conference on Patristic Studies held at Christ Church, Oxford, ed. Aland, K. and Cross, F.. Berlin: 2.547–52.Google Scholar
Meyendorff, J. (1959) Introduction à l’étude de Gregoire Palamas. Paris.Google Scholar
Meyendorff, J. (1974) Byzantine Hesychasm: Historical, Theological and Social Problems. London.Google Scholar
Millet, G. (1910) Monuments byzantins de Mistra (2 vols.). Paris.Google Scholar
Mirow, M. and Kelley, K. (2000) “Laws on Religion from the Theodosian and Justinianic Codes,” in Religions of Late Antiquity in Practice, ed. Valantasis, R.. Princeton, NJ: 263–74.Google Scholar
Molloy, M. (1996) Libanius and the Dancers. New York.Google Scholar
Momigliano, A. (ed.) (1963) The Conflict between Paganism and Christianity in the Fourth Century. Oxford.Google Scholar
Mommsen, A. (1868) Athenae christianae. Leipzig.Google Scholar
Moran, N. (1986) Singers in Late Byzantine and Slavonic Painting. Leiden.Google Scholar
Moran, N. (2002) “Byzantine Castrati,” Plainsong and Medieval Music 11.2: 99112.Google Scholar
Mount, Athos (1997) Selection of Orthodox Chants Performed by Mount Athos Monks. Sony SK60247. Compact Disc.Google Scholar
Müller, M. (1996) The First Bible of the Church: A Plea for the Septuagint. Sheffield.Google Scholar
Mullett, M. (2003) “Rhetoric, Theory and the Imperative of Performance: Byzantium and Now,” in Rhetoric in Byzantium: Papers from the Thirty-Fifth Spring Symposium of Byzantine Studies, Exeter College, University of Oxford, March 2001, ed. Jeffreys, E.. Burlington, VT: 151–70.Google Scholar
Murray, R. (1995) “Aramaic and Syriac Dispute-Poems and their Connections,” Studia Aramaica 4: 157–87.Google Scholar
Murray, T. (ed.) Mimesis, Masochism, and Mime: The Politics of Theatricality in Contemporary French Thought. Ann Arbor, MI.Google Scholar
Myrsiades, K. and Myrsiades, L. (1988) The Karagiozis: Heroic Performance in Greek Shadow Theater. Hanover, NH.Google Scholar
Nalpantes, D. (1984) “Τό Βυζαντίνο Θέατρο,” Ἀρχαιολογία 12: 4452.Google Scholar
Neiiendam, K. (1992) The Art of Acting in Antiquity: Iconographical Studies in Classical, Hellenistic and Byzantine Theatre. Copenhagen.Google Scholar
Newbigin, N. (1996a) “Art and Drama in Fifteenth Century Florence,” Early Drama, Art, and Music Review 18: 122.Google Scholar
Newbigin, N. (1996b) Feste d’Oltrarno: Plays in Churches in Fifteenth-Century Florence, vol. i. Florence.Google Scholar
Nicol, D. (1986) Studies in Late Byzantine History and Prosopography. London.Google Scholar
Nicol, D. (1993) The Last Centuries of Byzantium, 1261–1453, 2nd edn. Cambridge.Google Scholar
Nicoll, A. (1963) Masks, Mimes and Miracles: Studies in the Popular Theatre. New York.Google Scholar
Niederle, L. (1926) Manuel de l’antiquité slave. Paris.Google Scholar
Obolensky, D. (1971a) Byzantium and the Slavs: Collected Studies. London.Google Scholar
Obolensky, D. (1971b) The Byzantine Commonwealth: Eastern Europe, 500–1453. London.Google Scholar
Ogden, D. (1996) “Set Pieces and Special Effects in the Liturgical Drama,” Early Drama, Art, and Music Review 18: 7688.Google Scholar
Ogden, D. (2002) The Staging of Drama in the Medieval Church. Newark, NJ.Google Scholar
Ogilvy, J. (1963) “‘Mimi, Scurrae, Histriones’: Entertainers of the Early Middle Ages,” Speculum 38: 603–19.Google Scholar
Oikonomides, N. (1998) “Byzantine Vatopaidi: A Monastery of the High Aristocracy,” in The Holy and Great Monastery of Vatopaidi: Tradition–History–Art, ed. Papaggelos, I.. Mount Athos: 1.44–53.Google Scholar
Ostrogorsky, G. (1969) History of the Byzantine State, trans. Hussey, J.. New Brunswick, NJ.Google Scholar
Ovadiah, A. (1976) “Gaza,” in Encyclopedia of Archaeological Excavations in the Holy Land, ed. Avi-Yonah, M.. Jerusalem: 2.408–17.Google Scholar
Pallen, T. (1999) Vasari on Theatre. Carbondale, IL.Google Scholar
Panayotakis, C. (1997) “Baptism and Crucifixion on the Mimic Stage,” Mnemosyne 50: 302–19.Google Scholar
Paniagua, G. (dir.) (1978) Atrium Musicae de Madrid: Musique de la Grèce antique. Harmonia Mundi HMA 1951015. Compact Disc.Google Scholar
Papaggelos, I. (ed.) (1998) The Holy and Great Monastery of Vatopaidi: Tradition–History–Art (2 vols.). Mount Athos.Google Scholar
