Book contents
- Frontmatter
- Contents
- Series Editor’s Foreword
- Acknowledgements
- Note on Transliteration and Translation
- Introduction: Cultural Exchange between Latin America and the Arab World
- 1 Transcontinental Literature: Gabriel García Márquez and Héctor Abad Faciolince
- 2 The African Shore: Rodrigo Rey Rosa and Alberto Ruy Sánchez in Morocco
- 3 Children of Scheherazade: Gabriel García Márquez in Arabic
- 4 Che Guevara’s Diaries, Miguel Littín’s Adventures: Latin American Iconography in Arabic Literature
- 5 Dreams of Jorge Luis Borges, Nightmares of Carlos Fuentes: Arabic and World Literature
- Epilogue: The Legacy of Transcontinental Ties
- Notes
- Bibliography
- Index
Series Editor’s Foreword
Published online by Cambridge University Press: 18 October 2023
- Frontmatter
- Contents
- Series Editor’s Foreword
- Acknowledgements
- Note on Transliteration and Translation
- Introduction: Cultural Exchange between Latin America and the Arab World
- 1 Transcontinental Literature: Gabriel García Márquez and Héctor Abad Faciolince
- 2 The African Shore: Rodrigo Rey Rosa and Alberto Ruy Sánchez in Morocco
- 3 Children of Scheherazade: Gabriel García Márquez in Arabic
- 4 Che Guevara’s Diaries, Miguel Littín’s Adventures: Latin American Iconography in Arabic Literature
- 5 Dreams of Jorge Luis Borges, Nightmares of Carlos Fuentes: Arabic and World Literature
- Epilogue: The Legacy of Transcontinental Ties
- Notes
- Bibliography
- Index
Summary
Edinburgh Studies in Modern Arabic Literature is a unique series that aims to fill a glaring gap in scholarship in the field of modern Arabic literature. Its dedication to Arabic literature in the modern period (that is, from the nineteenth century onwards) is what makes it unique among series undertaken by academic publishers in the English-speaking world. Individual books on modern Arabic literature in general or aspects of it have been and continue to be published sporadically. Series on Islamic studies and Arab/Islamic thought and civilisation are not in short supply either in the academic world, but these are far removed from the study of Arabic literature qua literature, that is, imaginative, creative literature as we understand the term when, for instance, we speak of English literature or French literature. Even series labelled ‘Arabic/Middle Eastern Literature’ make no period distinction, extending their purview from the sixth century to the present, and often including non-Arabic literatures of the region. This series aims to redress the situation by focusing on the Arabic literature and criticism of today, stretching its interest to the earliest beginnings of Arab modernity in the nineteenth century.
The need for such a dedicated series, and generally for the redoubling of scholarly endeavour in researching and introducing modern Arabic literature to the Western reader, has never been stronger. Among activities and events heightening public, let alone academic, interest in all things Arab, and not least Arabic literature, are the significant growth in the last decades of the translation of contemporary Arab authors from all genres, especially fiction, into English; the higher profile of Arabic literature internationally since the award of the Nobel Prize in Literature to Naguib Mahfouz in 1988; the growing number of Arab authors living in the Western diaspora and writing both in English and in Arabic; the adoption of such authors and others by mainstream, high-circulation publishers, as opposed to the academic publishers of the past; and the establishment of prestigious prizes, such as the International Prize for Arabic Fiction, popularly referred to in the Arab world as the Arabic Booker, run by the Man Booker Foundation, which brings huge publicity to the shortlist and winner every year, as well as translation contracts into English and other languages.
- Type
- Chapter
- Information
- Latin American and Arab LiteratureTranscontinental Exchanges, pp. vi - viiiPublisher: Edinburgh University PressPrint publication year: 2022