Book contents
- The Cambridge History of the Graphic Novel
- The Cambridge History of the Graphic Novel
- Copyright page
- Contents
- Illustrations
- Contributors
- 1 Introduction
- Part I 1799–1978
- Part II 1978–2000
- Part III 2000 to the present day
- 24 Joe Sacco, Graphic Novelist as Political Journalist
- 25 The Discovery of Marjane Satrapi and the Translation of Works from and about the Middle East
- 26 Chris Oliveros, Drawn and Quarterly, and the Expanded Definition of the Graphic Novel
- 27 The Jewish Graphic Novel
- 28 Crime Genre Fiction in the Graphic Novel
- 29 Genre Fiction in the Graphic Novel: The Case of Science Fiction
- 30 The Superhero Graphic Novel
- 31 Reinvention of the Form: Chris Ware and Experimentalism after Raw
- 32 Convergence Cultures: Modern and Contemporary Poetry and the Graphic Novel
- 33 Cinema’s Discovery of the Graphic Novel: Mainstream and Independent Adaptation
- 34 The Novel and the Graphic Novel
- 35 E-Graphic Novels
- 36 World Literature
- Bibliography
- Index
- References
27 - The Jewish Graphic Novel
from Part III - 2000 to the present day
Published online by Cambridge University Press: 30 July 2018
Book contents
- The Cambridge History of the Graphic Novel
- The Cambridge History of the Graphic Novel
- Copyright page
- Contents
- Illustrations
- Contributors
- 1 Introduction
- Part I 1799–1978
- Part II 1978–2000
- Part III 2000 to the present day
- 24 Joe Sacco, Graphic Novelist as Political Journalist
- 25 The Discovery of Marjane Satrapi and the Translation of Works from and about the Middle East
- 26 Chris Oliveros, Drawn and Quarterly, and the Expanded Definition of the Graphic Novel
- 27 The Jewish Graphic Novel
- 28 Crime Genre Fiction in the Graphic Novel
- 29 Genre Fiction in the Graphic Novel: The Case of Science Fiction
- 30 The Superhero Graphic Novel
- 31 Reinvention of the Form: Chris Ware and Experimentalism after Raw
- 32 Convergence Cultures: Modern and Contemporary Poetry and the Graphic Novel
- 33 Cinema’s Discovery of the Graphic Novel: Mainstream and Independent Adaptation
- 34 The Novel and the Graphic Novel
- 35 E-Graphic Novels
- 36 World Literature
- Bibliography
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge History of the Graphic Novel , pp. 443 - 456Publisher: Cambridge University PressPrint publication year: 2018
References
Primary Sources
Deutsch, B. (2010) Hereville: How Mirka Got Her Sword. New York, NY: Amulet Paperbacks.Google Scholar
Eisner, W. (2006) The Plot: The Secret Story of “The Protocols of the Elders of Zion.” New York, NY: Norton.Google Scholar
Folman, A., and Polonsky, D. (2009) Waltz with Bashir: A Lebanon War Story. New York, NY: Metropolitan.Google Scholar
Giordano, V. (1998 [1991–1997]) A Jew in Communist Prague, 3 vols., trans. J. Leclerc and J. Johnson. New York, NY: Nantier Beall Minoustchine.Google Scholar
Glidden, S. (2010) How to Understand Israel in 60 Days or Less. New York, NY: DC Comics.Google Scholar
Pekar, H. (1976–2008) American Splendor, self-published. Milwaukie, OR, Dark Horse, and New York, NY: DC Comics.Google Scholar
Pekar, H. (2011) “President’s Day.” In Pekar, H. and Buhle, P., eds., Yiddishkeit. New York, NY: Abrams Comicarts, 206–211.Google Scholar
Rudahl, S. (2007) Dangerous Woman: The Graphic Biography of Emma Goldman. New York, NY: The New Press.Google Scholar
Sfar, J. (2007 [2002) The Rabbi’s Cat, vol. 1., trans. A. Siegel and A. Singh. New York, NY: Pantheon.Google Scholar
Sheinkin, S. (2006) The Adventures of Rabbi Harvey: A Graphic Novel of Jewish Wisdom and Wit in the Wild West. Nashville, TN: Jewish Lights.Google Scholar
Secondary Sources
Baskind, S. and Omer-Sherman, R., eds. (2008) The Jewish Graphic Novel. New Brunswick: Rutgers University Press.Google Scholar
Buhle, P., and Pekar, H., eds. (2011) Yiddishkeit: Jewish Vernacular and the New Land. New York, NY: Abrams Comicarts.Google Scholar
Freedman, A. (2014) Charlotte Salomon, Graphic Artist. In Lightman, S., ed., Graphic Details: Jewish Women’s Confessional Comics in Essays and Interviews. Jefferson, NC: McFarland & Co., 38–50.Google Scholar
Kaplan, A. (2008) From Krakow to Krypton: Jews and Comic Books. Philadelphia, PA: Jewish Publication Society.Google Scholar
Kuhlman, M. (2015) Visualizing the Unrepresentable: Graphic Novel Adaptations of Kafka’s Metamorphosis. In Tabachnick, S. and Bendit Saltzman, E., eds., Drawn from the Classics: Essays on Graphic Adaptation of Literary Works. Jefferson, NC: McFarland & Co., 205–220.Google Scholar
Levine, M. (2003) Necessary Stains: Art Spiegelman’s Maus and the Bleeding of History. In Geis, D. R., ed., Considering Maus: Approaches to Art Spiegelman’s “Survivor’s Tale” of the Holocaust. Tuscaloosa, AL: University of Alabama Press, 63–104.Google Scholar
Lightman, S., ed. (2014) Graphic Details: Jewish Women’s Confessional Comics in Essays and Interviews. Jefferson, NC: McFarland & Co., 38–50.Google Scholar
McCloud, S. (1993) Understanding Comics: The Invisible Art. Northampton: Kitchen Sink Press.Google Scholar
Robertson, R. (1987) Kafka: Judaism, Politics, and Literature. Oxford: Clarendon.CrossRefGoogle Scholar
Royal, D. P. (2016) There Goes the Neighborhood: Cycling Ethnoracial Tensions in Will Eisner’s Dropsie Avenue. In Royal, D. P., ed., Visualizing Jewish Narrative: Jewish Comics and Graphic Novels. New York, NY: Bloomsbury, 81–94.Google Scholar
Tabachnick, S. E. (2014) The Quest for Jewish Belief and Identity in the Graphic Novel. Tuscaloosa, AL: University of Alabama Press.Google Scholar
Tabachnick, S. E. and Bendit Saltzman, E., eds. (2015) Drawn from the Classics: Essays on Graphic Adaptations of Literary Works. Jefferson, NC: McFarland & Co.Google Scholar
Wertz, J. (2014) Sarah Glidden. In Lightman, S., ed., Graphic Details: Jewish Women’s Confessional Comics in Essays and Interviews. Jefferson, NC: McFarland & Co., 222–227.Google Scholar