Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-cnmwb Total loading time: 0 Render date: 2024-07-20T11:16:01.322Z Has data issue: false hasContentIssue false

Conclusion

Published online by Cambridge University Press:  25 January 2021

Get access

Summary

I believe that fiction writing is the guardian of the moral and ethical sense of the community. Especially now that organized religion is scattered and in disarray, and politicians have, Lord knows, lost their credibility, fiction is one of the few forms left through which we may examine our society not in its particular but in its typical aspects; through which we can see ourselves and the ways in which we behave towards each other, through which we can see others and judge them and ourselves.

— Margaret Atwood, Second Words

For as long as there have been addicts, there have been metaphors of brokenness that have dictated how we are supposed to see addicts, whether those addicts are ourselves or Others. To be broken is to be damaged goods— no longer whole or in working condition or both. Addiction, we are told, is responsible for breaking addicts, a state of being that can refer to anything and everything from physiological damage inflicted on the material body, neurological damage inflicted on the brain, emotional damage inflicted on the psyche, financial damage inflicted on the bank account, professional damage inflicted on the career, social damage inflicted on relationships with intimates and so on. For addicts, again we are told, this state of brokenness is a natural, even inevitable state of being— the rock bottom toward which all addicts are presumably always and already headed, perhaps from even before those addicts take their first drink or acquire their first fix.

Brokenness as a metaphor also can refer to a psychological state of being marked by hopelessness and despair. This particular iteration of the metaphor of brokenness is especially ubiquitous within Judeo Christianity, and, more broadly, Western spiritualism where it has spawned a wealth of self-help books, including but not limited to Charles Stanley's The Blessings of Brokenness: Why God Allows Us To Go through Hard Times (1997); Nancy Leigh DeMoss's Brokenness: The Heart God Revives (2002); Lon Solomon's Brokenness: How God Redeems Pain and Suffering (2005); Tunde Bolanta's Spiritual Brokenness: The Key to Becoming More Like Christ (2011); and Alan E. Nelson's Embracing Brokenness: How God Refines Us through Life's Disappointments (2016).

Type
Chapter
Information
Publisher: Anthem Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Conclusion
  • Heath A. Diehl
  • Book: Addiction, Representation and the Experimental Novel, 1985–2015
  • Online publication: 25 January 2021
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Conclusion
  • Heath A. Diehl
  • Book: Addiction, Representation and the Experimental Novel, 1985–2015
  • Online publication: 25 January 2021
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Conclusion
  • Heath A. Diehl
  • Book: Addiction, Representation and the Experimental Novel, 1985–2015
  • Online publication: 25 January 2021
Available formats
×