Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-gvh9x Total loading time: 0 Render date: 2024-07-17T12:54:41.035Z Has data issue: false hasContentIssue false

6 - Adventures of a Line of Thought: Rhythmic Evolutions of Intelligent Machines in Post-Digital Culture

Published online by Cambridge University Press:  22 September 2020

Paola Crespi
Affiliation:
Goldsmiths, University of London
Sunil Manghani
Affiliation:
Winchester School of Art, University of Southampton
Get access

Summary

‘Every year, the volume of new information is growing exponentially. What complicates matters further is the explosion of different communication channels. Never before has managing information … been tougher. We’ve entered an unprecedented period of data creation, but it's managing the combination of structured and unstructured data that makes this era truly chaotic.’ How do we get out of chaos?

How can something emerge from the disorder and confusion of the unstructured? This question has been constantly animating the work of scientists, philosophers and artists of all times. Most astronomers, for instance, will tell you that the exit of the universe from the chaos of the unknown coincided with the emerging of spacetime(s) as we know it. For some artists, on the other hand, the condensation of a whole universe into a single work is a question of purely subjective creation. But according to philosophers Gilles Deleuze and Félix Guattari, the question regards the ‘event’: emerging from chaos is always an event (Deleuze and Guattari 2002: 311).

As Deleuze wrote, the best way to understand what an event is, is to think of an idea: whereas we like to believe that ‘we have’ an idea, it is in fact the idea that comes to possess us, that chooses us, not because of our subjective identities but because of the particular technical capabilities that it finds in us, and that will provide it with the right arsenal to affirm itself and defeat chaos. If we keep following Deleuze's suggestions, we understand that an idea is, in fact, nothing more than a particular connection, a relation. The main example he gives is that of having an idea in cinema: a relation (that can also be a disjunction) between vision and sound, which constitutes the particular rhythm of a film (Deleuze 2003).

The above definition of an ‘era of data chaos’ comes from a source without any ontological or even artistic aspiration. It is an insight on the web page of the Kodak Alaris Business, and its main aim is to illustrate to businesses the necessity of extracting meaningful information from data, presenting this as a universal struggle and offering digital transformation as the main weapon to fight it.

Type
Chapter
Information
Rhythm and Critique
Technics, Modalities, Practices
, pp. 173 - 198
Publisher: Edinburgh University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×