Papathanasiou, I. (1996) “The Dating of the Sticherarion ebe 883,” Cahiers de l’Institut du Moyen-Âge Grec et Latin 66: 3541.Google Scholar
Papathanasiou, I. and Boukas, Nikolaos (2004) “Early Diastematic Notation in Greek Christian Hymnographic Texts of Coptic Origin: A Reconsideration of the Source Material,” in Paleobyzantine Notations III: Acta of the Congress held at Hermen Castle, The Netherlands, in March 2001, ed. Wolfram, Gerda. Dudley, MA: 125.Google Scholar
Parenti, S. (2000a) “Ordinations in the East,” in Handbook for Liturgical Studies, vol. iv, Sacraments and Sacramentals, ed. Chupungco, A.. Collegeville, MN: 205–16.Google Scholar
Parenti, S. (2000b) “The Christian Rite of Marriage in the East,” in Handbook for Liturgical Studies, vol. iv, Sacraments and Sacramentals, ed. Chupungco, A.. Collegeville, MN: 255–74.Google Scholar
Parenti, S. (2011) “The Cathedral Rite of Constantinople: Evolution of a Local Tradition,” Orientalia Christiana Periodica 77.2: 449–69.Google Scholar
Pasquato, O. (1976) Gli spettacoli in S. Giovanni Crisostomo: paganesimo e cristianesimo ad Antiochia e Constantinopoli nel IV secolo. Rome.Google Scholar
Patrich, J. (2002) “Herod’s Theatre in Jerusalem: A New Proposal,” Israel Excavation Journal 53: 231–9.Google Scholar
Pauly, A. et al. (eds.) (1894–1978) Realencyclopädie der classischen Altertumswissenschaft (49 vols.). Stuttgart and Munich.Google Scholar
Payne, R. and Romanoff, N. (1975) Ivan the Terrible. New York.Google Scholar
Pentcheva, B. (2006) Icons and Power: The Mother of God in Byzantium. University Park, PA.Google Scholar
Petit, P. (1955) Libanius et la vie municipale à Antioche au IVe siècle après J.-C.. Paris.Google Scholar
Pickard-Cambridge, A. (1946) The Theatre of Dionysus in Athens. Oxford.Google Scholar
Pickard-Cambridge, A. (1988) The Dramatic Festivals of Athens, ed. Gould, J. and Lewis, D., 3rd edn. Oxford.Google Scholar
Pickard-Cambridge, A. (1997) Dithyramb Tragedy and Comedy, repr. Oxford.Google Scholar
Pintacuda, M. (1978) La musica nella tragedia graeca. Cefalú.Google Scholar
Plorites, M. (1999) Τό Θέατρο στό Βυζάντιο. Athens.Google Scholar
Pohlmann, E. and West, M. (eds.) (2001) Documents of Ancient Greek Music: Extant Melodies and Fragments Edited and Transcribed with Commentary. Oxford.Google Scholar
Pontani, A. (1994) “Firenze nella fonti greche del concilio,” in Firenze e il concilio del 1439, ed. Viti, P.. Florence: 753812.Google Scholar
Potter, D. (1999) “Roman Religion: Ideas and Actions,” in Life, Death, and Entertainment in the Roman Empire, ed. Potter, D. and Mattingly, D.. Ann Arbor, MI: 113–67.Google Scholar
Powers, H. (ed.) (1980) Studies in Music History: Essays for Oliver Strunk. Westport, CT.Google Scholar
Price, S. (1984) Ritual and Power: The Roman Imperial Court in Asia Minor. Cambridge.Google Scholar
Prokofiev, (1984) Kniga Khozheniie. Moscow.Google Scholar
Puchner, W. (1981–2) “Τό Βυζαντινό Θέατρο,” Ἐπετηρίς τοῦ Κεντροῦ Ἐπιστημωνικῶν Σπουδῶν 11: 169274.Google Scholar
Puchner, W. (1983) “Byzantinischer Mimos, Pantomimos und Mummenschanz im Spiegel der griechischen Patristik und ekklesiastischer Synodalverordnungen. Quellenkritische Anmerkungen aus theaterwissenschaftlicher Sicht,” Maske und Kothurn 29: 311–17.Google Scholar
Puchner, W. (1990) “Zum ‘Theater’ in Byzanz. Eine Zwischenbilanz,” in Fest und Alltag in Byzanz, ed. Prinzing, G. and Simon, D.. Munich: 1116.Google Scholar
Puchner, W. (1997) Akkommodationsfragen: Einzelbeispiele zum paganen Hintergrund von Elementen der frühkirchlichen und mittelalterlichen Sakraltradition und Volksfrömmigkeit. Munich.Google Scholar
Puchner, W. (2001) Ὁ Μίτος τῆς Ἀριαδνῆς· Δέκα Θεατρολόγικα Μελετήματα. Athens.Google Scholar
Puchner, W. (2002) “Acting in the Byzantine Theatre: Evidence and Problems,” in Greek and Roman Actors: Aspects of an Ancient Profession, ed. Easterling, P. and Hall, E.. Cambridge: 304–24.Google Scholar
Puchner, W. (2003) “Jesuit Theatre on the Islands of the Aegean Sea,” Journal of Modern Greek Studies 21: 207–22.Google Scholar
Puchner, W. (2004) Ἡ Κύπρος τῶν Σταυροφορῶν καί τό Θρησκεύτικο Θέατρο τοῦ Μεσαιώνα. Leukosia.Google Scholar
Raasted, J. (1966) Intonation Formulas and Modal Structures in Byzantine Musical Manuscripts. Copenhagen.Google Scholar
Raasted, J. (ed.) (1983) The Hagiopolites: A Byzantine Treatise on Musical Theory. Cahiers de l’Institut du Moyen-Âge Grec et Latin 45. Copenhagen.Google Scholar
Raasted, J. (1993) “Compositional Devices in Byzantine Chant,” in From Idea to Sound: Proceedings of the International Musicological Symposium held at Castle Nieborow in Poland, September 4–5, 1985, ed. Velimirović, M.. Krakow: 5976.Google Scholar
Raposa, M. (2004) “Ritual Inquiry: The Pragmatic Logic of Religious Practice,” in Thinking through Rituals: Philosophical Perspectives, ed. Schilbrack, K.. New York: 113–27.Google Scholar
Réau, L. (1979) Iconographie de l’art chrétien, vol. ii, Iconographie de la Bible: Ancien Testament, repr. Paris.Google Scholar
Reich, H. (1903) Der Mimus: Ein literar-entwickelungsgeschichtlicher Versuch. Berlin.Google Scholar
Reich, R. and Billig, Y. (2000) “A Group of Theatre Seats Discovered near the South-Western Corner of the Temple Mount,” Israel Excavation Journal 50.3–4: 175–84.Google Scholar
Reinach, M. (1919) “Un mime byzantin,” Revue des Études Grecques 32: 433–42.Google Scholar
Reinelt, J. and Roach, J. (eds.) (1992) Critical Theory and Performance. Ann Arbor, MI.Google Scholar
Reynolds, J. and Tannenbaum, R. (1987) Jews and God-Fearers at Aphrodisias. Cambridge.Google Scholar
Richter, L. (1964) “Fragen der spätgriechisch-byzantinischen Musiktheorie: Die Erforschung der byzantinischen Musik,” in Byzantinische Beiträge, ed. Irmscher, J.. Berlin: 187230.Google Scholar
Richter, L. (1998) “Antike Überlieferungen in der byzantinischen Musiktheorie,” Acta Musicologica 70.2: 133208.Google Scholar
Ringrose, K. (2003) The Perfect Servant: Eunuchs and the Social Construction of Gender in Byzantium. Chicago.Google Scholar
Roach, J. (1993) The Player’s Passion: Studies in the Science of Acting. Ann Arbor, MI.Google Scholar
Robert, L. (1930) “Pantomimen im griechischen Orient,” Hermes 65: 106–22.Google Scholar
Roccasalvo, J. (1986) The Plainchant Tradition of Southwestern Rus’. Boulder, CO.Google Scholar
Rogers, G. (1991) The Sacred Identity of Ephesos: Foundation Myths of a Roman City. New York.Google Scholar
Roller, D. (1998) The Building Program of Herod the Great. Berkeley, CA.Google Scholar
Romano, R. (ed.) (1999) La satira byzantina dei secoli XI–XV. Turin.Google Scholar
Rossetto, P. and Sartorio, G. (eds.) (1994–6) Teatri greci e romani alle origini del linguiaggio rappresentato (3 vols.). Rome.Google Scholar
Roueché, C. (1993) Performers and Partisans at Aphrodisias. London.Google Scholar
Roueché, C. (2002a) “Images of Performance: New Evidence from Ephesus,” in Greek and Roman Actors: Aspects of an Ancient Profession, ed. Easterling, P. and Hall, E.. Cambridge: 254–81.Google Scholar
Roueché, C. (2002b) “The Image of Victory: New Evidence from Ephesus,” in Travaux et mémoires 14: Mélanges Gilbert Dagron. Paris: 527–46.Google Scholar
Ruggieri, V. (1991) Byzantine Religious Architecture (582–867): Its History and Structural Elements. Rome.Google Scholar
Runciman, S. (1933) Byzantine Civilization. New York.Google Scholar
Runciman, S. (1977) The Byzantine Theocracy. Cambridge.Google Scholar
Sachau, E. (1899) Die Handschriften-Verzeichnisse der Königlichen Bibliothek zu Berlin, vol. xxiii, Verzeichnis der Syrischen Handschriften. Berlin.Google Scholar
Said, E. (1979) Orientalism. New York.Google Scholar
Salzman, M. (1990) On Roman Time: The Codex-Calendar of 354 and the Rhythms of Urban Life in Late Antiquity. Berkeley, CA.Google Scholar
Sathas, C. (1875) “Sur les commentaries byzantins relatifs aux comédies de Ménandre, aux poêmes d’Homère, etc.,” Annuaires de l’Association pour l’Encouragement des Études Grecques en France 9: 187222.Google Scholar
Sathas, C. (1994) Ἱστορικόν Δοκίμιον περί τοῦ Θεάτρου καί τῆς Μουσικῆς τῶν Βυζαντινῶν, ἤτοι ἐισαγωγή ἐις τό Κρητικόν Θεάτρον, repr. Athens.Google Scholar
Schechner, R. (1988) Performance Theory, rev. edn. New York.Google Scholar
Schechner, R. (1992) “Invasions Friendly and Unfriendly: The Dramaturgy of Direct Theater,” in Critical Theory and Performance, ed. Reinelt, Janelle G. and Roach, Joseph R.. Ann Arbor, MI: 88106.Google Scholar
Schechner, R. (1993) The Future of Ritual: Writings on Culture and Performance. New York.Google Scholar
Schilbrack, K. (ed.) (2004) Thinking through Rituals: Philosophical Perspectives. New York.Google Scholar
Schiller, G. (1971) Iconography of Christian Art, vol. i, Christ’s Incarnation, Childhood, Baptism, Temptation, Transfiguration, Works, and Miracles, trans. Seligman, J.. Greenwich, CT.Google Scholar
Schnusenberg, C. (1988) The Relationship between the Church and the Theatre: Exemplified by Selected Writings of the Church Fathers and by Liturgical Texts until Amalarius of Metz – 775–852 a.d. New York.Google Scholar
Schnusenberg, C. (2010) The Mythological Traditions of Liturgical Drama: The Eucharist as Theater. New York.Google Scholar
Seeck, O. (ed.) (1883) Q. Aurelii Symmachi quae supersunt. Berlin.Google Scholar
Segal, A. (1991) Architecture and the Theatre in Eretz Israel during the Roman and Byzantine Periods. Haifa.Google Scholar
Segal, A. (1995) Theaters in Roman Palestine and Provincia Arabia. New York.Google Scholar
Senelick, L. (1981) Russian Dramatic Theory from Pushkin to the Symbolists. Austin, TX.Google Scholar
Ševčenko, I. (1975) “Theodore Metochites, the Chora, and the Intellectual Trends of His Time,” in The Kariye Djami, vol. iv, Studies in the Art of the Kariye Djami and its Intellectual Background, ed. Underwood, P.. Princeton, NJ: 1784.Google Scholar
Ševčenko, I. (1981) Society and Intellectual Life in Late Byzantium. London.Google Scholar
Ševčenko, N. (1991) “Icons in the Liturgy,” Dumbarton Oaks Papers 45: 4557.Google Scholar
Slater, W. (1995) “The Pantomime Tiberius Iulius Apolaustus,” Greek, Roman, and Byzantine Studies 36: 263–92.Google Scholar
Slater, W. (ed.) (1996) Roman Theater and Society: E. Togo Salmon Papers I. Ann Arbor, MI.Google Scholar
Slonim, M. (1962) Russian Theatre from the Empire to the Soviets. New York.Google Scholar
Smith, M. (1978) And Taking Bread … Cerularius and the Azyme Controversy of 1054. Paris.Google Scholar
Smith, R. and Erim, K. (eds.) (1991) Aphrodisias Papers 2: The Theatre, a Sculptor’s Workshop, Philosophers, and Coin-Types. Ann Arbor, MI.Google Scholar
Smith, R. and Erim, K. (1993) The Monument of C. Julius Zoilos. Mainz am Rhein.Google Scholar
Sofer, A. (2003) The Stage Life of Props. Ann Arbor, MI.Google Scholar
Sokolov, Y. (1971) Russian Folklore, trans. Smith, C.. Detroit, MI.Google Scholar
Spicq, C. (1994) Theological Lexicon of the New Testament, vol. iii, παι–πσευ., trans. Earnest, J.. New York.Google Scholar
Stathis, G. (1975) Η Εξήγησις τῆς Παλαιάς βυζαντινῆς Σημειογραφίας. Athens.Google Scholar
Stathis, G. (1997) “Summary: Ioannes Koukouzeles’ ‘Method of Theseis’ and its Application,” in Byzantine Chant: Tradition and Reform, ed. Troelsgård, C.. Athens: 203–4.Google Scholar
Stern, H. (1953) Le calendrier de 354: Étude sur son texte et ses illustrations. Paris.Google Scholar
Stevens, J. and Rastall, R. (n.d.) “Medieval Drama,” in Grove Music Online, ed. L. Macy. www.grovemusic.com.Google Scholar
Sticca, S. (1970) The Latin Passion Play: Its Origins and Development. Albany, NY.Google Scholar
Sticca, S. (1974) “The Christos Paschon and the Byzantine Theatre,” Comparative Drama 8: 1344.Google Scholar
Stommel, E. (1954) Beiträge zur Ikonographie der konstantinischen Sarkophagplastik. Bonn.Google Scholar
Strunk, O. (1942) “The Tonal System of Byzantine Music,” Musical Quarterly 28: 190204.Google Scholar
Strunk, O. (1955–6) “The Byzantine Office at Hagia Sophia,” Dumbarton Oaks Papers 9–10: 177202.Google Scholar
Strunk, O. (ed.) (1965) Source Readings in Music History. New York.Google Scholar
Strunk, O. (1977) Essays on Music in the Byzantine World. New York.Google Scholar
Sturgeon, M. (1977) Sculpture: The Reliefs from the Theater. Corinth 9.2. Princeton, NJ.Google Scholar
Sturgeon, M. (2004) Sculpture: The Assemblage from the Theater. Corinth 9.3. Princeton, NJ.Google Scholar
Swoboda, M. (2002) “The ‘Furnace Play’ and the Development of Liturgical Drama in Russia,” Russian Review 61.2: 220–34.Google Scholar
Symes, C. (2002) “The Appearance of Early Vernacular Plays: Forms, Functions, and the Future of Medieval Theater,” Speculum 77: 778831.Google Scholar
Taft, R. (1978) The Great Entrance: A History of the Transfer of Gifts and other Preanaphoral Rites of the Liturgy of St. John Chrysostomos, 2nd edn. Rome.Google Scholar
Taft, R. (1979) “The Pontifical Liturgy of the Great Church According to a Twelfth-Century Diataxis in Codex British Museum Add. 34060,” pt. 1, Orientalia Christiana Periodica 45: 279307.Google Scholar
Taft, R. (1980) “The Pontifical Liturgy of the Great Church According to a Twelfth-Century Diataxis in Codex British Museum Add. 34060,” pt. 2, Orientalia Christiana Periodica 46: 89124.Google Scholar
Taft, R. (1980–1) “The Liturgy of the Great Church: An Initial Synthesis of Structure and Interpretation on the Eve of Iconoclasm,” Dumbarton Oaks Papers 34–35: 4575.Google Scholar
Taft, R. (1992) The Byzantine Rite: A Short History. Collegeville, MN.Google Scholar
Taft, R. (1995) Liturgy in Byzantium and Beyond. Brookfield, VT.Google Scholar
Taft, R. (1996) “Ecumenical Scholarship and the Catholic–Orthodox Epiclesis Dispute,” Ostkirchliche Studien 45: 201–26.Google Scholar
Taft, R. (1997) Beyond East and West: Problems in Liturgical Understanding, 2nd edn. Rome.Google Scholar
Taft, R. (2000) The Precommunion Rites. Rome.Google Scholar
Taft, R. (2006a) “Was the Eucharistic Anaphora Recited Secretly or Aloud? The Ancient Tradition and What Became of It,” in Worship Traditions in Armenia and the Neighboring Christian East: An International Symposium in Honor of the 40th Anniversary of St. Nersess Armenian Seminary, ed. Ervine, R.. Crestwood, NY: 1557.Google Scholar
Taft, R. (2006b) “The Decline of Communion in Byzantium and the Distancing of the Congregation from the Liturgical Action: Cause, Effect, or Neither?,” in Thresholds of the Sacred: Architectural, Art Historical, Liturgical and Theological Perspectives on Religious Screens, East and West, ed. Gerstel, S.. Washington, DC: 2750.Google Scholar
Taplin, O. (1978) Greek Tragedy in Action. Berkeley, CA.Google Scholar
Tarkovsky, A. (dir.) (1992) Andrei Rublev. Corinth Films. Videocassette.Google Scholar
Teteriatnikov, N. (2004–5) “Hagia Sophia, Constantinople: Religious Images and their Functional Context after Iconoclasm.” Zograf 30: 919.Google Scholar
Theocaridis, G. (1940) Beiträge zur Geschichte des byzantinischen Profantheaters im IV. und V. Jahrhundert, hauptsächlich auf Grund der Predigten des Johannes Chrysostomos, Patriarchen von Konstantinopel. Thessalonica.Google Scholar
Theodorou, E. (1978) “La danse sacrée dans le culte chrétien et plus spécialement dans la famille liturgique byzantine,” in Gestes et paroles dans les diverses familles liturgiques. Rome: 285300.Google Scholar
Thibaut, J.-B. (1929) L’ancienne liturgie gallicane. Paris.Google Scholar
Thompson, E. and Jebb, R. (eds.) (1885) Facsimile of the Laurentian Manuscript of Sophocles. London.Google Scholar
Tierney, J. (1958) “Ancient Dramatic Theory and its Survival in the ‘Apologia Mimorum’ of Choricius of Gaza,” in 9th International Congress of Byzantine Studies. Athens: 3.259–74.Google Scholar
Tillyard, H. (1916–18) “The Modes in Byzantine Music,” Annual of the British School at Athens 22: 133–56.Google Scholar
Tillyard, H. (1924–25) “Signatures and Cadences of the Byzantine Modes,” Annals of the British School at Athens 26: 7887.Google Scholar
Tillyard, H. (1935) Handbook of the Middle Byzantine Musical Notation. Copenhagen.Google Scholar
Tillyard, H. (1937) “Medieval Byzantine Music,” Musical Quarterly 23: 201–9.Google Scholar
Tillyard, H. (1940–9) The Hymns of the Octoechos (2 vols.). Copenhagen.Google Scholar
Tillyard, H. (1952) Twenty Canons from the Trinity Hirmologion. Boston, MA.Google Scholar
Tillyard, H. (1960) The Hymns of the Pentecostarium. Copenhagen.Google Scholar
Tillyard, H. (1976) Byzantine Music and Hymnography, repr. New York.Google Scholar
Tinnefeld, F. (1974) “Zum profanen Mimos in Byzanz nach dem Verdikt des Trullanums (691),” Byzantina 6: 321–43.Google Scholar
Tougher, S. (ed.) (2002) Eunuchs in Antiquity and Beyond. Oakville, CT.Google Scholar
Touliatos, D. (1979) “The Byzantine Amomos Chant of the Fourteenth and Fifteenth Centuries,” Ph.D. dissertation, Ohio State University.Google Scholar
Touliatos, D. (1984) The Byzantine Amomos Chant of the Fourteenth and Fifteenth Centuries. Thessalonica.Google Scholar
Touliatos, D. (1988) “Byzantine Music since 1975,” Acta Musicologica 60: 205–28.Google Scholar
Touliatos, D. (1989) “Nonsense Syllables in the Ancient Greek and Byzantine Traditions,” Journal of Musicology 7.2: 231–43.Google Scholar
Touliatos, D. (1996a) “The Teretism Tradition in Ancient Greece and Byzantium,” in Proceedings of the International Music Symposium on Ancient, Byzantine, and Contemporary Greek Music, Delphi, Greece, Sept., 1986. Athens: 403–15.Google Scholar
Touliatos, D. (1996b) “The Status of Byzantine Music through the Twenty-First Century,” in Byzantium: Identity, Image, Influence, ed. Fledelius, Karsten. Copenhagen: 449–63.Google Scholar
Touliatos, D. (2014) “Kassia,” in Grove Music Online, ed. L. Macy. www.grovemusic.com.Google Scholar
Travlos, J. (1971) Pictorial Dictionary of Ancient Athens. New York.Google Scholar
Treadgold, W. (1997) A History of the Byzantine State and Society. Stanford, CA.Google Scholar
Trempelas, P. (1949) Ἐκλογή Ἑλληνικές Ὀρθοδοξοῦ Ὑμνογραφίας. Athens.Google Scholar
Troelsgård, C. (ed.) (1997) Byzantine Chant: Tradition and Reform. Acts of a Meeting held at the Danish Institute at Athens, 1993. Aarhus.Google Scholar
Troelsgård, C. (1999) “Musical Notation and Oral Transmission of Byzantine Chant,” Classica et Medievalia 50: 249–57.Google Scholar
Troelsgård, C. (2004) “Tradition and Transformation in Late Byzantine and Post-Byzantine Chant,” in Interaction and Isolation in Late Byzantine Culture: Papers Read at a Colloquium held at the Swedish Research Institute in Istanbul, 1–5 December, 1999, ed. Rosenquist, J.. Stockholm: 158–69.Google Scholar
Troelsgård, C. (2011) “When Did the Practice of Eunuch Singers in Byzantine Chant Begin? Some Notes on the Interpretation of the Early Sources,” in Psaltike: Neue Studien zur Byzantinischen Musik. Festschrift für Gerda Wolfram, ed. Wanek, N.-M.. Vienna: 345–50.Google Scholar
Tsigaridas, E. (1998) “The Mosaics and the Byzantine Wall-Paintings,” in The Holy and Great Monastery of Vatopaidi: Tradition–History–Art, ed. Papaggelos, I.. Mount Athos: 1.220–84.Google Scholar
Tuilier, A. (1950) “La datation et l’attribution du Christos Paschon et l’art du centon,” in Actes du VIe Congrès international d’Études byzantines, vol. i. Paris: 403–9.Google Scholar
Turner, E. (1971) Greek Manuscripts of the Ancient World. Oxford.Google Scholar
Turner, V. (1982) From Ritual to Theatre: The Human Seriousness of Play. New York.Google Scholar
Turner, V. (1983) “Play and Drama: The Horns of a Dilemma,” in The World of Play: Proceedings of the 7th Annual Meeting of the Association of the Anthropological Study of Play, ed. Manning, Frank E.. West Point, NY: 217–24.Google Scholar
Turner, V. (1986) Anthropology of Performance. New York.Google Scholar
Turner, V. (1990) “Are There Universals in Performance?,” in By Means of Performance: Intercultural Studies of Theatre and Ritual, ed. Schechner, R. and Appel, W.. Cambridge: 818.Google Scholar
Turyn, A. (1943) The Manuscript Tradition of the Tragedies of Aeschylus. New York.Google Scholar
Turyn, A. (1952) Studies in the Manuscript Tradition of the Tragedies of Sophocles. Urbana, IL.Google Scholar
Turyn, A. (1957) The Byzantine Manuscript Tradition of the Tragedies of Euripides. Urbana, IL.Google Scholar
Underwood, P. (1966) The Kariye Djami (4 vols.). New York.Google Scholar
Vacalopoulos, A. (1963) A History of Thessaloniki, trans. Carney, T.. Thessalonica.Google Scholar
Vacalopoulos, A. (1973) History of Macedonia 1354–1833, trans. Megann, P.. Thessalonica.Google Scholar
Valantsis, R. (ed.) (2000) Religions of Late Antiquity in Practice. Princeton NJ.Google Scholar
Van de Vorst, C. (1910) “Une Passion inédite de S. Porphyre le Mime,” Analecta Bollandiana 29: 258–75.Google Scholar
Varneke, B. (1951) History of the Russian Theatre: Seventeenth through Nineteenth Century. New York.Google Scholar
Vasiliev, A. (1964) History of the Byzantine Empire 324–1453 (2 vols.). Madison, WI.Google Scholar
Vasmer, M. (ed.) Russisches etymologisches Wörterbuch, vol. ii, L–Ssuda. Heidelberg.Google Scholar
Velimirović, M. (1962) “Liturgical Drama in Byzantium and Russia,” Dumbarton Oaks Papers 16: 351–85.Google Scholar
Velimirović, M. (1966) “Byzantine Composers in MS Athens 2406,” in Essays Presented to Egon Wellesz, ed. Westrup, Jack. Oxford: 718.Google Scholar
Velimirović, M. (1993a) “Reflections on Music and Musicians in Byzantium,” in ΤΟ ἙΛΛΗΝΙΚΟΝ: Studies in Honor of Speros Vryonis, Jr., vol. i, Hellenic Antiquity and Byzantium, ed. Landon, J. et al. New Rochelle, NY: 451–63.Google Scholar
Velimirović, M. (ed.) (1993b) From Idea to Sound: Proceedings of the International Musicological Symposium held at Castle Nieborow in Poland, September 4–5, 1985. Krakow.Google Scholar
Ventrone, P. (2001) “‘Una visione miracolosa e indicibile’: nuove considerazioni sulle feste di quartiere,” in Teatro e spettacolo nella Firenze dei Medici: modelli dei luoghi teatrali, ed. Zorzi, E. and Sperenzi, M.. Florence: 39–52.Google Scholar
Vernadsky, G. (1975) The Origins of Russia. Westport, CT.Google Scholar
Vernant, J.-P. (1991) Mortals and Immortals: Collected Essays, ed. Zeitlin, F.. Princeton NJ.Google Scholar
Vince, R. (1984) Ancient and Medieval Theatre: A Historiographical Handbook. Westport, CT.Google Scholar
Vince, R. (1989) A Companion to the Medieval Theatre. New York.Google Scholar
Vinson, M. (2003) “Rhetoric and Writing Strategies in the Ninth Century,” in Rhetoric in Byzantium, ed. Jeffreys, E.. London: 922.Google Scholar
Vivilakes, I. (1996) “Ἡ Θεατρική Ὁρολογία στούς Πατέρες τῆς Ἐκκλησίας· Συμβολή στή Μελέτη τῆς Σχεσέως Ἐκκλησίας καί Θεάτρου,” Ph.D. dissertation, University of Athens.Google Scholar
Vivilakes, I. (2003) Θεατρική Ἀναπαραστάση στό Βυζάντιο καί στή Δύση. Athens.Google Scholar
Vogt, A. (1931a) “Études sur le théâtre byzantin I,” Byzantion 46: 3774.Google Scholar
Vogt, A. (1931b) “Études sur le théâtre byzantin II,” Byzantion 46: 623–40.Google Scholar
Vogt, A. (1931c) “Théâtre à Byzance et dans l’empire du IVe au XIIIe siecle,” Revue des Questions Historiques 115: 257–96.Google Scholar
Volbach, W. (1962) Early Christian Art. New York.Google Scholar
Walter, C. (1982) Art and Ritual of the Byzantine Church. London.Google Scholar
Ward-Perkins, B. (1984) From Classical Antiquity to the Middle Ages: Urban Public Building in Northern and Central Italy ad 300–850. New York.Google Scholar
Warner, E. (1977) The Russian Folk Theatre. Paris.Google Scholar
Warner, E. (1982) “Work and Play: Some Aspects of Folk Drama in Russia,” in The Drama of the Middle Ages: Comparative and Critical Essays, ed. Davidson, C., Gianakaris, C., and Stroupe, J.. New York: 353–70.Google Scholar
Weiss, Z. (1999) “Adopting a Novelty: The Jews and the Roman Games in Palestine,” in The Roman and Byzantine Near East, vol. ii, Some Recent Archaeological Research, ed. Humphrey, J. H.. Portsmouth, RI: 2349.Google Scholar
Weissmann, W. (1975) “Gelasinos von Heliopolis, ein Schauspieler-Märtyrer,” Analecta Bollandiana 93: 3966.Google Scholar
Well, C. (2004) “The Perfect Servant: Eunuchs and the Social Construction of Gender in Byzantium, by Kathryn M. Ringrose,” review, Bryn Mawr Classical Review 2.12. http://ccat.sas.upenn.edu/bmcr/.Google Scholar
Wellesz, E. (1947) “The Nativity Drama of the Byzantine Church,” Journal of Roman Studies 37: 145–51.Google Scholar
Wellesz, E. (1952) “Early Byzantine Neumes,” Musical Quarterly 38: 6879.Google Scholar
Wellesz, E. (ed.) (1957) Ancient and Oriental Music. Oxford.Google Scholar
Wellesz, E. (1998) A History of Byzantine Music and Hymnography, 2nd edn., repr. Oxford.Google Scholar
Wenber, A. (1957) Jean Chrysostome: Huit catéchéses baptismales inédites. Paris.Google Scholar
Werner, E. (1984) The Sacred Bridge: The Interdependence of Liturgy and Music in Synagogue and Church during the First Millennium (2 vols.). New York.Google Scholar
West, M. (1992) Ancient Greek Music. Oxford.Google Scholar
White, A. (2000) “The Jester as Historian: On the Remarkable Career of the Russian Skomorokh,” TEATPЪ 1: 135–51.Google Scholar
White, A. (2010) “Adventures in Recording Technology: The Drama-as-Performance in the Greek East,” in Beyond the Fifth Century: Interactions with Greek Tragedy from the Fourth Century BCE to the Middle Ages, ed. Gildenhard, I. and Revermann, M.. Berlin: 371–96.Google Scholar
White, A. (2013) “Mime and the Secular Sphere: Notes on Choricius’ Apologia Mimorum,” Studia Patristica 60: 4759.Google Scholar
White, L. M. (1982) “Domus Ecclesiae – Domus Dei: Adaptation and Development in the Setting for Early Christian Assembly,” Ph.D. dissertation, Yale University.Google Scholar
White, L. M. (1990) Building God’s House in the Roman World: Architectural Adaptation among Pagans, Jews, and Christians. Baltimore, MD.Google Scholar
White, M. (1995) “Urban Development and Social Change in Imperial Ephesos,” in Ephesos Metropolis of Asia: An Interdisciplinary Approach to its Archaeology, Religion, and Culture, ed. Koester, H.. Valley Forge, PA: 2779.Google Scholar
Whittow, M. (1995) The Making of Byzantium, a.d. 600–1025. Berkeley, CA.Google Scholar
Wiecynski, J. (ed.) (1976–94) The Modern Encyclopedia of Russian and Soviet History (60 vols.). Gulf Breeze, FL.Google Scholar
Wiemken, H. (1972) Der griechische Mimus. Bremen.Google Scholar
Wiles, D. (1997) Tragedy in Athens: Performance Space and Theatrical Meaning. Cambridge.Google Scholar
Williams, E. (1972) “A Byzantine Ars Nova: The 14th-Century Reforms of John Koukouzeles in the Chanting of Great Vespers,” in Aspects of the Balkans: Continuity and Change, Contributions to the International Balkan Conference held at UCLA, October 23–28, 1969, ed. Birnbaum, H. and Vryonis, S., Jr. Paris: 211–29.Google Scholar
Williams, E. and Troelsgård, C. (2014) “Koukouzeles,” in Grove Music Online, ed. Macy, L.. www.grovemusic.com.Google Scholar
Wilson, N. (1975) “Books and Readers in Byzantium,” in Byzantine Books and Bookmen, ed. Ševčenko, I. and Mango, C.. Washington, DC: 115.Google Scholar
Wilson, N. (1996a) Scholars of Byzantium, rev. edn. Cambridge, MA.Google Scholar
Wilson, N. (1996b) “The Manuscripts of Greek Classics in the Middle Ages and the Renaissance,” Classica et Medievalia 47: 379–89.Google Scholar
Wilson, P. (2002) “The Musicians among the Actors,” in Greek and Roman Actors: Aspects of an Ancient Profession, ed. Easterling, P. and Hall, E.. Cambridge: 3968.Google Scholar
Winkler, G. (1997) Studies in Early Christian Liturgy and its Context. Brookfield, VT.Google Scholar
Winnington-Ingram, R. (1968) Mode in Ancient Greek Music. Amsterdam.Google Scholar
Witt, R. (2002) “The Other Castrati,” in Eunuchs in Antiquity and Beyond, ed. Tougher, S.. Oakville, CT: 235–60.Google Scholar
Wood, J. (1975) Discoveries at Ephesus, Including the Site and Remains of the Great Temple of Diana, repr. New York.Google Scholar
Xydis, S. (1947) “The Chancel Barrier, Solea, and Ambo of Hagia Sophia,” Art Bulletin 29: 124.Google Scholar
Yenipinar, H. and Sahin, S. (1998) Paintings of the Dark Church. Istanbul.Google Scholar
Young, K. (1933) The Drama of the Medieval Church (2 vols.). Oxford.Google Scholar
Zachariadou, E. (2000) “E Akolouthia tou Spanou: Satira kata tou latinikou Klērou” in Enthymesis: Nikolaou M. Panagiotakē, ed. Kalkamanis, S., Markopoulos, A., and Mauromatis, G.. Heraklion: 257–68.Google Scholar
Zguta, R. (1978) Russian Minstrels: A History of the Skomorokhi. State College, PA.Google Scholar
Zguta, R. (1982) “The Skomorokhi as Agents of Social Protest: Some Recent Interpretations,” in Folklorica: Festschrift for Felix J. Oinas, ed. Sinor, D.. Bloomington, IN: 341–8.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Andrew Walker White, George Mason University, Virginia
  • Book: Performing Orthodox Ritual in Byzantium
  • Online publication: 05 October 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9781139683654.017
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Andrew Walker White, George Mason University, Virginia
  • Book: Performing Orthodox Ritual in Byzantium
  • Online publication: 05 October 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9781139683654.017
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Andrew Walker White, George Mason University, Virginia
  • Book: Performing Orthodox Ritual in Byzantium
  • Online publication: 05 October 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9781139683654.017
Available formats
×